{"title":"Antiquities","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eIn this category, explore a diverse range of authentic objects from the lands that shaped the Roman, Greek, and Byzantine worlds, including the Holy Land, Near East, Egypt, China, and Europe. Our primary focus includes exquisite Ancient Roman, Greek, and Cypriot art, as well as fine Egyptian antiquities. Our gallery showcases captivating artifacts spanning over 5,000 years of human history, from Neolithic China to Late Medieval Europe.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"roman-bronze-pin","title":"Roman Bronze Pin","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eElegant ancient Roman bronze pin featuring a straight, tapering shaft ending in a finely pointed tip. Such pins were versatile personal items in antiquity, used either to fasten garments in place—serving as a practical alternative to brooches—or as decorative hair accessories. The simplicity of its design reflects the refined functional aesthetic characteristic of Roman metalwork during the Imperial period.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Intact. \u003c\/span\u003eSurface wear and abrasions commensurate with age and use, otherwise intact. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA fine green patina envelops in layers of mottled grayish hues. Size approx. 8,5cm x 0,5cm x 0,3cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003ePin, The Metropolitan Museum of Art, Accession Number: 25.78.135 (https:\/\/www.metmuseum.org\/art\/collection\/search\/251915)\u003c\/p\u003e\n\u003cp\u003eHair-pin, The British Museum, Accession Number: 2007,8045.48 (https:\/\/www.britishmuseum.org\/collection\/object\/H_2007-8045-48)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44195094626569,"sku":"1096762","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_4f3fdcf5-6b77-4a22-9982-a479c5e9a574.jpg?v=1676995490"},{"product_id":"roman-bronze-pin-2","title":"Roman Bronze Pin","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eElegant ancient Roman bronze pin featuring a poppy-seed–shaped head and a straight, tapering shaft ending in a finely pointed tip. Such pins were versatile personal items in antiquity, used to fasten garments—serving as a practical alternative to brooches—or as decorative hair accessories. The understated form and balanced proportions reflect the refined functional aesthetic characteristic of Roman metalwork during the Imperial period.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eGood condition. Intact. Surface wear and abrasions commensurate with age and use, otherwise intact. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eA fine green patina envelops in layers of mottled grayish hues. \u003c\/span\u003eSize approx. 11,2cm x 1,0cm x 0,3cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003ePin, The Metropolitan Museum of Art, Accession Number: 25.78.135 (https:\/\/www.metmuseum.org\/art\/collection\/search\/251915)\u003c\/p\u003e\n\u003cp\u003eHair-pin, The British Museum, Accession Number: 2007,8045.48 (https:\/\/www.britishmuseum.org\/collection\/object\/H_2007-8045-48)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198212567305,"sku":"1043142","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_7aeeddc7-0a08-4682-9ff5-03013d7db8ab.jpg?v=1677055198"},{"product_id":"roman-bronze-hair-pin","title":"Roman Bronze Hair Pin","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate ancient Roman hair pin cast in bronze, featuring a large bulbous spherical head and a straight, tapering shaft terminating in a finely pointed tip. Pins of this elegant type were used in antiquity both as practical fasteners for garments and as personal ornaments for securing elaborate hairstyles. The smooth, balanced form and lustrous bronze surface reflect the refined craftsmanship and understated aesthetic of Roman personal adornment during the Imperial period.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. Intact. Age-related wear. \u003cmeta charset=\"utf-8\"\u003eA fine green patina envelops in layers of mottled grayish hues. Size approx. 6,7cm x 0,8cm x 0,2cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eBronze pin, Science Museum Group, Accession Number: A645877  (https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co87819\/bronze-pin-pin-fastener.)\u003c\/p\u003e\n\u003cp\u003ePin, The British Museum, Accession Number: 2007,8045.53 (https:\/\/www.britishmuseum.org\/collection\/object\/H_2007-8045-53)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198327746825,"sku":"1076610","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_47529df5-200d-4a29-b0a3-a86399e0ee06.jpg?v=1677057514"},{"product_id":"cypro-archaic-period-horse-figure-fragment","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis exquisite terracotta horse figurine fragment represents the artistry and symbolic importance of votive offerings during the Cypro-Archaic period of Iron Age Cyprus. Hand-modeled with an abstract and stylized form, the horse showcases a protruding top-knot, a stylized mane, and a short muzzle. The elongated body and outstretched legs suggest a galloping motion, capturing the dynamism and elegance of the horse, a revered symbol of status and power during this period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of the Archaic Period crafted simple, handmade figurines with cylindrical bodies, coarse faces, and clay pellets for features like hats, eyes, and ears. Terracotta horse and rider figures were often left as votive offerings at sanctuaries or placed in the graves of the elite, symbolizing the owner's status and invoking protection or favor in the afterlife. Riding horses was a privilege of the upper classes, associated with warfare, transport, and ceremonial purposes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment likely originates from a larger figurine group, such as a chariot (quadriga) or mounted soldier, common in the sanctuaries of Cyprus. At the sanctuary of Apollo Hylates in Kourion, numerous horse and rider figurines have been discovered, dedicated to the god Hylates, later likened to the Greek Apollo. Similarly, the sanctuary at Avia Irini yielded numerous terracotta war chariots, reflecting the significance of equestrian imagery in Cypriot culture. This artifact offers a glimpse into the martial traditions, artistic expressions, and religious practices of ancient Cyprus, making it a remarkable piece of history and an exceptional addition to any collection of Cypriot antiquities.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. \u003cspan\u003e10,8cm x 10,0cm x 3,1cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198418645257,"sku":"1081202","price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_142e0037-9d71-4ae1-a934-f73529858a8b.jpg?v=1677060012"},{"product_id":"cypro-archaic-period-figure-fragment","title":"Cypro-Archaic Terracotta Warrior Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis captivating terracotta fragment from the Cypro-Archaic period portrays a warrior figure, part of a horse and rider group. The male figure, crafted in the abstract style characteristic of Iron Age Cyprus, features a conical headdress or crested helmet, along with distinct facial traits—a protruding chin, beard, hooded eyes, small pellet-like ears (or helmet studs), and a prominent hooked nose.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era frequently produced simple handmade figurines with coarse, cylindrical bodies and facial features formed from clay pellets, reflecting the artistic and symbolic traditions of the time. These terracotta figures often depicted warriors, horsemen, and charioteers, symbolizing the societal importance of warfare and the elite status associated with riding horses or commanding chariots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta quadriga models and similar figurines were commonly left in sanctuaries as votive offerings or placed in the graves of the wealthy as symbols of protection, power, and status in the afterlife. The prevalence of these figures points to a period of significant unrest and conflict during the Iron Age, as well as the societal esteem of martial prowess. Artifacts such as this one have been discovered in sacred sites like the sanctuary of Apollo Hylates at Kourion, where offerings were made to Hylates, a deity later associated with the Greek god Apollo. Additionally, excavations at the sanctuary of Avia Irini revealed numerous war chariot models, underscoring the prominence of chariotry and equestrian symbols in Cypriot religious and cultural practices.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rare fragment is a remarkable testament to the artistry and cultural significance of Cypriot terracotta figures, offering a vivid glimpse into the rituals, warfare, and artistry of ancient Cyprus. It is an exceptional addition for collectors and enthusiasts of early Mediterranean antiquities.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. \u003cspan\u003eTraces of red slip paint. \u003c\/span\u003eThe object is covered with a thin layer of earthy encrustation. Size approx. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6,4cm x 4,0cm x 4,2cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198779289865,"sku":"1024835","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_84bb81f7-0bdf-4afb-849b-178761c92677.jpg?v=1677062352"},{"product_id":"cypro-archaic-period-chariot-fragment","title":"Cypro-Archaic Terracotta Chariot Wheel Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700-475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis fascinating fragment represents a hand-modeled, disc-shaped chariot wheel from the Cypro-Archaic terracotta horse and rider group. Crafted from terracotta, the wheel is adorned with clay pellets designed to imitate wooden pegs. The tubular hubs on either side were intended to receive an axle, indicating that this piece is part of a model chariot used for votive purposes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots during the Archaic Period (c. 700-475 BC) were skilled in creating simple, yet effective, handmade figurines and models. This chariot wheel, part of a larger quadriga model, reflects the period's focus on military and religious practices. Terracotta models of chariots and horses, commonly used as votive offerings, were left in sanctuaries to honor the gods or placed in the graves of the wealthy as part of their burial rites.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of chariots in Cypriot culture during this time is indicative of an elite society where horse and rider, particularly in warfare, held significant status. Chariotry and cavalry played key roles in military conflicts, and these terracotta models, including the horse and rider figurines, reflect this aspect of life in ancient Cyprus.The sanctuary of Apollo Hylates at Kourion is home to numerous examples of such votive offerings, and the god Hylates, later equated with the Greek god Apollo, was often associated with the protection and guidance of warriors. Other sites, such as the sanctuary of Avia Irini, have yielded significant finds of war chariots, underscoring the importance of chariotry in Cypriot religious and military traditions.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. 6,6cm x 5,1cm x 6,0cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot wheel, The Metropolitan Museum of Art, Accession Number: 74.51.490 (https:\/\/www.metmuseum.org\/art\/collection\/search\/240076)\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198822019337,"sku":"1042060","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_495a75ab-f2e8-42e9-a3d6-e3d591eb908d.jpg?v=1677062813"},{"product_id":"viking-age-bronze-clasp-fragments","title":"Viking Age or Medieval Bronze Clothing Clasps","description":"\u003ch3 class=\"p1\"\u003eViking Age or Medieval Period, c. 793–1400 AD, Europe\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful collection of three small cast bronze clothing clasps, each finely shaped and evocative of the craftsmanship of early European metalworkers. These functional ornaments once served to fasten garments, combining practicality with subtle aesthetic appeal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Viking Age (c. 793–1066 AD) marked a period of expansive maritime exploration, trade, and conquest throughout Europe and beyond, while the broader Medieval period (c. 476–1400 AD) witnessed immense political transformation, social stratification, and artistic evolution across the continent.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring these centuries, both Viking and Medieval dress reflected social status, region, and wealth. Viking men typically wore wool or linen trousers and tunics, while women donned long shifts with suspended overdresses, often secured with brooches, pins, or clasps such as these. Clothing was woven primarily from locally sourced materials—wool, flax, hemp, and nettle—and was complemented by adornments in bronze, silver, or gold.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eClasps and brooches like these were not only utilitarian, fastening cloaks or tunics securely against the elements, but also conveyed the wearer’s identity and craftsmanship of their community. These examples, with their aged patina and compact elegance, embody the enduring legacy of Viking and Medieval artisanship across early Europe.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Surface wear and abrasions commensurate with age and use, otherwise intact.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eFine encrusted green patina. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize varies from 2,8cm to 2,7cm. \u003c\/span\u003e\u003cspan\u003eSell as a set.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClothing in the Viking Age, Hurstwic, William R. Shor, 1999-2023 (https:\/\/www.hurstwic.org\/history\/articles\/daily_living\/text\/clothing.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracing Textile Production from the Viking Age to the Middle Ages: Tools, Textiles, Texts and Contexts, Ingvild Øye, Oxbow Books, 2022. (https:\/\/doi.org\/10.2307\/j.ctv2mm1xqj.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTextiles in a Viking Age hoard: Identifying ephemeral traces of textiles in metal corrosion products, Mary Davis \u0026amp; Susanna Harris, Journal of Archaeological Science: Reports, Volume 48, 2023. (https:\/\/doi.org\/10.1016\/j.jasrep.2022.103796.