{"title":"Egyptian Art","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eExplore our meticulously curated collection of authentic Egyptian art, featuring rare and exquisite antiquities. Discover delicate faience and stone amulets, intriguing wooden sarcophagus fragments, beautiful beads, and fine Coptic textile fragments. Each piece is guaranteed for its authenticity, quality, and accurate description, backed by our extensive expertise. All Egyptian artifacts are sourced from esteemed European collections, acquired before the 1920s, ensuring their historical value and significance.\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","products":[{"product_id":"egyptian-trussed-ox-jasper-amulet","title":"Egyptian Trussed Ox Jasper Amulet","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe New Kingdom of Egypt, c. 1550-1069 BC, Egypt.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAbsolutely gorgeous petite amulet in the form of a trussed ox. Hand-carved from the red stone, probably jasper. The depicted animal is immobilized with its feet bound together, and its curved back leads upwards toward a small head with perky ears and a short snout. The dewlap is ridged and its tail curling up around its rear haunch.\u003c\/span\u003e In ancient Egypt, amulets were abundant and most were probably inexpensive, which made them available to nearly everyone. An amulet is an object believed to have certain positive properties that, as the amulet’s main function, can magically be bestowed upon its owner. In ancient Egypt, this magical power was often derived from a combination of several aspects, such as the amulet’s shape, decoration, inscription, color, material, and words spoken over the piece or acts performed with it. Amulets were usually worn or placed on the body to transfer their powers directly to the owner. Ancient Egyptian amulets represented animals, deities, symbols, or objects in miniature. Amulets of trussed oxen are part of a category of Egyptian amulets in the form of earthly possessions, many of which depict funerary offerings. This type of amulet has been found the wrappings of mummies dating to the Late Period (664 – 332 BC); and within foundation deposits buried beneath temples from the New Kingdom (1550 – 1069 BC). These amulets are typically made of a red material, such as jasper, cornelian or glass, symbolising blood or flesh.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\"...intended to keep the various spirit forms which survived death eternally supplied with essential food and drink even if actual supplies had ceased to be presented at the burial place.\" (Andrews, Amulets of Ancient Egypt, p. 91). \u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear. Minor cracks and abrasion. Size approx. 2,8cm x 2,1cm x 0,8cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eNational Museums Liverpool, World Museum, M11887. (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/trussed-ox-amulet)\u003c\/p\u003e\n\u003cp\u003eThe British Museum, EA 8343. (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA8343)\u003c\/p\u003e\n\u003cp\u003eMuseum of Fine Arts Boston, accession number 72.1296.(https:\/\/www.mfa.org\/collections\/object\/amulet-of-a-trussed-ox-132165)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994. pp. 91, 92.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212215251209,"sku":"1065972","price":450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/e1_3693fd1f-b576-455a-9450-9c6c2dfe85ae.jpg?v=1677324200"},{"product_id":"egyptian-faiance-beads-3","title":"Egyptian Stone Beads and Amulets","description":"\u003ch3 class=\"p1\"\u003eThe New Kingdom of Egypt, c. 1550–1069 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eA magnificent set of ancient beads and amulets, beautifully restrung, composed of core glass, faience, pottery, and a rich variety of semi-precious stones including carnelian, agate, alabaster, and quartz. These artifacts once formed part of vibrant beadwork in ancient Egypt, worn by both commoners and nobility for decoration, protection, and spiritual significance.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eA standout feature of this set is the use of Egyptian faience (tjehenet), the earliest known man-made ceramic material. Made from quartz, alkaline salts, lime, and metallic colorants, faience was admired for its luminous glaze and was often colored in vivid blues and greens—hues that symbolized the Nile, the heavens, and the cycle of rebirth.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThis elegant and timeless set reflects the aesthetic sophistication and deeply symbolic culture of New Kingdom Egypt, making it an exceptional piece for collectors and historians alike.\u003c\/p\u003e\n\u003cp\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip. 12 unique beads and amulets. C\u003cspan\u003eollected in the early 20th century. \u003c\/span\u003eCotton string is modern. Individual bead size varies from 0,6cm to 1,1cm. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGifts of the Nile: Ancient Egyptian Faiance, Friedman, Florence Dunn, Thames and Hudson, London, 1998.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44632149131529,"sku":"1085054","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5692.jpg?v=1696344325"},{"product_id":"egyptian-stone-beads-and-amulets","title":"Egyptian Stone Beads, Spindle Whorls, and Amulets","description":"\u003ch3 class=\"p1\"\u003eThe New Kingdom of Egypt, c. 1550–1069 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn absolutely fascinating and visually captivating collection of ancient beads, spindle whorls, and amulets, all beautifully restrung for display. This vibrant assemblage is composed of core glass, faience, pottery, and a rich variety of semi-precious stones, including carnelian, agate, and alabaster.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally part of the intricate personal adornment and daily ritual life of ancient Egyptians, these components served both decorative and symbolic purposes. The spindle whorls reflect domestic and textile practices, while the amulets—often shaped as wedjat eyes, scarabs, or divine figures—offered spiritual protection and blessings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe use of Egyptian faience, with its iconic blue-green glaze, reflects a deep cultural association with rebirth, the Nile, and the celestial realm. Together, these elements provide a tangible connection to the craftsmanship, beliefs, and aesthetics of New Kingdom Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA rare and evocative set, ideal for collectors and connoisseurs of ancient art.\u003c\/p\u003e\n\u003cp\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip. 12 unique beads and amulets. C\u003cspan\u003eollected in the early 20th century. \u003c\/span\u003eCotton string is modern. Individual bead size varies from 0,5cm to 1,7cm. \u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eGifts of the Nile: Ancient Egyptian Faiance, Friedman, Florence Dunn, Thames and Hudson, London, 1998.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44632530714889,"sku":"1046304","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5691.jpg?v=1696344806"},{"product_id":"napatan-period-terracotta-pilgrim-flask","title":"Napatan Period Terracotta Pilgrim Flask","description":"\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eKingdom of Kush, Napatan Period, c. 700-400 BC, Lower and Upper Nubia (Sudan), Africa \u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis rare and significant small-sized terracotta pilgrim flask is of circular form, with a biconvex body adorned with shallow concentric grooves on each side. The vessel is composed of two hemispherical halves, joined vertically with soft seams, showcasing the craftsmanship of the period. A narrow, short neck is inserted at the top, flanked by two small loop handles at its base. These handles, tightly folded, are decorative and non-functional, adding to the unique aesthetic of the flask. The neck is finished with a rolled rim, further highlighting the fine details of this functional yet artful object.\u003c\/p\u003e\n\u003cp\u003eThe Napatan Period (c. 700-400 BC) derives its name from Napata, the capital of the powerful Kingdom of Kush during this era. Located near the site of modern Karima in Sudan, Napata was a significant center of power and culture. The kingdom was heavily influenced by Egyptian traditions, including their gods, writing systems, and funerary practices. The Kushite kings, who ruled Egypt as the 25th Dynasty (c. 750-656 BC), were buried in small pyramids at sites like Nuri and el Kurru, where they were interred with Egyptian-style burial goods such as shabtis, pottery, and sarcophagi.\u003c\/p\u003e\n\u003cp\u003eNapata served as a religious and cultural hub for the Kingdom of Kush, and its kings’ conquests of Egypt marked the apex of Kushite power. However, by the end of the 25th Dynasty, the capital was relocated to Meroë, continuing the legacy of the powerful Kushite civilization. This beautifully crafted flask is a testament to the artistic and cultural exchanges between Nubia and Egypt during this fascinating period of African history.\u003c\/p\u003e\n\u003cp\u003eGood condition. Traces of external red slip paint. Age-related wear. Fractures and cracks. Repaired. Glue residue. Mineral encrustation and earthen deposits. Traces of old museum label. Size approx. 9,1cm x 7,7cm x 6,1cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Finnish private collection.