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eViking and Early Middle Ages Northern Scandinavian Textiles Proven to be made with Hemp, G. Skoglund, M. Nockert \u0026amp; B. Holst, Sci Rep 3, 2686 (2013). (https:\/\/doi.org\/10.1038\/srep02686)\u003c\/em\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198841286921,"sku":"1030601","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_543d0e64-d66e-406f-a7df-86c9d3bcf543.jpg?v=1677063146"},{"product_id":"roman-glass-unquentaria","title":"Roman Glass Unquentaria","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Roman Empire, c. 100-200AD.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis exceptional Roman glass bottle, known as an unguentaria (or unguentarium, balsamarium, and lacrimarium), was likely used to store oils, perfumes, or other liquid and powdered substances. The small bottle features a piriform (pear-shaped) body, a tubular neck with slight constriction at the junction of a rounded flat base, and an everted rim with a delicate inward fold. This elegant form was widely favored across the Roman Empire from the first century to the early fourth century.\u003c\/p\u003e\n\u003cp\u003eUnguentaria were commonly included in Roman burials, though their exact purpose remains open to interpretation. It is believed that these bottles may have been used in funerary rituals, possibly containing oils, incense, or wine as offerings to honor the deceased or to appease the gods.\u003c\/p\u003e\n\u003cp\u003eRoman glassmakers were trailblazers in the development of glass technology over two millennia ago, creating soda-lime glass, which consisted of silicon, sodium, and calcium oxides. For added vibrancy, Roman artisans used various metallic oxides to color the glass. Copper was employed to produce hues from turquoise to light blue, green, and red, while cobalt created a rich, deep blue. Manganese and antimony were used for yellow, white, and purple tones, and iron was used for a variety of colors, including light blue, green, brown, and black, often to mimic the colors of gemstones like lapis lazuli and amethyst.\u003c\/p\u003e\n\u003cp\u003eThis beautiful unguentarium reflects the advanced glassmaking techniques and artistic vision of the Romans, offering a window into the craftsmanship and innovation of the ancient world.\u003c\/p\u003e\n\u003cp\u003eGood condition. Chip in the rim, otherwise intact. Lovely patina and age-induced wear occur. The surface of the exterior and interior is calcified and encrusted with minerals over the years. Bottle has a stunning colour that varying from pale bluish green to light seafoam green. Size approx. 11,4cm x 2,6cm x 2,6cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: From the collection of painter and tv producer Ole Braunstein (1917–1999). Donee of the Høyen Prize in 1984.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198855147785,"sku":"1070240","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_afe09576-baf0-4e1a-a4f8-d28cc7501813.jpg?v=1677064807"},{"product_id":"roman-glass-bottle-unguentaria","title":"Roman Glass Unguentaria","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Roman Empire, c. 100-200AD.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis stunning Roman glass bottle, known as an unguentaria (also referred to as unguentarium, balsamarium, or lacrimarium), was likely used for storing oils, perfumes, or other liquids and powdered substances. Its elegant piriform body and tubular neck, which features a slight constriction, culminate in an everted rim with an in-folded lip. This distinctive form was widely embraced across the Roman Empire from the first to early fourth centuries.\u003c\/p\u003e\n\u003cp\u003eUnguentaria were commonly found among Roman grave goods, though their precise purpose in funerary contexts remains uncertain. These vessels may have been used in rituals, potentially holding oils, wine, or incense, as offerings to honor the deceased or the gods.\u003c\/p\u003e\n\u003cp\u003eRoman glassmakers were true pioneers, advancing glass-making techniques over two millennia ago with the development of soda-lime glass. Made from a mixture of silicon, sodium, and calcium oxides, Roman glass was often colorfully enhanced with various metallic oxides. Copper was used to achieve hues ranging from turquoise to light blue, green, and red, while cobalt created a rich, deep blue. Manganese and antimony were employed to produce vibrant yellows, whites, and purples, and iron was used to create a broad spectrum of colors, including light blue, green, brown, and black, often mimicking the precious gemstones of the time like lapis lazuli and amethyst.\u003c\/p\u003e\n\u003cp\u003eThis beautiful unguentarium serves as a remarkable example of Roman glassmaking craftsmanship, reflecting the sophisticated artistry and innovation of the ancient world.\u003c\/p\u003e\n\u003cp\u003eModerate condition. Age-related heavy wear occur. Repaired. Fragments missing. The surface of the exterior and interior is calcified and encrusted with minerals over the years. Bottle has a stunning colour that varying from pale green to light seafoam green. Size approx. 10,8cm x 1,3cm x 1,3cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the collection of painter and tv producer Ole Braunstein (1917–1999). Donee of the Høyen Prize in 1984.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44199013482761,"sku":"1075775","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_2c15d056-e022-4ded-bf25-d9220898b4bf.jpg?v=1677065408"},{"product_id":"cypro-archaic-period-horse-figure-fragment-1","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis delightful terracotta fragment from the Cypro-Archaic period captures the head of a handmade horse figurine, crafted in the distinctive abstract style of Iron Age Cyprus. The horse’s long, slender neck, pointy ears, flowing mane with a prominent forelock, and a detailed bridle with heavy reins highlight the artistic skill and symbolic significance of these votive offerings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era created simple yet evocative figurines using solid terracotta, often shaping coarse faces and cylindrical bodies with clay pellets for features such as hats, eyes, and ears. These figures frequently depicted horses and riders, symbolizing warfare, status, and devotion. Horse and chariot figurines, including quadriga models, were left at sanctuaries as offerings to male deities or placed in the graves of the elite as markers of privilege and symbols of protection for the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of such figures points to a period of significant conflict in Cyprus during the Iron Age, when equestrian prowess and chariotry were symbols of martial and societal elite. The sanctuary of Apollo Hylates at Kourion, where many similar artifacts have been discovered, highlights the reverence for Hylates, a local god later identified with the Greek Apollo. Similarly, the sanctuary of Avia Irini yielded a wealth of war chariot models, reflecting the role of horses in both ritual and conflict.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment offers an invaluable glimpse into the religious practices, artistic traditions, and societal structures of ancient Cyprus, making it an exceptional piece for collectors and historians alike.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6,1cm x 5,6cm x 2,0cm. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44199050313993,"sku":"1013085","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_30fa13a4-6397-4c5f-a6ed-dc80a5a89401.jpg?v=1677065780"},{"product_id":"cypro","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis mesmerizing terracotta fragment from the Cypro-Archaic period captures the head of a handmade horse figurine, crafted in the distinctive abstract style of Iron Age Cyprus. The horse’s long, slender neck, pointy ears, flowing mane with a prominent forelock highlight the artistic skill and symbolic significance of these votive offerings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era created simple yet evocative figurines using solid terracotta, often shaping coarse faces and cylindrical bodies with clay pellets for features such as hats, eyes, and ears. These figures frequently depicted horses and riders, symbolizing warfare, status, and devotion. Horse and chariot figurines, including quadriga models, were left at sanctuaries as offerings to male deities or placed in the graves of the elite as markers of privilege and symbols of protection for the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of such figures points to a period of significant conflict in Cyprus during the Iron Age, when equestrian prowess and chariotry were symbols of martial and societal elite. The sanctuary of Apollo Hylates at Kourion, where many similar artifacts have been discovered, highlights the reverence for Hylates, a local god later identified with the Greek Apollo. Similarly, the sanctuary of Avia Irini yielded a wealth of war chariot models, reflecting the role of horses in both ritual and conflict.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment offers an invaluable glimpse into the religious practices, artistic traditions, and societal structures of ancient Cyprus, making it an exceptional piece for collectors and historians alike.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e10,8cm x 5,4cm x 2,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44199055687945,"sku":"1033944","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d2_4750e13c-c124-4c54-ad0a-cde03e3c958f.jpg?v=1677066057"},{"product_id":"viking-age-bronze-cross-fragments","title":"Viking Age or Medieval Bronze Cross Fragments","description":"\u003ch3 class=\"p1\"\u003eViking Age or Medieval Period, 793-1400AD, Europe\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eA captivating set of four small cast bronze cross fragments, each featuring elegantly expanded circular terminals. These rare relics originate from the Viking Age or Medieval Period, a transformative era spanning from 793 to 1400 AD, marked by exploration, conquest, and cultural exchange across Europe and beyond.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eDuring this time, Vikings embarked on vast trading and raiding expeditions, reaching as far as North America, while the medieval world saw the rise and fall of empires, shaping the foundations of modern Europe. Bronze crosses such as these were often worn as symbols of faith, protection, and status, making them not only exquisite artifacts but also a testament to the spiritual and artistic expressions of the time.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eVikings and medieval societies adorned themselves with jewelry, incorporating intricate metalwork into their daily attire. Both men and women, regardless of status, wore necklaces, arm rings, brooches, and pendants—some purely ornamental, others with functional purposes. These cross fragments may have once belonged to a larger, ornate piece worn by a noble or warrior, serving as both decoration and devotion.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eA remarkable addition to any collection, these cross fragments provide a tangible link to a world of faith, craftsmanship, and history. Ideal for collectors, historians, and enthusiasts of Viking and medieval artifacts.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with encrusted green patina and rich earthen deposits throughout. Size varies from 2,0cm to 1,0cm. Sell as a set.\u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eClothing in the Viking Age, Hurstwic, William R. Shor, 1999-2023 (https:\/\/www.hurstwic.org\/history\/articles\/daily_living\/text\/clothing.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTracing Textile Production from the Viking Age to the Middle Ages: Tools, Textiles, Texts and Contexts, Ingvild Øye, Oxbow Books, 2022. (https:\/\/doi.org\/10.2307\/j.ctv2mm1xqj.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTextiles in a Viking Age hoard: Identifying ephemeral traces of textiles in metal corrosion products, Mary Davis \u0026amp; Susanna Harris, Journal of Archaeological Science: Reports, Volume 48, 2023. (https:\/\/doi.org\/10.1016\/j.jasrep.2022.103796.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eViking and Early Middle Ages Northern Scandinavian Textiles Proven to be made with Hemp, G. Skoglund, M. Nockert \u0026amp; B. Holst, Sci Rep 3, 2686 (2013). (https:\/\/doi.org\/10.1038\/srep02686)\u003c\/em\u003e \u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44204808569097,"sku":"1047060","price":45.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_c61683f6-5553-4bdf-bc02-5b21be39f4e2.jpg?v=1677162377"},{"product_id":"roman-bronze-hair-pins-1","title":"Roman Bronze Hair Pins","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superb matched pair of ancient Roman hair pins, beautifully cast in bronze. One features a smooth bulbous spherical head, while the other displays a thick decahedral head—both with elegantly tapering shafts ending in fine points.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePins of this refined type were versatile personal accessories in antiquity, serving both as functional fasteners for garments and as decorative implements for securing elaborate hairstyles. The simplicity of form, combined with the subtle sheen of aged bronze, reflects the Roman appreciation for balance, proportion, and understated elegance in everyday adornment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. Intact. Age-related wear. \u003cmeta charset=\"utf-8\"\u003eA fine green patina envelops in layers of mottled grayish hues. Size approx. 4,2cm x 0,7cm x 0,2cm and 3,1cm x 0,7cm x 0,2cm. Sell as a pair\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eBronze pin, Science Museum Group, Accession Number: A645877  (https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co87819\/bronze-pin-pin-fastener.)\u003c\/p\u003e\n\u003cp\u003ePin, The British Museum, Accession Number: 2007,8045.53 (https:\/\/www.britishmuseum.org\/collection\/object\/H_2007-8045-53)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44204916211977,"sku":"1098664","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d1_ce800c3b-471e-4cf6-b336-f9663fc1f99e.jpg?v=1677163555"},{"product_id":"roman-bronze-hair-pins-2","title":"Roman Bronze Hair Pins","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superb pair of ancient Roman hair pins, beautifully cast in bronze and featuring a bulbous spherical heads and a straight, tapering shafts terminating in a finely pointed tips.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePins of this refined type were versatile personal accessories in antiquity, serving both as functional fasteners for garments and as decorative implements for securing elaborate hairstyles. The simplicity of form, combined with the subtle sheen of aged bronze, reflects the Roman appreciation for balance, proportion, and understated elegance in everyday adornment.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. Intact. Age-related wear. \u003cmeta charset=\"utf-8\"\u003eA fine green patina envelops in layers of mottled grayish hues. Size approx. 4,3cm x 0,5cm x 0,2cm and 4,1cm x 1,2cm x 0,2cm. Sell as a pair.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eBronze pin, Science Museum Group, Accession Number: A645877  (https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co87819\/bronze-pin-pin-fastener.)\u003c\/p\u003e\n\u003cp\u003ePin, The British Museum, Accession Number: 2007,8045.53 (https:\/\/www.britishmuseum.org\/collection\/object\/H_2007-8045-53)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44204933939465,"sku":"1082623","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_98494c2d-7805-4187-92c7-72dda50bf68c.jpg?v=1677163825"},{"product_id":"hellenistic-black-ware-bottle","title":"Hellenistic Blackware Pottery Bottle","description":"\u003ch3 class=\"p1\"\u003eAncient Greece, Magna Graecia, c. 350–300 BC, Apulia, Southern Italy\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis unusual and elegant Hellenistic blackware bottle is a striking example of the refined pottery traditions of Magna Graecia. Featuring a thick-walled cylindrical body, it is coated in a lustrous black slip, which terminates just below the rim on the interior and at the lower body. A gracefully applied loop handle extends from the vessel’s shoulder to the rim, enhancing both its aesthetic appeal and functionality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBlack-glazed pottery was highly prized in the Hellenistic period, particularly in Southern Italy, where artisans developed sophisticated ceramic techniques influenced by Greek traditions. The deep, glossy black finish was achieved using a special firing process that controlled oxygen levels in the kiln, creating the distinctive, mirror-like sheen characteristic of fine Greek and South Italian ceramics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLikely used for storing and pouring liquids, this bottle would have been a staple in both domestic and ritual settings, reflecting the importance of ceramics in daily life. A superb example of Hellenistic craftsmanship, this vessel embodies the artistry and technical expertise of the potters of ancient Magna Graecia.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and chip, with encrusted patina and rich earthen deposits throughout. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaint loss to the body. \u003c\/span\u003e\u003cspan\u003eSize approx. 12,8cm x 6,2cm x 5,9cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44208519217417,"sku":"1028990","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_6f1bc231-8a9c-4d0f-a4a1-d29f9c185c66.jpg?v=1677233502"},{"product_id":"celtic-bronze-ring-money-1","title":"Celtic Bronze Ring Money","description":"\u003ch3 class=\"p1\"\u003eThe Celts, c. 200 BC – 300 AD, France\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA charming and substantial ancient bronze ring money, beautifully patinated with age. The Celts were a network of tribes that emerged in Central Europe during the Late Bronze and Iron Ages (c. 700 BC–400 AD), unified by shared language, beliefs, and artistic traditions. Over the centuries, their influence extended from the British Isles and northern Spain to the Black Sea and Anatolia, where many were later absorbed into the Roman Empire as Britons, Gauls, Boii, Galatians, and Celtiberians.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRenowned for their artistry, the Celts produced an array of exquisite metalwork—from gold torcs and fibulae to bronze shields and ritual vessels—expressing a distinctive aesthetic of flowing, abstract forms. Before the adoption of struck coinage, ring money such as this example was used throughout Celtic territories, including the Danube region, France, England, and Ireland.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe precise function of these rings remains debated: while some may have served as garment or harness fittings, their standardized sizes and occurrence in hoards strongly suggest a role as proto-currency—an early, elegant precursor to coinage itself.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. Intact. \u003c\/span\u003eSurface wear and abrasions commensurate with age and use.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eA fine green patina envelops in layers of mottled grayish hues. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSize approx. \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3,5cm x 0,6cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44208644358409,"sku":"1069174","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_b1567a6c-22c5-4fd8-ba8b-f94b98a55340.jpg?v=1677235329"},{"product_id":"celtic-bronze-ring-money-2","title":"Celtic Bronze Ring Money","description":"\u003ch3 class=\"p1\"\u003eThe Celts, c. 200 BC – 300 AD, France\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superb set of three ancient bronze rings, beautifully patinated with age. The Celts were a network of tribes that emerged in Central Europe during the Late Bronze and Iron Ages (c. 700 BC–400 AD), unified by shared language, beliefs, and artistic traditions. Over the centuries, their influence extended from the British Isles and northern Spain to the Black Sea and Anatolia, where many were later absorbed into the Roman Empire as Britons, Gauls, Boii, Galatians, and Celtiberians.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRenowned for their artistry, the Celts produced an array of exquisite metalwork—from gold torcs and fibulae to bronze shields and ritual vessels—expressing a distinctive aesthetic of flowing, abstract forms. Before the adoption of struck coinage, ring money such as this example was used throughout Celtic territories, including the Danube region, France, England, and Ireland.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe precise function of these rings remains debated: while some may have served as garment or harness fittings, their standardized sizes and occurrence in hoards strongly suggest a role as proto-currency—an early, elegant precursor to coinage itself.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions consistent with age and use. \u003cspan\u003eEncrusted green patina and corrosion. Size varies from approx. 2,7cm to 2,2cm x 0,2cm. Sell as a set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44208646455561,"sku":"1099671","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_5598ac98-92ea-4f94-b211-4890486222dc.jpg?v=1677247751"},{"product_id":"tanagra-terracotta-eros-figurine","title":"Hellenistic Terracotta Figurine of a Young Eros","description":"\u003ch3\u003eAncient Greece, The Hellenistic period, c. 320 – 200 BC, Tanagra, Boeotia, Greece\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis magnificent hollow Tanagra terracotta figurine, dating from approximately 320–200 BC during the Hellenistic period, beautifully portrays a seated young Eros, the Greek god of love and desire. Wrapped tightly in a heavy himation draped over his head, the childlike deity exudes a sense of serene contemplation. The Tanagra figurines, named after the Boeotian town where many were unearthed, are mold-cast terracotta sculptures that primarily depict draped female figures, though some represent children, men, and even mythological beings like Eros.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe young god is depicted with a round, cherubic face, finely waved hair rising elegantly above his forehead, and soft, childlike curves accentuating his arms and legs. Seated upon a naturalistic rock, Eros holds a large kithara or lyre, a reference to his association with poetry, music, and the harmonious power of love. Originally, these figures would have been painted in delicate hues, with traces of red, blue, and ochre adding lifelike vibrancy to the sculpted form.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe artistry of Tanagra figurines lies in their subtle naturalism and exquisite detailing, capturing the grace and tenderness of Hellenistic aesthetics. This particular example, with its delicate modeling and emotive presence, reflects the refined sensibilities of the era, making it a remarkable testament to the artistic achievements of ancient Greece.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eProfessionally repaired with some break lines visible.  Remains of white pigment. Size approx. 10,5cm x 4,5cm x 4,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Greek Tanagra Figurines, Alexander Mirtchev, 2022.(https:\/\/www.mirtchevtanagra.org\/)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagra Figurines, In Heilbrunn Timeline of Art History, Department of Greek and Roman Art, New York: The Metropolitan Museum of Art, October 2004. (http:\/\/www.metmuseum.org\/toah\/hd\/tafg\/hd_tafg.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagras: Figurines for Life and Eternity, The Musée du Louvre’s Collection of Greek Figurines, Violaine Jeammet, American Journal of Archaeology, 2012. (https:\/\/www.ajaonline.org\/book-review\/1050)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209251582217,"sku":"1035097","price":1600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_cfc9a493-d5c6-4813-b131-b39e33446b07.jpg?v=1677248654"},{"product_id":"tanagra-lady","title":"Hellenistic Terracotta Figurine of a Young Woman","description":"\u003ch3 class=\"p1\"\u003e\u003cb\u003eAncient Greece, The Hellenistic period, c. 320 – 200 BC, Tanagra, Boeotia, Greece\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis exquisite hollow Tanagra terracotta figurine, dating from approximately 320–200 BC during the Hellenistic period, embodies the grace and refinement characteristic of these famed Boeotian sculptures. Standing contrapposto atop a rectangular plinth, the young woman is elegantly draped in a chiton and himation, which cascade in billowing folds down her slender form, enhancing the sense of fluidity and movement. The Tanagra figurines, named after the Boeotian town where many were unearthed, represent a pinnacle of Hellenistic artistry. Produced using mold-casting techniques, these figures predominantly depict draped females, though some examples include children and men.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eHer centrally parted hair is neatly pulled back, framing her delicately modeled face, which exudes serene elegance. An elaborate headdress, wreath, or wide band crowns her head, adding an element of sophistication and status. Originally, these figurines would have been vibrantly painted in shades of red, blue, and ochre, with additional detailing in gilding or encaustic to bring lifelike realism to their surfaces.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eCelebrated for their naturalistic poses and intricate detailing, Tanagra figurines were highly sought after in antiquity, often serving as votive offerings, grave goods, or decorative objects in private homes. This exceptional example captures the refinement of Hellenistic sculptural traditions, reflecting an era of artistic innovation and appreciation for everyday beauty.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. \u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eProfessionally repaired with some break lines visible.  Remains of white pigment. Size approx. 14,4cm x 4,7cm x 3,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Greek Tanagra Figurines, Alexander Mirtchev, 2022.(https:\/\/www.mirtchevtanagra.org\/)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagra Figurines, In Heilbrunn Timeline of Art History, Department of Greek and Roman Art, New York: The Metropolitan Museum of Art, October 2004. (http:\/\/www.metmuseum.org\/toah\/hd\/tafg\/hd_tafg.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagras: Figurines for Life and Eternity, The Musée du Louvre’s Collection of Greek Figurines, Violaine Jeammet, American Journal of Archaeology, 2012. (https:\/\/www.ajaonline.org\/book-review\/1050)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209285890313,"sku":"1020004","price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d1_6711ce79-469c-4225-8517-c0519c4c5128.jpg?v=1677249329"},{"product_id":"viking-age-bronze-buckle-1","title":"Medieval Bronze Clothing Buckle","description":"\u003ch3 class=\"p1\"\u003eMedieval Period, c. 880–1240 AD, Kievan Rus’, Eastern Europe\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fine and substantial cast bronze double buckle, thickly formed and exhibiting the robust utilitarian elegance typical of Kievan Rus’ metalwork. The design, found across numerous Kievan Rus archaeological sites, features a double loop that allowed the belt’s end to be neatly secured behind the buckle—an ingenious and practical construction. Likely once silvered or gilded, the surface now bears a rich green patina from centuries of age and burial.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Kievan Rus’ (c. 880–1240 AD), centered on Kyiv, was the first major state of the Eastern Slavs—stretching from the Carpathian Mountains to the Volga and from the Black Sea to the Baltic. Its flourishing trade routes and artistic exchange fostered a distinct material culture blending Scandinavian, Byzantine, and Slavic influences. Bronze fittings such as this buckle not only served daily function but also conveyed status and craftsmanship within one of medieval Europe’s most dynamic early states.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Pin missing. \u003c\/span\u003eLight surface wear consistent with age and use. \u003cspan\u003eFine encrusted green patina. Corrosion and minimal dents. Size approx. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3,1cm x 2,5cm x 0,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection.\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209341169929,"sku":"1070296","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d1_b91d885a-4f7f-49c1-b3cd-b02f6a3a5be0.jpg?v=1677250409"},{"product_id":"celtic-bronze-clothing-buckle","title":"Medieval Bronze Clothing Buckle","description":"\u003ch3\u003eMedieval Period, c. 880–1240 AD, Kievan Rus’, Eastern Europe\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicately cast bronze double buckle, finely formed and exhibiting the robust utilitarian elegance typical of Kievan Rus’ metalwork. The design, found across numerous Kievan Rus archaeological sites, features a double loop that allowed the belt’s end to be neatly secured behind the buckle—an ingenious and practical construction. Likely once silvered or gilded, the surface now bears a rich green patina from centuries of age and burial.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Kievan Rus’ (c. 880–1240 AD), centered on Kyiv, was the first major state of the Eastern Slavs—stretching from the Carpathian Mountains to the Volga and from the Black Sea to the Baltic. Its flourishing trade routes and artistic exchange fostered a distinct material culture blending Scandinavian, Byzantine, and Slavic influences. Bronze fittings such as this buckle not only served daily function but also conveyed status and craftsmanship within one of medieval Europe’s most dynamic early states.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Pin missing. Light surface wear consistent with age and use. Fine encrusted green patina. Corrosion and minimal dents. \u003cspan\u003eSize approx. 3,6cm x 2,6cm x 0,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209354080521,"sku":"1016946","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_1e328726-16b7-4036-9405-0d35be3c19f4.jpg?v=1677250704"},{"product_id":"celtic-bronze-clothing-buckle-1","title":"Medieval Bronze Clothing Buckle","description":"\u003ch3 class=\"p1\"\u003eMedieval Period, c. 880–1240 AD, Kievan Rus’, Eastern Europe\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA finely cast small bronze buckle, thickly formed and exhibiting the robust utilitarian elegance typical of Kievan Rus’ metalwork.  Likely once silvered or gilded, the surface now bears a rich green patina from centuries of age and burial.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Kievan Rus’ (c. 880–1240 AD), centered on Kyiv, was the first major state of the Eastern Slavs—stretching from the Carpathian Mountains to the Volga and from the Black Sea to the Baltic. Its flourishing trade routes and artistic exchange fostered a distinct material culture blending Scandinavian, Byzantine, and Slavic influences. Bronze fittings such as this buckle not only served daily function but also conveyed status and craftsmanship within one of medieval Europe’s most dynamic early states.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Light surface wear consistent with age and use. Fine encrusted green patina. Corrosion and minimal dents. \u003cspan\u003eSize approx. \u003cmeta charset=\"utf-8\"\u003e2,3cm x 2,4cm x 0,8cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209360109833,"sku":"1056245","price":50.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_f307838c-f11d-46dc-bef7-a6b0cc3adbcf.jpg?v=1677250854"},{"product_id":"celtic-bronze-clothing-buckle-2","title":"Medieval Bronze Clothing Buckle","description":"\u003ch3\u003eMedieval Period, c. 880–1240 AD, Kievan Rus’, Eastern Europe\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA finely modeled cast bronze buckle or clasp, thickly formed and exhibiting the robust utilitarian elegance typical of Kievan Rus’ metalwork.  Likely once silvered or gilded, the surface now bears a rich green patina from centuries of age and burial.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Kievan Rus’ (c. 880–1240 AD), centered on Kyiv, was the first major state of the Eastern Slavs—stretching from the Carpathian Mountains to the Volga and from the Black Sea to the Baltic. Its flourishing trade routes and artistic exchange fostered a distinct material culture blending Scandinavian, Byzantine, and Slavic influences. Bronze fittings such as this buckle not only served daily function but also conveyed status and craftsmanship within one of medieval Europe’s most dynamic early states.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Pin missing. Light surface wear consistent with age and use. Fine encrusted green patina. Corrosion and minimal dents. \u003cspan\u003eSize approx. \u003cmeta charset=\"utf-8\"\u003e4,2cm x 1,9cm x 0,9cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209377968393,"sku":"1064794","price":60.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_156ea99e-3f94-4fa1-bf64-b6290366c3c6.jpg?v=1677251005"},{"product_id":"roman-terracotta-olpe","title":"Roman North African Terracotta Olpe","description":"\u003ch3 class=\"p2\"\u003eRoman Empire, c. 100–300 AD\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eA beautifully crafted Roman terracotta mug, this elegant low-bellied vessel exemplifies the refined simplicity of ancient Roman pottery. Made from a light cream fine-grained fabric, it features a gracefully curved body that transitions seamlessly into a short neck with a flaring rim.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe exterior is coated in a stunning dark orange-red slip, which elegantly terminates just below the rim on the inside and near the lower body. A single applied handle, extending from the shoulder to the neck, adds both function and balance to the design. The vessel rests on a low foot with a subtly recessed underside, providing stability and refinement.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eUsed for serving wine, water, or oil, terracotta olpes like this were essential in both domestic and communal Roman settings. A fine example of 1st–3rd century AD craftsmanship, this piece offers collectors a tangible link to the daily rituals and artistry of the ancient world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Age-related wear and hairline cracks. Small chip in the rim. Repaired fracture at body. Lime deposits and multiple root marks. Surface encrusted in places. Size approx. 10,4cm x 8,2cm x 9,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209473978633,"sku":"1060722","price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_8b2a0598-1638-41d8-aac7-5b7e96a293d0.jpg?v=1677252084"},{"product_id":"late-hellenistic-terracotta-unguentaria","title":"Late Hellenistic Period Terracotta Unguentaria","description":"\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate Hellenistic period, \u003cmeta charset=\"utf-8\"\u003ec. 150-50BC, Salamis, Cyprus.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis exquisite small terracotta unguentarium, spindle-shaped and elegant in form, is a fine example of Hellenistic craftsmanship. Unguentaria, also known as balsamaria or lacrimaria, were versatile vessels typically used to store oils, perfumes, and other liquid or powdered substances. Their frequent inclusion in grave goods suggests a ritualistic or symbolic role, though their precise function in funerary contexts remains uncertain. They may have held offerings such as oil, wine, or incense used during graveside rituals or as gifts for the deceased.\u003c\/p\u003e\n\u003cp\u003eThis particular unguentarium features a beautifully wheel-made piriform body resting on a low, flat base. The thick, rounded lip, painted in black, adds a touch of refinement. Crafted from coarse orange clay, the piece exhibits a pleasing contrast between its robust material and its delicate design. A lovely representation of Hellenistic pottery, this unguentarium embodies both practical utility and the aesthetic sensibilities of the period, offering a glimpse into the daily and ceremonial life of ancient Cyprus.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood\u003c\/span\u003e condition. Age-related wear with chip in the rim and foot, nicks and scratches on surface. Black color worn out. Rich deposits on interior and exterior. Surface encrusted in places. Size approx. 11,9cm x 5,1cm x 5,1cm.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209521459465,"sku":"1085244","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_549a9121-7cfa-4607-b71f-3b83341086b1.jpg?v=1677252798"},{"product_id":"song-dynasty-miniature-jarlet","title":"Roman Terracotta Miniature Vessel","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–300 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA highly unusual Roman terracotta miniature vessel, beautifully formed in the shape of a small basket. Expertly wheel-thrown, the vessel features a rounded, compressed body, concave shoulders, and a wide mouth with a finely tapered lip. A sturdy loop handle extends elegantly from rim to rim, and the piece rests on a shallow ring foot.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMiniature vessels such as this were far more than simple containers—they once held perfumed oils, precious unguents, and medicinal remedies cherished in both domestic and military life. They also played a role in ritual practice, often placed as votive offerings in temples or used in ceremonies devoted to the gods. Their widespread presence across the Empire reflects the deep interweaving of daily life, commerce, and spirituality within Roman culture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith its warm earthen patina acquired over centuries, this finely preserved example offers a tangible link to the intimate and sacred aspects of Roman life. A superb piece for collectors of Roman artifacts, ancient ceramics, or classical antiquities—embodying the timeless elegance of Roman craftsmanship.\u003c\/p\u003e\n\u003cp\u003eGood condition. Surface wear and abrasions commensurate with age and use, otherwise intact. Hairline cracks, lime deposits and multiple root marks. Beautiful russet encrustation. Size approx. 6,8cm x 6,9cm x 6,5cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Danish private collection\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209597645065,"sku":"1097100","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_52607846-29c0-4ceb-833a-8c2645f05645.jpg?v=1677253995"},{"product_id":"silla-kingdom-pottery-lidded-bowl","title":"Silla Kingdom Lidded Stoneware Bowl (Kobae)","description":"\u003ch3 class=\"p1\"\u003eSilla Kingdom, Three Kingdoms Period, 57 BC–676 AD, Korea\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional and finely crafted stoneware lidded bowl, known as a kobae. This elegant vessel was skillfully coil-built, thin-walled, and wheel-finished, featuring delicate incised and cut decoration beneath a naturally formed ash glaze. The piece exemplifies the refined ceramic artistry of the Silla Kingdom during the Three Kingdoms period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilla pottery of this era is typically characterized by its grey stoneware fabric and subtle decorative treatments—incised, applied, or pierced motifs that highlight the potter’s technical precision. Two principal forms are known from Silla production: the long-necked jar (changgyong ho) and the rounded, lidded bowl on a broad foot (kobae), such as this fine example. These vessels were used on special occasions for serving food rather than liquids and were likely influenced by the Chinese dou form. The lid, fitted with a small pedestal handle, could be inverted to serve as an additional dish.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcavated examples of kobae have revealed traces of soybean paste, kimchi, red pepper paste, and fermented fish sauce—testifying to their practical role in ancient cuisine. Yet most kobae have been discovered in tomb contexts, suggesting their use as ritual or funerary vessels, buried with the deceased to accompany them into the afterlife. This exquisite bowl thus embodies both the technical sophistication and spiritual beliefs of Silla culture, reflecting a civilization where artistry and ritual were deeply intertwined.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. Intact. \u003c\/span\u003eMinor surface wear, chip and abrasions consistent with age and use. Attractive encrusted patina and rich earthen deposits across the surface.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSize approx. 18,5cm x 14,2cm x 14,1cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Metropolitan Museum of Art, New York, Accession Number: 1997.34.7a, b.(https:\/\/www.metmuseum.org\/art\/collection\/search\/39502)\u003c\/p\u003e\n\u003cp\u003ePhiladelphia Museum of Art, Accession Number: 1983-81-5a,b (https:\/\/philamuseum.org\/collection\/object\/76524)\u003c\/p\u003e\n\u003cp\u003eLos Angeles County Museum of Art, Accession Number: 1999.187.1.1-.2.(https:\/\/collections.lacma.org\/node\/199210)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBrooklyn Museum, Accession Number: 40.519a-b. (https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/50480)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSilla: Korea's Golden Kingdom, Soyoung Lee \u0026amp; Denise Patry Leidy, with contributions by Ham Soon-seop, Huh Hyeong Uk, Insook Lee, Juhyung Rhi, Yoon Onshik, and Yoon Sangdeok, Met Publications, 2013. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSilla Kingdom, Prehistory and Ancient History, National Museum of Korea. (https:\/\/www.museum.go.kr\/site\/eng\/showroom\/list\/760?showroomCode=DM0008)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSilla Pottery, Mark Cartwright, World History Encyclopedia, published on 28 November 2016. (https:\/\/www.worldhistory.org\/article\/983\/silla-pottery\/)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212017791241,"sku":"1079017","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_1d82e6ab-99e8-4c5c-a51e-c03dbd6f8b87.jpg?v=1677317930"},{"product_id":"silla-kingdom-lidded-stoneware-bowl","title":"Silla Kingdom Lidded Stoneware Bowl (Kobae)","description":"\u003ch3 class=\"p1\"\u003eSilla Kingdom, Three Kingdoms Period, 57 BC–676 AD, Korea\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn superb and finely crafted stoneware lidded bowl, known as a kobae. This elegant vessel was skillfully coil-built, thin-walled, and wheel-finished, featuring delicate incised and cut decoration beneath a naturally formed dark ash glaze. The piece exemplifies the refined ceramic artistry of the Silla Kingdom during the Three Kingdoms period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilla pottery of this era is typically characterized by its grey stoneware fabric and subtle decorative treatments—incised, applied, or pierced motifs that highlight the potter’s technical precision. Two principal forms are known from Silla production: the long-necked jar (changgyong ho) and the rounded, lidded bowl on a broad foot (kobae), such as this fine example. These vessels were used on special occasions for serving food rather than liquids and were likely influenced by the Chinese dou form. The lid, fitted with a small pedestal handle, could be inverted to serve as an additional dish.