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eSmall pilgrim flask, Museum of Fine Arts Boston, Accession Number: 20.4804 (https:\/\/collections.mfa.org\/objects\/491314\/small-pilgrim-flask?ctx=3b9c8ae5-c854-4109-87de-e5e4c30523e6\u0026amp;idx=21)\u003c\/p\u003e\n\u003cp\u003ePilgrim flask, The British Museum, Accession Number: EA22340 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA22340)\u003c\/p\u003e\n\u003cp\u003eSmall pilgrim flask, Museum of Fine Arts Boston, Accession Number: 20.4805 (https:\/\/collections.mfa.org\/objects\/491315\/small-pilgrim-flask?ctx=f2754553-284c-4ee5-a214-8c74cd9bdc00\u0026amp;idx=22)\u003c\/p\u003e\n\u003cp\u003ePink pilgrim ware flask, Ashmolean Museum, University of Oxford, Accession Number: AN1920.220 (https:\/\/collections.ashmolean.org\/object\/750169)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePilgrim flasks: Chronological and cultural transformations in Nubia from the New Kingdom to the Napatan Period Volume I, L. Kilroe, ORA - Oxford University Research Archive, 2019\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Kingdom of Kush: Handbook of the Napatan-Meroitic Civilization, László Török, Handbuch der Orientalistik, Erste Abteilung, Nahe und der Mittlere Osten, 1997, Vol. 31, Leiden: Brill.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNubia: Ancient Kingdoms of Africa, Geoff Emberling, New York: Institute for the Study of the Ancient World, 2011, pp. 9–11.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMeroe and the Sudanic Kingdoms, David N. Edwards, The Journal of African History. 39 (2), 1998, pp. 175–193.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNubia: the Napatan Period, Digital Egypt for Universities, University College London, 2002. (https:\/\/www.ucl.ac.uk\/museums-static\/digitalegypt\/nubia\/napatan.html)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":45053364044041,"sku":"1073380","price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8728.jpg?v=1708083462"},{"product_id":"copy-of-egyptian-trussed-ox-jasper-amulet","title":"Egyptian Faience Djed Pillar Amulet","description":"\u003ch3\u003eLate Dynastic Period, 26th to 31st Dynasty, c. 730-332 BC, Egypt\u003c\/h3\u003e\n\u003cp\u003eThis striking, turquoise-glazed faience amulet, shaped as a djed pillar, symbolizes the timeless ideals of permanence, strength, and stability in ancient Egyptian culture. With a small suspension hole through the top of the back pillar, this amulet could be worn or carried, allowing the bearer to benefit from its potent symbolism.\u003c\/p\u003e\n\u003cp\u003eThe djed pillar's origins likely trace back to fertility cults, where it may have represented a reed or grain pole, symbolizing abundance. Over time, the djed was closely associated with Osiris, the god of resurrection, transforming it into a representation of his backbone and a symbol of eternal life and regeneration. Commonly found near the spines of mummified bodies, these amulets were believed to protect and ensure the deceased's rebirth in the afterlife, granting them eternal existence.\u003c\/p\u003e\n\u003cp\u003eAncient Egyptian amulets were cherished for their magical properties, believed to protect, heal, and empower their owners. Accessible and abundantly produced, amulets like this one embodied the connection between material, shape, and color to bestow their blessings. Through miniature forms of animals, deities, symbols, and objects, Egyptian amulets offered a direct, tangible link to divine protection and magical energies.\u003c\/p\u003e\n\u003cp\u003eModerate condition. Chip. Age-related heavy wear and signs of use. A fine glaze with light encrustations. Size approx. 2,7cm x 0,9cm x 0,6m.\u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eDjed pillar amulet, The Metropolitan Museum of Art, Accession Number: 10.130.1814 (https:\/\/www.metmuseum.org\/art\/collection\/search\/574168)\u003c\/p\u003e\n\u003cp\u003eDjed Pillar Amulet, National Museums Liverpool, Accession Number: 49.8.16 (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/djed-pillar-amulet-6)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994. pp. 82-83.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008, p. 25. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002, p. 127.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":45069206323465,"sku":"100100209","price":145.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8870.jpg?v=1708356348"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp\u003eMagnificent Hellenistic Ptolemaic Period Red Slip Oil Lamp, an exquisite example of ancient craftsmanship from Ptolemaic Egypt. This mould-made terracotta lamp, covered in a rich red-orange slip, dates back to the Hellenistic period and showcases the sophisticated design and practicality typical of ancient Egyptian daily life.