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcavated examples of kobae have revealed traces of soybean paste, kimchi, red pepper paste, and fermented fish sauce—testifying to their practical role in ancient cuisine. Yet most kobae have been discovered in tomb contexts, suggesting their use as ritual or funerary vessels, buried with the deceased to accompany them into the afterlife. This exquisite bowl thus embodies both the technical sophistication and spiritual beliefs of Silla culture, reflecting a civilization where artistry and ritual were deeply intertwined.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Repaired lid. Age-related wear, chip in the foot,\u003c\/span\u003e and abrasions consistent with age and use. Attractive encrusted patina and rich earthen deposits across the surface.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003cspan\u003e Size approx. 19,5cm x 15,1cm x 15,2cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/span\u003eFor a similar examples see:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Metropolitan Museum of Art, New York, Accession Number: 1997.34.7a, b.(https:\/\/www.metmuseum.org\/art\/collection\/search\/39502)\u003c\/p\u003e\n\u003cp\u003ePhiladelphia Museum of Art, Accession Number: 1983-81-5a,b (https:\/\/philamuseum.org\/collection\/object\/76524)\u003c\/p\u003e\n\u003cp\u003eLos Angeles County Museum of Art, Accession Number: 1999.187.1.1-.2.(https:\/\/collections.lacma.org\/node\/199210)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBrooklyn Museum, Accession Number: 40.519a-b. (https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/50480)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSilla: Korea's Golden Kingdom, Soyoung Lee \u0026amp; Denise Patry Leidy, with contributions by Ham Soon-seop, Huh Hyeong Uk, Insook Lee, Juhyung Rhi, Yoon Onshik, and Yoon Sangdeok, Met Publications, 2013. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSilla Kingdom, Prehistory and Ancient History, National Museum of Korea. (https:\/\/www.museum.go.kr\/site\/eng\/showroom\/list\/760?showroomCode=DM0008)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSilla Pottery, Mark Cartwright, World History Encyclopedia, published on 28 November 2016. (https:\/\/www.worldhistory.org\/article\/983\/silla-pottery\/)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212162035977,"sku":"1090564","price":520.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_302a550e-92d5-480d-9567-235bd216504b.jpg?v=1677322890"},{"product_id":"silla","title":"Silla Kingdom Lidded Stoneware Bowl (Kobae)","description":"\u003ch3 class=\"p1\"\u003eSilla Kingdom, Three Kingdoms Period, 57 BC–676 AD, Korea\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fantastic and finely crafted stoneware lidded bowl, known as a kobae. This elegant vessel was skillfully coil-built, thin-walled, and wheel-finished, featuring delicate incised and cut decoration beneath a naturally formed ash glaze. The piece exemplifies the refined ceramic artistry of the Silla Kingdom during the Three Kingdoms period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSilla pottery of this era is typically characterized by its grey stoneware fabric and subtle decorative treatments—incised, applied, or pierced motifs that highlight the potter’s technical precision. Two principal forms are known from Silla production: the long-necked jar (changgyong ho) and the rounded, lidded bowl on a broad foot (kobae), such as this fine example. These vessels were used on special occasions for serving food rather than liquids and were likely influenced by the Chinese dou form. The lid, fitted with a small pedestal handle, could be inverted to serve as an additional dish.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcavated examples of kobae have revealed traces of soybean paste, kimchi, red pepper paste, and fermented fish sauce—testifying to their practical role in ancient cuisine. Yet most kobae have been discovered in tomb contexts, suggesting their use as ritual or funerary vessels, buried with the deceased to accompany them into the afterlife. This exquisite bowl thus embodies both the technical sophistication and spiritual beliefs of Silla culture, reflecting a civilization where artistry and ritual were deeply intertwined.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. Intact. \u003c\/span\u003eMinor surface wear, chip and abrasions consistent with age. Attractive encrusted patina and rich earthen deposits across the surface.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eSize approx. 19,5cm x 13,5cm x 13,3cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe Metropolitan Museum of Art, New York, Accession Number: 1997.34.7a, b.(https:\/\/www.metmuseum.org\/art\/collection\/search\/39502)\u003c\/p\u003e\n\u003cp\u003ePhiladelphia Museum of Art, Accession Number: 1983-81-5a,b (https:\/\/philamuseum.org\/collection\/object\/76524)\u003c\/p\u003e\n\u003cp\u003eLos Angeles County Museum of Art, Accession Number: 1999.187.1.1-.2.(https:\/\/collections.lacma.org\/node\/199210)\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eBrooklyn Museum, Accession Number: 40.519a-b. (https:\/\/www.brooklynmuseum.org\/opencollection\/objects\/50480)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSilla: Korea's Golden Kingdom, Soyoung Lee \u0026amp; Denise Patry Leidy, with contributions by Ham Soon-seop, Huh Hyeong Uk, Insook Lee, Juhyung Rhi, Yoon Onshik, and Yoon Sangdeok, Met Publications, 2013. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSilla Kingdom, Prehistory and Ancient History, National Museum of Korea. (https:\/\/www.museum.go.kr\/site\/eng\/showroom\/list\/760?showroomCode=DM0008)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eSilla Pottery, Mark Cartwright, World History Encyclopedia, published on 28 November 2016. (https:\/\/www.worldhistory.org\/article\/983\/silla-pottery\/)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212191363337,"sku":"1042555","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d1_048761b1-7dd0-41e1-820e-3f61214da6a0.jpg?v=1677323518"},{"product_id":"egyptian-trussed-ox-jasper-amulet","title":"Egyptian Trussed Ox Jasper Amulet","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe New Kingdom of Egypt, c. 1550-1069 BC, Egypt.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbsolutely gorgeous petite amulet in the form of a trussed ox. Hand-carved from the red stone, probably jasper. The depicted animal is immobilized with its feet bound together, and its curved back leads upwards toward a small head with perky ears and a short snout. The dewlap is ridged and its tail curling up around its rear haunch.\u003c\/span\u003e In ancient Egypt, amulets were abundant and most were probably inexpensive, which made them available to nearly everyone. An amulet is an object believed to have certain positive properties that, as the amulet’s main function, can magically be bestowed upon its owner. In ancient Egypt, this magical power was often derived from a combination of several aspects, such as the amulet’s shape, decoration, inscription, color, material, and words spoken over the piece or acts performed with it. Amulets were usually worn or placed on the body to transfer their powers directly to the owner. Ancient Egyptian amulets represented animals, deities, symbols, or objects in miniature. Amulets of trussed oxen are part of a category of Egyptian amulets in the form of earthly possessions, many of which depict funerary offerings. This type of amulet has been found the wrappings of mummies dating to the Late Period (664 – 332 BC); and within foundation deposits buried beneath temples from the New Kingdom (1550 – 1069 BC). These amulets are typically made of a red material, such as jasper, cornelian or glass, symbolising blood or flesh.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"...intended to keep the various spirit forms which survived death eternally supplied with essential food and drink even if actual supplies had ceased to be presented at the burial place.\" (Andrews, Amulets of Ancient Egypt, p. 91). \u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear. Minor cracks and abrasion. Size approx. 2,8cm x 2,1cm x 0,8cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eNational Museums Liverpool, World Museum, M11887. (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/trussed-ox-amulet)\u003c\/p\u003e\n\u003cp\u003eThe British Museum, EA 8343. (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA8343)\u003c\/p\u003e\n\u003cp\u003eMuseum of Fine Arts Boston, accession number 72.1296.(https:\/\/www.mfa.org\/collections\/object\/amulet-of-a-trussed-ox-132165)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994. pp. 91, 92.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212215251209,"sku":"1065972","price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/e1_3693fd1f-b576-455a-9450-9c6c2dfe85ae.jpg?v=1677324200"},{"product_id":"late-helle","title":"Late Hellenistic Period Terracotta Lagynos","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate Hellenistic period, \u003cmeta charset=\"utf-8\"\u003ec. 150-50BC, Salamis or Kiti, Cyprus.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis captivating large terracotta lagynos, crafted in the \"painted white ware\" style, is a quintessential example of Late Hellenistic pottery. The lagynos was a ubiquitous vessel of the era, primarily used to serve wine, and is particularly associated with women's gatherings and festivals.\u003c\/p\u003e\n\u003cp\u003eSkillfully wheel-made, the vessel boasts a depressed, carinated body with a long cylindrical neck culminating in a flared, trumpet-shaped mouth. Its design is completed by a wide base with a broad ring foot, a progression from earlier flask forms with narrower necks and oval bodies. A gracefully twisted handle connects just below the rim to the vessel's widest point, exemplifying functional elegance.\u003c\/p\u003e\n\u003cp\u003eThe decoration is minimal yet refined, featuring encircling bands in a warm brown tone, with a more prominent band marking the transition to the shoulder. This understated adornment enhances the vessel's clean lines and balanced proportions, a hallmark of Hellenistic aesthetics. As both a functional object and an artistic creation, this lagynos embodies the cultural and ceremonial significance of wine in the Hellenistic world, making it a remarkable artifact of ancient Cypriot craftsmanship.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Age-related wear with nicks and scratches on surface. Repaired mouth, otherwise intact. Rich deposits on interior and exterior. Size approx. 19,5cm x 18,5cm x 18,5cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eLagynos from Cyprus in the Collection of Classical and Near Eastern Antiquities, The National Museum of Denmark, inv. no. 6543 (cat. no. 23).\u003c\/p\u003e\n\u003cp\u003eLagynos, The British Museum, museum number 1881,0824.56\u003c\/p\u003e\n\u003cp\u003eTerracotta lagynos (oil flask), The Metropolitan Museum of Art, Accession number: 74.51.441\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHellenistic Pottery, Summer Trentin and Debby Sneed, Department of Classics, University of Colorado Boulder, June 14, 2018.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCypriot Lagynoi with a Funnel Shaped Mouth and a Twisted Handle, John Lund, Studies in Ancient Art and Civilization 17, December 2013. pp. 255-275. (https:\/\/doi.org\/10.12797\/SAAC.17.2013.17.22.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCognitive Theory of Prototype and Categorization in Pottery Studies. An Analysis Based on Cypriot lagynoi Samples, Sebastian  Borowicz, Archeologia 58, 7-13.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212240711945,"sku":"1068920","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_02dc416c-ec8b-43af-82d3-ad59658b1727.jpg?v=1677325008"},{"product_id":"roman-terracotta-olpe-1","title":"Roman Terracotta Olpe","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–300 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fascinating example of Roman utilitarian pottery, this crudely potted terracotta olpe showcases the functional beauty of ancient craftsmanship. The globular, striated body elegantly tapers into a short neck and flared mouth, while a single applied handle gracefully extends from the shoulder to the rim, ensuring ease of use.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eResting on a small ring base, the vessel is coated in a stunning dark orange-red slip, which terminates just below the rim on the interior and near the lower body. Its matte finish, punctuated by traces of white inclusions, adds to its rustic charm and historical authenticity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSimple yet highly practical, terracotta olpes like this were widely used in Roman daily life, serving as pouring vessels for wine, water, or oil. An evocative relic of the 1st–3rd century AD, this piece offers collectors a tangible connection to the traditions and material culture of the ancient world.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eWear commensurate with age and use. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eProfessionally repaired. Size approx. 18,5cm x 12,5cm x 12,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212618068233,"sku":"1047593","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_9b643157-67ae-4155-aed0-3c6260b22927.jpg?v=1677492186"},{"product_id":"roman-glass-unguentaria","title":"Roman Glass Unguentaria","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Roman Empire, c. 100-200AD.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis impressive Roman glass bottle, known as an unguentaria (also referred to as unguentarium, balsamarium, or lacrimarium), was likely used to store oils, lotions, and other liquid or powdered substances. Characterized by a narrow, long neck, this unguentarium features a bell-shaped body, a tubular neck with a slight constriction at the junction of its flat base, and an everted rim with an in-folded lip. The bottle is in excellent, intact condition, showcasing the form widely popular across the Roman Empire from the end of the first century through the early fourth century. Unguentaria were common in Roman burials, although their precise purpose in grave goods remains uncertain. While often buried with the deceased, these bottles may have held oil, wine, or incense for funerary rituals or as offerings to the gods.\u003c\/p\u003e\n\u003cp\u003eRoman glassmakers were pioneers in advancing glass technology over 2,000 years ago, transforming glass production into both an art and a science. Made from soda-lime glass, which included silicon, sodium, and calcium oxides, Roman glass often incorporated various colorants to create beautiful hues. Copper was used to produce colors ranging from turquoise to light blue, green, and red. Cobalt achieved a rich, deep blue, while manganese and antimony were used to make vibrant yellows, whites, and purples. Iron created colors such as light blue, green, brown, and black, often chosen to imitate the shades of precious gemstones like lapis lazuli, amethyst, and turquoise.\u003c\/p\u003e\n\u003cp\u003eThis beautifully preserved unguentarium bottle exemplifies the skill and sophistication of Roman glassmaking, a true testament to their innovation and artistry.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Complete and intact. Gorgeous patina and age-induced wear occur. The surface of the exterior and interior is calcified and encrusted with minerals over the years. Size approx. 13,8cm x 2,5cm x 2,5cm.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e Provenance: From the collection of painter and tv producer Ole Braunstein (1917–1999). Donee of the Høyen Prize in 1984.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44220964143369,"sku":"1074370","price":420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_9353c659-0d37-42fe-9611-9dac7dbfd758.jpg?v=1677492988"},{"product_id":"roman-glass-bowl","title":"Roman Glass Bowl","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA breathtakingly beautiful Roman glass bowl, showcasing the remarkable skill of ancient glassmakers over 2,000 years ago. Crafted from soda-lime glass, a hallmark of Roman innovation, this delicate yet durable vessel embodies the elegance and artistry of the period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSitting on a wide ring base, the bowl’s gracefully flared body leads up to a rolled lip, creating a deep interior cavity ideal for holding liquids or small items. Roman artisans mastered the use of colorants to imitate precious gemstones, with minerals like copper, cobalt, and manganese lending rich hues to their glassware.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith its historical significance and undeniable beauty, this piece is a superb addition to any collection of ancient glass, Roman artifacts, or classical antiquities. Professionally repaired, it remains a testament to the enduring artistry of the ancient world.\u003c\/p\u003e\n\u003cp\u003eGood condition. Gorgeous patina and age-related wear occur. The surface of the exterior and interior is calcified and encrusted with minerals over the years. Bowl has a stunning colour that varying from pale green to light seafoam green. Beautiful rainbow iridescence throughout. Size approx. 4,3cm x 11,2cm x 10,9cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: From the collection of painter and tv producer Ole Braunstein (1917–1999). Donee of the Høyen Prize in 1984.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44220972466441,"sku":"1035142","price":390.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_9d94694f-0beb-4297-9bf4-76f1e19bc39a.jpg?v=1677493330"},{"product_id":"roman-glass-unguentaria-2","title":"Roman Glass Unguentaria","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Roman Empire, c. 100-200AD.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis exquisite Roman glass bottle, known as an unguentaria (also called unguentarium, balsamarium, or lacrimarium), was likely used for storing oils, lotions, or other liquids and powders. The bottle features a narrow, long neck, a bell-shaped body, a constricted neck at the junction of its flat base, and an everted rim with an in-folded lip. Its excellent, intact condition highlights a form that was widely used across the Roman Empire from the late first century through the early fourth century.\u003c\/p\u003e\n\u003cp\u003eUnguentaria were often found in Roman burials, though the exact purpose of their inclusion in grave goods remains uncertain. These bottles could have been used to hold substances such as oils, wine, or incense, possibly for use in funerary rituals or as offerings to the gods.\u003c\/p\u003e\n\u003cp\u003eRoman glassmakers were pioneers in the craft, advancing glass technology over 2,000 years ago. They developed soda-lime glass, made from a mixture of silicon, sodium, and calcium oxides, and often added colorants to achieve vibrant hues. Copper was used to produce colors ranging from turquoise to light blue, green, and red. Cobalt created a rich blue, while manganese and antimony were used for yellow, white, and purple shades. Iron was used to create light blue, green, brown, and black colors, often chosen to mimic the appearance of precious gemstones like lapis lazuli, amethyst, and turquoise. This unguentarium is a remarkable example of Roman glassmaking, showcasing the ingenuity and artistry of ancient craftsmen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eExcellent condition. Gorgeous patina and age-induced wear occur. The surface of the exterior and interior is calcified and encrusted with minerals over the years. Bottle has a stunning colour that varying from pale green to light seafoam green. Size approx. 10,6cm x 3,5cm x 3,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e Provenance: From the collection of painter and tv producer Ole Braunstein (1917–1999). Donee of the Høyen Prize in 1984.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44221024534793,"sku":"1014771","price":420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_c4c0ad65-a5bd-447c-a46f-1f58eb83f86f.jpg?v=1677494237"},{"product_id":"roman-glass-unguentaria-3","title":"Roman Glass Unguentaria","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Roman Empire, c. 100-200AD.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis stunning Roman glass bottle, known as an unguentaria (or unguentarium, balsamarium, and lacrimarium), was likely used to hold oils, perfumes, or other liquid and powdered substances. The small-sized, free-blown glass bottle features a heavily compressed spherical body, an elongated cylindrical neck, and a flared, in-folded rim with a flat bottom. This classic design was widely used across the Roman Empire from the first to the early fourth centuries.\u003c\/p\u003e\n\u003cp\u003eUnguentaria often appear among Roman grave goods, though the exact purpose in funerary contexts is still uncertain. These bottles may have been used in rituals or as offerings, possibly containing oils, wine, or incense, intended to honor the deceased or gods.\u003c\/p\u003e\n\u003cp\u003eRoman glassmakers were pioneers of advanced techniques, developing soda-lime glass more than two millennia ago. This glass was made from silicon, sodium, and calcium oxides, often with metallic oxides added for color. Copper was used to create shades from turquoise to light blue, green, and red, while cobalt provided a striking deep blue. Manganese and antimony were used for vibrant yellows, whites, and purples, and iron created colors ranging from light blue to brown, green, and black. These colors often mimicked precious gemstones like lapis lazuli and amethyst.\u003c\/p\u003e\n\u003cp\u003eThis unguentarium is a beautiful example of Roman glassmaking, showcasing the skill and innovation of the ancient craftsmen.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eModerate condition. Repaired. Chip and fractures. The exterior of the yellowish, pale olive-green vessel has developed lustrous layers of silvery and rainbow-hued iridescence that elegantly complement its delicate form. The surface of the interior is calcified and encrusted with minerals over the years. Size approx. 8,0cm x 3,7cm x 3,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e Provenance: From the collection of painter and tv producer Ole Braunstein (1917–1999). Donee of the Høyen Prize in 1984.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44221038100745,"sku":"1077844","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_cec511cb-7a65-481e-9faf-4250610c297c.jpg?v=1677494573"},{"product_id":"roman-glass-unguentaria-4","title":"Roman Glass Unguentaria","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Roman Empire, c. 100-200AD.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis striking Roman glass bottle, known as an unguentaria (alternatively called unguentarium, balsamarium, or lacrimarium), was most likely used for storing oils, lotions, and other liquids or powders. Its design features a gracefully tapering neck, a bell-shaped body, and a slightly constricted neck at the junction of a flat base, finished with an everted rim and an in-folded lip. The bottle is remarkably well-preserved, offering a glimpse into the popular form that spread throughout the Roman Empire from the late first century to the early fourth century.\u003c\/p\u003e\n\u003cp\u003eUnguentaria were commonly included in Roman tombs, though their precise function in burial practices is not fully understood. It is believed that they were used to contain oils, perfumes, or incense, and may have played a role in funeral rituals or served as offerings for the afterlife.\u003c\/p\u003e\n\u003cp\u003eRoman glassmaking advanced significantly over 2,000 years ago, with artisans perfecting the technique of soda-lime glass. This glass was created by blending silicon, sodium, and calcium oxides, and colorants were often added to produce a range of vibrant hues. Copper created turquoise, light blue, green, and red shades, while cobalt was used for a rich, deep blue. Manganese and antimony were responsible for the creation of yellow, white, and purple tones, and iron added colors ranging from light blue to brown, green, and black. Many of these colors were inspired by precious gemstones, such as lapis lazuli, amethyst, and turquoise.\u003c\/p\u003e\n\u003cp\u003eThis beautifully crafted unguentarium serves as an exquisite example of Roman craftsmanship, illustrating the advanced glass-making techniques and aesthetic values of the time.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eVery good condition. Gorgeous patina and age-induced wear occur. The surface of the exterior and interior is calcified and encrusted with minerals over the years. Bottle has a stunning  colour that varying from greenish yellow to light seafoam green. Size approx. 7,1cm x 3,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e Provenance: From the collection of painter and tv producer Ole Braunstein (1917–1999). Donee of the Høyen Prize in 1984.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44221057761545,"sku":"1051077","price":380.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_61b54087-d828-4a2d-9874-7d42f5b000d2.jpg?v=1677494799"},{"product_id":"song-dynasty-miniature-bronze-jarlet","title":"Song Dynasty Miniature Bronze Jarlet","description":"\u003ch3 class=\"p1\"\u003eSouthern Song Dynasty, 1127–1275 AD, China\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate and finely cast bronze miniature jarlet featuring gently sloping shoulders, a slightly compressed globular body, and a narrow neck with a thin, subtly everted rim. The vessel rests gracefully on a shallow ring base, its surface exhibiting a soft, aged patina that enhances its quiet elegance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile ceramics dominate the artistic legacy of the Song Dynasty, this rare bronze example reflects the same aesthetic ideals that defined Song artistry—refinement of form, balance, and understated sophistication. During the Southern Song period, artists and craftsmen turned toward smaller, contemplative works that mirrored the era’s introspective and poetic spirit. The jarlet’s minimal silhouette and harmonious proportions capture this refined sensibility, embodying the timeless elegance and contemplative beauty that came to define Song culture.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Minor surface wear, dents and abrasions consistent with age. Attractive encrusted patina and rich earthen deposits across the surface. \u003cspan\u003eSize approx. 3,9cm x 4,9cm x 4,9cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSong to Yuan dynasties 960–1350, National Palace Museum, Taipei.(https:\/\/www.npm.edu.tw\/exh99\/ceramics\/en\/page-3.html#main)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Enchantment of Song, Ying Jang \u0026amp; Annika Waenerberg, 2002, Academia.(https:\/\/www.academia.edu\/10582197\/The_Enchantment_of_Song)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44221080928521,"sku":"1068940","price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_1ce13d2a-5557-4a5e-a3c4-478961ee34c3.jpg?v=1677495414"},{"product_id":"bura-culture-terracotta-figural-fragmernt","title":"Bura Phallic Terracotta Funerary Figure","description":"\u003ch3\u003e\u003cspan\u003eThe Bura Asinda-Sikka culture, c. 200-1200AD, Niger or Burkina Faso, West Africa.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis impressive and unusual slab-shaped phallomorphic terracotta figure, dating from 200-1200 AD, is a remarkable example of the Bura Asinda-Sikka culture of West Africa. Featuring a distinctive rounded protrusion on one side, this enigmatic artifact reflects the symbolic and ritualistic traditions of an ancient civilization whose artistic expressions remain shrouded in mystery.