\u003c\/p\u003e\n\u003cp\u003eThe lamp features a double-convex circular body, smoothly transitioning into a long, tapering nozzle with a rounded end, elegantly designed for precision in oil flow. Slight angles at the junction between the body and the nozzle add a subtle touch of architectural charm to its form. The filling hole is thoughtfully crafted, marked by an inward-sloping band framed by an outer groove, ensuring ease of use for refilling. A solid pointed lug on the left side adds both balance and aesthetic appeal. The circular base, slightly raised and concave toward the center, provides stability while contributing to the overall refined design. This piece embodies the fusion of form and function, a hallmark of Hellenistic artistry, making it not only a practical tool but also a beautiful artifact of ancient Ptolemaic culture.\u003c\/p\u003e\n\u003cp\u003ePerfect for collectors of ancient artifacts or those with an eye for classical design, this red slip oil lamp is an exceptional piece of history that will bring a touch of antiquity to any collection. Own a timeless treasure from the rich cultural tapestry of Hellenistic Egypt.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and light abrasion. Smoothed surface with light deposits. Nozzle had even traces of soot. Gorgeous patina. Size approx. 7,6cm x 5,2cm x 2,5cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Finnish private collection. \u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48534450831625,"sku":"100100334","price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1957.jpg?v=1728568754"},{"product_id":"romano-egyptian-frog-pottery-oil-lamp","title":"Romano-Egyptian Frog Pottery Oil Lamp","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRoman Period, c. 100-300AD, Naukratis, Egypt\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eA fantastic and rare example of a Roman Period pottery oil lamp, this beautifully mould-made piece from Naukratis, Egypt dates to c. 100-300 AD. Its distinctive tear-shaped design features an elongated, rounded reservoir with a small integral nozzle, pierced at the end for use. The circular filling hole is pierced through the body and the lamp is adorned with an intricately molded frog motif, a design exclusive to Egypt and known as the \"frog\" type.\u003c\/p\u003e\n\u003cp\u003eThe frog symbol in ancient Egypt carried deep meanings, most notably relating to childbirth, fertility, and rebirth. This lamp’s design likely alludes to the goddess Heqet, who was associated with birth and often depicted as a frog. Frogs were seen as potent symbols of life and regeneration, and their imagery appeared on various objects, including lamps, to invoke these qualities. As such, this lamp would have held significant symbolic value, especially in the context of life, fertility, and resurrection.\u003c\/p\u003e\n\u003cp\u003eMade from thick grey clay, differing from other Roman lamps, this egg-shaped oil lamp is part of a unique regional style produced exclusively in Egypt. It was in use from the 2nd century AD and remained in production until the 4th century AD, with some examples dating even later. The frog motif continued to resonate in Christian iconography as a symbol of rebirth and resurrection, sometimes appearing alongside the vine branch or the ankh, a sign of life.\u003c\/p\u003e\n\u003cp\u003eThis exceptional piece embodies the rich cultural syncretism of Roman and Egyptian beliefs, making it an extraordinary addition to any collection of ancient artifacts. Don’t miss the opportunity to own this remarkable oil lamp, a symbol of life, fertility, and renewal from the ancient world!\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and light abrasion. Chip. Smoothed surface with light deposits. Burnt nozzle. Gorgeous patina. Size approx. 8,1cm x 6,5cm x 3,5cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Finnish private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eRomano-Egyptian pottery oil lamp, Science Museum Group, Accession Number: 1948-188\/3 (https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co42820\/earthenware-lamps-4th-century-bc-to-4th-century-ad)\u003c\/p\u003e\n\u003cp\u003eOil-lamp, The British Museum, Accession Number: GR.200.1899 (https:\/\/www.britishmuseum.org\/collection\/object\/X__4894)\u003c\/p\u003e\n\u003cp\u003eRomano-Egyptian pottery oil lamp with 'frog' motif, Science Museum Group, Accession Number: 1948-188\/2 (https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co42820\/earthenware-lamps-4th-century-bc-to-4th-century-ad)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48559739011337,"sku":"100100336","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1960.jpg?v=1728981598"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp-copy","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp\u003eThis remarkable mould-made ceramic oil lamp, dating back to the Hellenistic Period of the Ptolemaic Dynasty (c. 300-50 BC), is a stunning example of ancient Egyptian craftsmanship. Originating from Naukratis, Egypt, the lamp features a beautifully crafted double-convex body with a long, flaring splayed nozzle, gently curved at the tip, and showing traces of ancient burning, a testament to its use in antiquity.\u003c\/p\u003e\n\u003cp\u003eThe round reservoir, designed with a central filling hole, is framed by a concentric ring, adding a touch of elegance to the functional design. The front of the reservoir is adorned with a delicate incised volute design, a hallmark of Hellenistic artistry. A circular base-ring provides stability, while two graceful leaf-shaped lugs on either side add both balance and aesthetic charm.\u003c\/p\u003e\n\u003cp\u003eCrafted from red-brown micaceous Nile silt clay, this lamp not only embodies the utilitarian beauty of Egyptian pottery but also captures the rich cultural fusion of Greek and Egyptian traditions during the Ptolemaic era. This exceptional piece is perfect for collectors of ancient artifacts, offering a rare glimpse into the daily life and religious practices of the ancient world. Own a piece of history with this stunning Egyptian oil lamp, a timeless symbol of ancient craftsmanship and artistic elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExcellent condition. Intact. Age-related light wear and minimal abrasion. Mineral encrustation, soil and dust. Nozzle had even traces of soot. Gorgeous patina. Size approx. 8,5cm x 6,3cm x 2,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Finnish private collection. \u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eOil-lamp, The British Museum, Accession Number: 1886.31.1 \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/X__990)\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48560531472649,"sku":"100100337","price":265.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1951.jpg?v=1728983996"},{"product_id":"romano-egyptian-frog-pottery-oil-lamp-copy","title":"Romano-Egyptian Frog Pottery Oil Lamp","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eRoman Period, c. 100-300AD, Naukratis, Egypt\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAn extraordinary example of Roman Egyptian pottery, this frog oil lamp showcases the distinctive artistry and symbolism of the period. Made from thick grey clay, this egg-shaped oil lamp features a carinated body and a raised frog motif viewed from above. The frog design is intricately surrounded by raised bosses and depressions, and a circular central hole with a ring detailing adds depth to the reservoir. The lamp's projecting nozzle is elegantly adorned with incised linear patterns, and its rilled base reveals a finely incised palm frond motif and the workshop mark, a legged 'A' - a testament to its unique craftsmanship.\u003c\/p\u003e\n\u003cp\u003eFrogs were powerful symbols in ancient Egyptian culture, closely linked to the goddess Heqet, deity of childbirth, fertility, and rebirth. The presence of a frog on this lamp would have evoked these vital life-affirming qualities, reinforcing the lamp’s symbolic connection to fertility and renewal. This significance endured in early Christian symbolism, where frogs, the vine branch, and the ankh symbolized rebirth and resurrection, making this lamp an emblem of enduring spiritual beliefs.\u003c\/p\u003e\n\u003cp\u003eProduced exclusively in Egypt from the 2nd to 4th centuries AD, this lamp captures the fusion of Roman and Egyptian aesthetics, embodying a captivating blend of cultural motifs and spiritual resonance. This piece is a rare find, a lasting symbol of life, fertility, and regeneration that would elevate any collection of ancient artifacts. Own a piece of history that reflects the profound syncretism of two iconic civilizations.\u003c\/p\u003e\n\u003cp\u003eVery fine condition. Age-related wear and light abrasion. Small chip. Smoothed surface with light deposits. Burnt nozzle. Gorgeous patina. Size approx. 7,5cm x 6,5cm x 3,3cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Finnish private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eOil-lamp, The British Museum, Accession Number: OA.4343 (https:\/\/www.britishmuseum.org\/collection\/object\/X__4828)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48702463377673,"sku":"100100341","price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1954.jpg?v=1731683095"},{"product_id":"egyptian-pale-green-glazed-faience-ushabti","title":"Egyptian Faience Ushabti","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eLate Dynastic Period, 26th to 31st Dynasty, c. 730-332 BC, Egypt\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis magnificent pale green-glazed faience ushabti is a testament to the intricate beliefs and craftsmanship of ancient Egyptian culture. Standing in mummiform with fused feet, the figure wears the classic tripartite wig and a false beard, both iconic symbols of Egyptian funerary art. Its crossed arms hold agricultural tools, with a seed bag slung over the left shoulder, and a shallow back pillar extending down to an integral base.