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Bura culture, which flourished in the lower Niger River valley of present-day Niger and Burkina Faso, was first uncovered in 1975 near Niamey, Niger, with the accidental discovery of the Bura-Asinda-Sikka necropolis. Subsequent excavations in the early 1980s revealed a society that thrived between the 3rd and 13th centuries AD, leaving behind a rich legacy of highly distinctive terracotta funerary art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRenowned for their tubular and ovoid anthropomorphic urns, Bura artisans crafted funerary vessels and sculptural figures often featuring mounted horsemen, stylized heads, and abstract forms. These urns, typically buried upside down, contained human remains, iron arrowheads, textiles, and ritual food offerings, indicating complex spiritual and funerary traditions. Some pieces, like this one, incorporate phallic or fertility motifs, suggesting their role in ancestral veneration or ceremonial rites.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptionally rare and evocative artifact, this terracotta figure serves as a powerful testament to the artistic and cultural heritage of one of West Africa’s most fascinating ancient civilizations. A prized addition for serious collectors and institutions dedicated to African antiquities.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003c\/span\u003eGood condition. Age-related wear with a few small chips and scratches on surface. Rich encrusted patina. Size approx. 22,5cm x 12,3cm x 4,0cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eBura Funerary Urns: Niger Terracottas: An Interpretive Limbo?, Michelle Gilbert, African Arts, The MIT Press, Vol. 53, No.1, Spring 2020, pp. 66-75.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEarth and Ore: 2500 Years of African Art in Terra-cotta and Metal, Karl-Ferdinand Schädler, Panterra, January 1, 1997.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eUn \"Village des Morts\" à Bura en Republique du Niger', Boube Gado, in J. Devisse (ed.), Vallées du Niger, Paris: Réunion des Musées Nationaux, 1993, pp. 365-74.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eOne Hundred Years of Archaeology in Niger, Anne C. Haour, Journal of World Prehistory, Vol.17. No.2, June 2003, pp. 181-234.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44221115531529,"sku":"1072286","price":580.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_5394e314-a408-457c-9104-9fcf15fa4b2e.jpg?v=1677499227"},{"product_id":"indus-valley-harappan-terracotta-pitcher","title":"Early Harappan Terracotta Pitcher","description":"\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Early Harappan civilization, \u003cmeta charset=\"utf-8\"\u003ec. 3200-2600BC, Sindh, Pakistan.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eA superb example of early craftsmanship from the Early Harappan period, this ancient terracotta pitcher showcases the sophistication and artistic ingenuity of one of the world's first urban civilizations.\u003c\/p\u003e\n\u003cp\u003eThe vessel features a sloped shoulder, a tall tubular neck, and an annular rim, with a thick loop handle on one shoulder (the other now missing). Its surface is adorned with intricate black-painted geometric designs, characteristic of Early Harappan pottery, emphasizing the culture's aesthetic focus and technical expertise. Such designs often held symbolic or ritualistic significance, reflecting the complex social and spiritual lives of the Harappan people.\u003c\/p\u003e\n\u003cp\u003eThe Early Harappan civilization (c. 3200–2600 BC) laid the foundations for the later urbanized Indus Valley culture. This period saw the spread of settlements across the northwestern plains of South Asia, including regions in present-day Sindh, Haryana, Rajasthan, and Gujarat. The distinctive pottery styles of the Early Harappan cultures—such as Amri-Nal, Kot Diji, Damb Sadat, and Sothi-Siswal—highlight regional variations within this interconnected civilization.\u003c\/p\u003e\n\u003cp\u003eVessels like this one were integral to daily and ceremonial life, used for storage, transport, and rituals. This piece is not only an artifact of practical utility but also a testament to the artistic achievements of the Harappan people. A rare and remarkable artifact, this terracotta pitcher connects us to the early days of one of the world’s greatest Bronze Age cultures, making it an extraordinary addition for collectors and enthusiasts of ancient history.\u003c\/p\u003e\n\u003cp\u003eModerate condition. Age-related wear with nicks and scratches on surface. Chip from the rim. Repairs. Rich deposits on interior and exterior. Size approx. 13,2cm x 11,5cm x 11,0cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: Danish private collection\u003c\/p\u003e\n\u003cp\u003eReferences and further reading:\u003c\/p\u003e\n\u003cp\u003eThe Harappan Civilisation: Its Sub-cultures, Roshen Dalal, The Pioneer, Thursday, 10 May 2018.\u003c\/p\u003e\n\u003cp\u003eIndus Valley Civilization, Mark, Joshua J., World History Encyclopedia, Last modified October 07, 2020 (https:\/\/www.worldhistory.org\/Indus_Valley_Civilization\/).\u003c\/p\u003e\n\u003cp\u003eThe Indus Civilization: A Contemporary Perspective, Gregory L. Possehl, AltaMira Press, 2002.\u003c\/p\u003e\n\u003cp\u003eThe Harappan Civilization, Tarini Carr, Archaeology Online.\u003c\/p\u003e\n\u003cp\u003eIndus Civilization, R.K. Pruthi, Discovery Publishing House, 2004, s. 157.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44221733110025,"sku":"1067927","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_4cb5fbf5-5856-41a5-a8a7-00157823fa60.jpg?v=1677507930"},{"product_id":"early-harappan-terracotta-seal","title":"Early Harappan Terracotta Stamp Seal","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Early Harappan civilization, \u003cmeta charset=\"utf-8\"\u003ec. 3200-2600BC, Sindh, Pakistan.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eA stunning and exceedingly rare artifact from the Early Harappan period, this circular terracotta stamp seal reflects the artistic ingenuity and symbolic expression of one of the world’s earliest civilizations. The seal is meticulously engraved with intricate geometric designs and abstract symbols, hallmarks of Early Harappan craftsmanship. These motifs, rendered with remarkable precision, are emblematic of the culture’s sophisticated visual language and may have served as identifiers for trade, ownership, or ritual use.\u003c\/p\u003e\n\u003cp\u003eThe Harappan civilization (3300–1900 BC), also known as the Indus Valley civilization, spanned over 1.25 million square kilometers, encompassing present-day Pakistan, northwest India, and parts of Afghanistan. Known for its advanced urban planning, baked brick structures, and extensive drainage systems, it was one of the great Bronze Age civilizations alongside Egypt and Mesopotamia.\u003c\/p\u003e\n\u003cp\u003eThe Early Harappan period (3200–2600 BC) marked the formative phase of this civilization, with widespread settlements across the northwestern plains, including key regions such as Sindh, Haryana, Rajasthan, and Gujarat. Distinctive pottery styles and artifacts from this era, such as this seal, provide insight into the interconnected cultures of Amri-Nal, Kot Diji, Damb Sadat, and Sothi-Siswal.\u003c\/p\u003e\n\u003cp\u003eSeals like this were central to Harappan society, likely used for administrative, ceremonial, or commercial purposes. Their designs often conveyed social, spiritual, or economic significance, reflecting the complexity of Harappan life. \u003c\/p\u003e\n\u003cp\u003eThis exceptional terracotta stamp seal is a rare and invaluable connection to the ancient Harappan world, making it an extraordinary addition for collectors and admirers of early human history.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear, abrasion and corrosion. Some chips to the rim and handle, otherwise intact. Rich deposits on exterior. Size approx. 7,2cm x 7,0cm x 6,3cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: Danish private collection\u003c\/p\u003e\n\u003cp\u003eReferences and further reading:\u003c\/p\u003e\n\u003cp\u003eThe Harappan Civilisation: Its Sub-cultures, Roshen Dalal, The Pioneer, Thursday, 10 May 2018.\u003c\/p\u003e\n\u003cp\u003eIndus Valley Civilization, Mark, Joshua J., World History Encyclopedia, Last modified October 07, 2020 (https:\/\/www.worldhistory.org\/Indus_Valley_Civilization\/).\u003c\/p\u003e\n\u003cp\u003eThe Indus Civilization: A Contemporary Perspective, Gregory L. Possehl, AltaMira Press, 2002.\u003c\/p\u003e\n\u003cp\u003eThe Harappan Civilization, Tarini Carr, Archaeology Online.\u003c\/p\u003e\n\u003cp\u003eIndus Civilization, R.K. Pruthi, Discovery Publishing House, 2004, s. 157.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44221909729545,"sku":"1080460","price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_06d630e8-12e0-40f2-800b-7d6211427b4d.jpg?v=1677510924"},{"product_id":"song-dynasty-miniature-pottery-jarlet","title":"Song Dynasty Miniature Pottery Jarlet","description":"\u003ch3 class=\"p1\"\u003eSouthern Song Dynasty, 1127–1275 AD, China\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superb Southern Song Dynasty miniature pottery jarlet of elegant form, featuring sloping shoulders, tapering sides, a flat base, and a narrow concave neck with a thin lip. The vessel is beautifully covered in a lustrous brownish-black glaze, likely produced at a kiln in Jizhou, Jiangxi Province, a celebrated center of Southern Song ceramic artistry. The interior remains unglazed, revealing the fine, dense clay body beneath.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Song Dynasty (960–1279 AD) represents the pinnacle of Chinese ceramic refinement, characterized by restrained elegance, harmonious proportions, and subtle glaze tones. The Southern Song period in particular favored smaller, introspective forms with quiet sophistication—vessels such as this miniature jarlet exemplify that aesthetic ideal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIts simple yet balanced silhouette and deep, mirror-like glaze evoke the timeless artistry of the Jizhou kilns, renowned for their experimentation with dark glazes and delicate craftsmanship. A beautiful example of Song ceramic minimalism and poetic form.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact. Light surface wear, and minor abrasions and chips in the base consistent with age. Size approx. 5,8cm x 4,6cm x 4,6cm. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSong to Yuan dynasties 960–1350, National Palace Museum, Taipei.(https:\/\/www.npm.edu.tw\/exh99\/ceramics\/en\/page-3.html#main)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Enchantment of Song, Ying Jang \u0026amp; Annika Waenerberg, 2002, Academia.(https:\/\/www.academia.edu\/10582197\/The_Enchantment_of_Song)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44222206083337,"sku":"1042451","price":280.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_9143.jpg?v=1677513771"},{"product_id":"song-dynasty-qingbai-bowl","title":"Song Dynasty Qingbai Porcelain Bowl","description":"\u003ch3 class=\"p1\"\u003eSouthern Song Dynasty, 1127–1275 AD, Jingdezhen, Jiangxi Province, China\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptionally delicate and finely potted small porcelain bowl resting on a shallow footrim, likely produced at one of the famed Jingdezhen kilns in Jiangxi Province. The bowl is coated in a luminous pale bluish-green Qingbai glaze with soft beige undertones and a network of beautiful brown crackling. Both the rim and the footrim remain unglazed, revealing the fine white porcelain body beneath.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Song Dynasty (960–1279 AD) is celebrated as the golden age of Chinese ceramics, distinguished by graceful forms, balanced proportions, and subtle, poetic glazes. During the Southern Song period, Jingdezhen emerged as the leading production center of Qingbai porcelain, renowned for its cool, translucent glaze and refined craftsmanship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis exquisite bowl exemplifies the understated sophistication of the Song aesthetic—an art of restraint and purity that values natural harmony over ornamentation. A timeless embodiment of elegance and technical mastery from one of China’s most celebrated ceramic traditions.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact, there is no sign of restoration or repair. Small chips in the rim and surface wear consistent with age and use.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eDiscolouring and abrasion. Glazing flaws and fritting. Size approx. 14,9cm x 14,9cm x 4,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSong to Yuan dynasties 960–1350, National Palace Museum, Taipei.(https:\/\/www.npm.edu.tw\/exh99\/ceramics\/en\/page-3.html#main)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Enchantment of Song, Ying Jang \u0026amp; Annika Waenerberg, 2002, Academia.(https:\/\/www.academia.edu\/10582197\/The_Enchantment_of_Song)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44226139062537,"sku":"1033296","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_14ae16ff-7921-4014-a8e1-710d2fe7137b.jpg?v=1677581374"},{"product_id":"song","title":"Song Dynasty Qingbai Porcelain Bowl","description":"\u003ch3 class=\"p1\"\u003eSouthern Song Dynasty, 1127–1275 AD, Jingdezhen kilns, Jiangxi Province, China\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eAn exquisite and delicately potted small porcelain bowl from the Southern Song Dynasty, finely crafted in the renowned Qingbai tradition. Supported by a neatly finished shallow footrim, the vessel rises with gentle curvature to a subtly flared rim. It is covered in a lustrous, pale greenish-white glaze—a hallmark of Qingbai ware—its translucent surface pooling slightly in the recesses to reveal a soft blue tint.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eQingbai porcelain, meaning “bluish-white,” represents one of the most refined achievements in Chinese ceramic history. Produced primarily at Jingdezhen in Jiangxi province, these wares were among the earliest true porcelains, admired for their elegance, thin potting, and ethereal glaze tones. The Qingbai aesthetic—serene, luminous, and understated—embodied the Song dynasty’s ideal of quiet sophistication, aligning with the intellectual and introspective spirit of the time.