\u003c\/p\u003e\n\u003cp\u003eUshabtis, or \"answerers,\" were central to Egyptian burial customs, intended to serve the deceased in the afterlife. These small, elegantly glazed figures reflect the Egyptians’ devotion to ensuring a smooth transition to the next world, offering the deceased a means to fulfill menial tasks when called upon by the gods. Typically crafted in faience with a green or blue glaze, ushabtis were highly prized for their beauty and symbolism. Standing between 10 and 20 cm tall, they would often accompany the deceased, filling tombs with these \"answerers\" to guarantee a prosperous afterlife.\u003c\/p\u003e\n\u003cp\u003eThis ushabti represents not just a funerary tradition but also the profound significance Egyptians placed on continuity after death. With its elegant form and glazed finish, this piece is a remarkable relic of ancient spirituality and artistry—an extraordinary addition to any collection dedicated to the mysteries of ancient Egypt.\u003c\/p\u003e\n\u003cp\u003eGood condition. Glazing flaws and fritting, softening to some finer details, with darkening and fading to glaze pigment, otherwise intact. Size approx. 7,9cm x 2,4cm x 2,3cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Belgian private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eShabti, The British Museum, Accession Number: EA9323 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA9323)\u003c\/p\u003e\n\u003cp\u003eShabti, The British Museum, Accession Number: EA71273 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA71273)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48710328811785,"sku":"100100342","price":345.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_2162.jpg?v=1731922140"},{"product_id":"egyptian-faience-ushabti","title":"Egyptian Painted Pottery Ushabti","description":"\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eLate Dynastic Period, 26th to 31st Dynasty, c. 730-332 BC, Egypt\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThis exquisite terracotta shabti embodies the meticulous artistry and profound spiritual beliefs of ancient Egypt during the Late Dynastic Period. The figure is modeled in a classic mummiform pose, with fused feet and crossed arms in relief, holding agricultural implements—hoes—symbolizing readiness to serve in the afterlife. It wears a lapped wig, its finely sculpted face accentuated by delicately traced eyes, and retains traces of white paint, a testament to its original vibrancy.\u003c\/p\u003e\n\u003cp\u003eUshabtis, also known as \"answerers,\" played a vital role in Egyptian funerary practices. These small figures were placed in tombs to perform manual tasks on behalf of the deceased in the afterlife, ensuring a life of ease and prosperity. This tradition reflects the Egyptians' belief in the continuity of life beyond death and the importance of preparation for the journey to the next world.\u003c\/p\u003e\n\u003cp\u003eWhile many ushabtis were crafted from faience with blue or green glaze, terracotta examples like this one are less common, making this piece a significant artifact. Ranging in height from 10 to 20 cm, ushabtis were often inscribed with hieroglyphic texts invoking their duties or bearing the names of the deceased they were meant to serve.\u003c\/p\u003e\n\u003cp\u003eThis shabti stands as a testament to ancient Egyptian devotion to the afterlife and their unparalleled craftsmanship. A captivating piece of history, it offers collectors and enthusiasts a tangible connection to one of the world’s most fascinating civilizations.\u003c\/p\u003e\n\u003cp\u003eGood condition. Repaired. Softening to some finer details, with darkening. Size approx. 10,7cm x 3,4cm x 2,4cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Belgian private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eShabti, The British Museum, Accession Number: EA47412 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA47412)\u003c\/p\u003e\n\u003cp\u003eShabti, The British Museum, Accession Number: EA47407 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA47407)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48770042167561,"sku":"100100347","price":425.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_2131.jpg?v=1732881211"},{"product_id":"romano-egyptian-terracotta-head-of-the-god-harpocrates","title":"Romano-Egyptian Terracotta Head of the God Harpocrates","description":"\u003ch3 class=\"p1\"\u003ePtolemaic Period, c. 330 BC - 30 BC, \u003cmeta charset=\"utf-8\"\u003eNaukratis, Egypt\u003c\/h3\u003e\n\u003cp\u003eAn exquisite example of Romano-Egyptian craftsmanship, this terracotta fragment captures the serene essence of Harpocrates, the Hellenic-Egyptian child god of silence and secrecy. The finely modeled face features almond-shaped eyes with sharply defined eyelids, a broad nose, and fleshy lips. Bald except for small tufts of hair and the distinctive side lock of a child, the head is adorned with remnants of an Egyptian Double Crown flanked by lotus buds held by a ribbon crossing above the brow (partially lost).\u003c\/p\u003e\n\u003cp\u003eHarpocrates, the infant son of Isis and Horus, symbolized youth, fertility, and the promise of new life. He was also revered as the patron deity of childhood. The hollow form of this artifact, created using a two-piece mold, showcases expert tool modeling. Traces of a white gypsum coating remain, adding depth to its surface. The red-brown Nile silt fabric, abundant with fine mica and white limestone inclusions, indicates production in the Nile Delta, most likely Naukratis—a hub of cultural fusion in the Greco-Roman world.\u003c\/p\u003e\n\u003cp\u003eThis piece not only reflects the syncretism of Egyptian and Hellenistic traditions but also exemplifies the artistic and spiritual exchanges of the era. A timeless representation of divinity and cultural amalgamation. Excellent condition. Fragment. Age-related wear and abrasion. Smoothed surface with light deposits. Size approx. 5,3cm x 3,5cm x 2,8cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: private collection from England.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: NA705 (https:\/\/www.britishmuseum.org\/collection\/object\/X__761)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: NA657 (https:\/\/www.britishmuseum.org\/collection\/object\/X__759)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48824161829129,"sku":"100100356","price":425.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_2557.jpg?v=1733836676"},{"product_id":"egyptian-white-glass-earring","title":"Egyptian White Glass Earring","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom, Late 18th - 19th Dynasty, c. 1550 - 1290 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eAn exceptional and rare penannular earring crafted from a round bar of white opaque glass, this artifact exemplifies the artistry of New Kingdom Egypt during the late 18th to 19th Dynasty, around 1550–1290 BC. The earring features a distinctive notch in its circumference, designed for attachment through a large ear-piercing, showcasing both its functional and aesthetic qualities.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eSuch earrings were discovered at key archaeological sites, including Malgatta and Amarna, and remained in use throughout the 19th Dynasty, highlighting their enduring popularity and cultural significance. This remarkable piece reflects the innovative craftsmanship and personal adornment practices of ancient Egypt, offering a glimpse into the sophistication and elegance of their society.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact. Age-related light wear and signs of use. Size approx. 1,9cm x 0,3cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: private collection from England\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp\u003eEar-ring; hair-ring, The British Museum, Accession Number: EA65292\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003ca href=\"https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA65292\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/Y_EA65292\u003c\/a\u003e)\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eEar Ornament, A catalogue of the Egyptian antiquities in the possession of F.G. Hilton Price, Publisher Bernard Quaritch, London 1897, pp. 108-109, # 1112.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48944444768521,"sku":"100100361","price":425.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_2780_a6cf2da6-b234-43ef-839a-51c5ffbe87a2.jpg?v=1736088216"},{"product_id":"egyptian-faience-amulet-of-bes-with-a-tambourine","title":"Egyptian Faience Amulet of Bes with a Tambourine","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom, Dynasty 18, Reign of Akhenaten, c. 1353–1336 BC, Thebes, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis fascinating fragmentary turquoise-blue faience amulet depicts the Egyptian god Bes in profile, rendered in his traditional form as a bandy-legged, deformed dwarf with a grotesque yet expressive human face. Bes is characterized by his wide, piercing eyes, round lion-like ears, and a mane-like depiction of hair. In this amulet, he is shown in an active pose, playing a tambourine—a percussion instrument associated with his role in warding off evil. His left hand grips the tambourine while his right hand strikes a rhythm, embodying the dynamic energy for which Bes is renowned. The reverse of the amulet is flat and unworked, and there is a chip at the top of Bes’s head, likely the remnant of a missing suspension loop.