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Song era marked a golden age in ceramic production, distinguished by its technical innovation and minimalist beauty. The Southern Song court favored simple yet refined forms and soft, monochrome glazes, which contrasted with the more elaborate styles of preceding and later dynasties. Six major kiln groups flourished during this period, each with distinctive regional styles. Among these, the Jingdezhen kilns became especially important, laying the foundation for their later dominance in porcelain production during the Yuan and Ming dynasties.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis bowl, modest in scale yet rich in aesthetic and historical value, is a superb example of Qingbai craftsmanship. Its gentle form and subtle glaze speak volumes about the Song ideal of quiet elegance and purity, making it not only a beautiful object but also a meaningful embodiment of a cultural philosophy.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Intact. Age-related minimal wear. Discolouring and glazing flaws. Size approx. \u003cmeta charset=\"utf-8\"\u003e4,1cm x 12,7cm x 12,7cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003c\/span\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSong to Yuan dynasties 960–1350, National Palace Museum, Taipei.(https:\/\/www.npm.edu.tw\/exh99\/ceramics\/en\/page-3.html#main)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Enchantment of Song, Ying Jang \u0026amp; Annika Waenerberg, 2002, Academia.(https:\/\/www.academia.edu\/10582197\/The_Enchantment_of_Song)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44226762047753,"sku":"1067759","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_48e01186-3db5-45a7-8884-f0684b3760ed.jpg?v=1677588754"},{"product_id":"song-dynasty-miniature-pottery-jarlet-2","title":"Song Dynasty Miniature Pottery Jarlet","description":"\u003ch3 class=\"p1\"\u003eSouthern Song Dynasty, 1127–1275 AD, China\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eExquisite Southern Song dynasty miniature pottery jarlet featuring a compressed globular body, sloping shoulders, and a short neck rising to a slightly everted rim, all resting on a flat unglazed base. The vessel is covered in a delicate pale greenish-yellow glaze with a soft, translucent sheen.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the Song dynasty, ceramic artistry reached a pinnacle of refinement, celebrated for its subtle beauty, restrained decoration, and harmonious form. The period is traditionally divided into two distinct phases — the Northern Song (960–1127) and the Southern Song (1127–1275) — each fostering major kiln traditions. Among the most renowned were Ding, Jun, Yaozhou, and Cizhou in the North, and Longquan and Jingdezhen in the South.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSong ceramics are admired for their quiet elegance and technical mastery rather than ornate decoration. The glazes — in hues of green, white, black, or celadon tones — were achieved through precise control of iron content and kiln atmosphere. Decorative techniques, when present, were executed with restraint through incising, engraving, or impressing, producing wares that epitomized the dynasty’s philosophical and aesthetic ideals of simplicity, balance, and natural beauty.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Intact. Age-related wear. Discolouring and glazing flaws. Size approx. \u003cmeta charset=\"utf-8\"\u003e4,6cm x 4,6cm x 4,7cm. \u003cmeta charset=\"utf-8\"\u003eOld label at the bottom \"Song Gallery - Chinese art\". \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSong to Yuan dynasties 960–1350, National Palace Museum, Taipei.(https:\/\/www.npm.edu.tw\/exh99\/ceramics\/en\/page-3.html#main)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Enchantment of Song, Ying Jang \u0026amp; Annika Waenerberg, 2002, Academia.(https:\/\/www.academia.edu\/10582197\/The_Enchantment_of_Song)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44227269099785,"sku":"1075292","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_9295.jpg?v=1677594615"},{"product_id":"song-1","title":"Song Dynasty Miniature Pottery Jarlet","description":"\u003ch3 class=\"p1\"\u003eSouthern Song Dynasty, 1127–1275 AD, China\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eFascinating Southern Song dynasty hand-modeled miniature pottery jarlet featuring a compressed globular body, sloping shoulders, and a short neck rising to a slightly everted rim, all resting on a flat unglazed base. The vessel is covered in a coarse b\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003erownish gray glaze \u003c\/span\u003e  with a red inclusions.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the Song dynasty, ceramic artistry reached a pinnacle of refinement, celebrated for its subtle beauty, restrained decoration, and harmonious form. The period is traditionally divided into two distinct phases — the Northern Song (960–1127) and the Southern Song (1127–1275) — each fostering major kiln traditions. Among the most renowned were Ding, Jun, Yaozhou, and Cizhou in the North, and Longquan and Jingdezhen in the South.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSong ceramics are admired for their quiet elegance and technical mastery rather than ornate decoration. The glazes — in hues of green, white, black, or celadon tones — were achieved through precise control of iron content and kiln atmosphere. Decorative techniques, when present, were executed with restraint through incising, engraving, or impressing, producing wares that epitomized the dynasty’s philosophical and aesthetic ideals of simplicity, balance, and natural beauty.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003cmeta charset=\"utf-8\"\u003eIntact. \u003c\/span\u003eSurface wear commensurate with age, minor chips and scratches to the body, with encrusted patina and rich earthen deposits throughout. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eDiscolouring and glazing flaws. Size approx. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3,7cm x 4,1cm x 4,2cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSong to Yuan dynasties 960–1350, National Palace Museum, Taipei.(https:\/\/www.npm.edu.tw\/exh99\/ceramics\/en\/page-3.html#main)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Enchantment of Song, Ying Jang \u0026amp; Annika Waenerberg, 2002, Academia.(https:\/\/www.academia.edu\/10582197\/The_Enchantment_of_Song)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44227306160393,"sku":"1010798","price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_8f279cd1-08a0-436a-8858-9d12d7415824.jpg?v=1677595221"},{"product_id":"song-dynasty-miniature-pottery-jarlet-3","title":"Song Dynasty Miniature Pottery Jarlet","description":"\u003ch3 class=\"p1\"\u003eSouthern Song Dynasty, 1127–1275 AD, China\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate Southern Song dynasty miniature pottery jarlet featuring a compressed globular body, sloping shoulders, and a short neck rising to a slightly everted rim, all resting on a flat unglazed foot. The vessel is covered in a delicate light brown glaze with a soft, translucent sheen.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the Song dynasty, ceramic artistry reached a pinnacle of refinement, celebrated for its subtle beauty, restrained decoration, and harmonious form. The period is traditionally divided into two distinct phases — the Northern Song (960–1127) and the Southern Song (1127–1275) — each fostering major kiln traditions. Among the most renowned were Ding, Jun, Yaozhou, and Cizhou in the North, and Longquan and Jingdezhen in the South.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSong ceramics are admired for their quiet elegance and technical mastery rather than ornate decoration. The glazes — in hues of green, white, black, or celadon tones — were achieved through precise control of iron content and kiln atmosphere. Decorative techniques, when present, were executed with restraint through incising, engraving, or impressing, producing wares that epitomized the dynasty’s philosophical and aesthetic ideals of simplicity, balance, and natural beauty.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Intact. Surface wear commensurate with age, minor chips and scratches to the body, with encrusted patina and rich earthen deposits throughout.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003cspan\u003eDiscolouring and glazing flaws. Size approx. 4,1cm x 5,2cm x 5,1cm. Old label at the bottom \"Song Gallery - Chinese art\". \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSong to Yuan dynasties 960–1350, National Palace Museum, Taipei.(https:\/\/www.npm.edu.tw\/exh99\/ceramics\/en\/page-3.html#main)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Enchantment of Song, Ying Jang \u0026amp; Annika Waenerberg, 2002, Academia.(https:\/\/www.academia.edu\/10582197\/The_Enchantment_of_Song)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44227332571401,"sku":"1096805","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_dfb3acc3-b37b-4087-b73f-cd0a9fed8c2e.jpg?v=1677595557"},{"product_id":"roman-lead-axe-amulet","title":"Roman Lead Axe Amulet","description":"\u003ch3 class=\"p1\"\u003eThe Roman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fascinating ancient Roman amulet, this roughly cast lead axe offers a rare glimpse into Roman beliefs and symbolism. The small-sized figure likely served as a protective talisman, worn as an amulet or charm to ward off evil or bring strength to its wearer.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAxes, in various forms, were symbols of power and protection in Roman culture, making this amulet a striking reminder of the role of weaponry in both practical and spiritual life. Lead, being an easily worked material, made it ideal for crafting such personal, portable objects.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA unique and historically intriguing artifact, this Roman lead axe amulet would make a compelling addition to any collection of Roman or ancient amulets, as well as those interested in the intersection of spirituality and daily life in antiquity.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eWear commensurate with age and use. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSize approx. 6,0cm x 3,5cm x 0,6cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44227386507529,"sku":"1052983","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_85dfac74-982a-47f3-b88b-7c93b0af1e42.jpg?v=1677596323"},{"product_id":"roman-bronze-lock-key-1","title":"Roman Bronze Key Door-Lock Bolt","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 100–200 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fascinating cast bronze door-lock bolt from ancient Rome, once part of the locking mechanism of a wooden door. The bolt would slide back and forth to secure or release the door, operated only by the correct key. The small perforations of varying shapes corresponded precisely to the wards on the matching key—an ingenious system preventing unauthorized access.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEarly Roman keys demonstrated remarkable technical sophistication and aesthetic refinement, serving not only as functional tools but also as symbols of ownership and status for those with property to protect. Keys and locking mechanisms of this type were used for doors, chests, cupboards, and caskets, and occasionally crafted for ceremonial or votive purposes. This fine example embodies the ingenuity and craftsmanship characteristic of Roman domestic life during the Imperial period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina and rich earthen deposits throughout. Size approx. 6,2cm x 1,7cm x 0,7cm.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Dutch private collection\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eReferences and further reading:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eRoman Chest Locks, Donald Jackson,\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003eForum Ancient Coins (https:\/\/www.forumancientcoins.com\/numiswiki\/view.asp?key=roman%20chest%20locks)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44236151226633,"sku":"1064204","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_b78c3230-e1cf-48be-b0c6-81958ffc7b03.jpg?v=1677751221"},{"product_id":"roman-casting-net-lead-weight","title":"Roman Casting Net Lead Weight","description":"\u003ch3 class=\"p1\"\u003eRoman Empire, c. 200–400 AD\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA remarkable and well-preserved cast lead weight, featuring a corseted cylindrical form, once used as a vital component in ancient Roman fishing techniques.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe casting net, or throw net, was a simple yet highly effective tool for catching small bait or forage fish. Weighted around its edges, the circular net was skillfully thrown to spread out in midair before sinking, ensnaring fish as it was hauled back in. This method of fishing, known as net casting, has been in use for thousands of years.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeyond practical fishing applications, net casting even found its way into Roman gladiatorial combat. The retiarius, or “net fighter”, wielded a trident and weighted cast net in the arena, skillfully using it to ensnare and outmaneuver his heavily armored opponent, the secutor.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA tangible link to both everyday life and the spectacle of ancient Rome, this authentic lead weight is an exceptional piece of history for collectors of Roman artifacts, maritime relics, or gladiatorial memorabilia.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Wear commensurate with age and use. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eRich encrusted patina. Ex-museum inventory number painted on the bottom. Size approx. 2,6cm x 2,8cm x 2,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44236156436745,"sku":"1034000","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b2_69ae7cb5-9f4c-4cfd-8630-06d97ac314a5.jpg?v=1677751628"}],"url":"https:\/\/gotasworld.com\/collections\/antiquities.oembed?page=37","provider":"Göta's World","version":"1.0","type":"link"}