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBes was one of the most distinctive and universally recognized protector deities in ancient Egypt. His unusual appearance, with exaggerated and intimidating features, was believed to repel evil spirits and enemies. Despite his fearsome visage, Bes was seen as a benevolent figure, revered as a guardian of childbirth and protector of households. Amulets depicting him were especially popular among pregnant women, who believed he could shield their unborn children from harm. His protective qualities extended to safeguarding homes from intruders, both human and animal. Beyond his role as a fierce protector, Bes was also associated with joy, laughter, music, and dance. This duality made him a beloved and approachable deity, reflected in the dynamic and celebratory imagery of him playing musical instruments, as seen in this amulet. The tambourine, in particular, highlights his connection to music as a means of dispelling negativity and creating harmony.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis amulet, despite its fragmentary state, captures the essence of Bes’s multifaceted nature. It serves as a tangible reminder of his enduring popularity and the vibrant spiritual life of ancient Egyptian households.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eModerate condition. Chip. Age-related wear with fissure and encrustation. Size approx. 1,3cm x 0,9cm x 0,3cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet of Bes with a Tambourine, The Metropolitan Museum of Art, Accession Number: 11.215.195 (https:\/\/www.metmuseum.org\/art\/collection\/search\/560828)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBes with Tambourine Pendant, Emory University, Michael C. Carlos Museum, Accession Number: 2008.024.011 (https:\/\/collections.carlos.emory.edu\/objects\/24739\/bes-with-tambourine-pendant)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994. pp. 82-83.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008, p. 25. \u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002, p. 127.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48976097968393,"sku":"100100364","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_2789.jpg?v=1736524100"},{"product_id":"egyptian-bronze-and-stone-animal-eyes","title":"Egyptian Bronze and Stone Animal Eyes","description":"\u003ch3 class=\"p1\"\u003eThird Intermediate to Late Period, 1070–332 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA striking and rare pair of ancient Egyptian bronze and stone inlaid eyes, likely from a mummified sacred animal, possibly a bull. Each eye is circular, convex, and button-shaped, crafted from bronze and inlaid with chalky-white shell or alabaster sclerae, centered with deeply inset bitumen pupils for dramatic contrast. The reverse features a lug for attachment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSuch eyes were used in ritual animal mummies, especially bulls associated with the Apis cult, reflecting the Egyptians’ reverence for sacred animals and their symbolic connection to the gods. A remarkable display of ancient craftsmanship, and a powerful piece of ritual iconography from Egypt’s rich funerary tradition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with heavy oxidation with gorgeous green patina. Size approx. 2,8cm x 2,7cm x 2,1cm and 2,9cm x 2,9cm x 2,2cm. Sell as a pair.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Belgian private collection.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55217995710729,"sku":"100100422","price":1450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_4251.jpg?v=1744543081"},{"product_id":"egyptian-glass-amulet-plaque-of-an-erect-uraeus-cobra","title":"Egyptian Glass Amulet Plaque of an Erect Uraeus Cobra","description":"\u003ch3 class=\"p1\"\u003eLate Period to Ptolemaic Period, c. 664–30 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exquisite and richly symbolic fragment, this mold-formed glass amulet plaque features the iconic uraeus cobra, masterfully rendered in delicate detail. The cobra is depicted in its classic upright and rearing stance, with its hood dramatically flared, the coiled body tucked behind its head, and the tapering tail trailing downward. The narrow head displays pronounced, watchful eyes and a closed, composed mouth—capturing the poised and potent presence of this powerful symbol.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe uraeus was far more than a decorative motif in Ancient Egypt—it was a divine emblem of kingship, protection, and authority, commonly associated with the goddess Wadjet of Lower Egypt. Seen on the brows of pharaohs, often forming part of their crown regalia, the uraeus was believed to spit fire at enemies, shielding its wearer with supernatural force. It adorned temples, thrones, sarcophagi, and statuary—and was frequently worn as an amulet for both spiritual and physical protection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCrafted in richly coloured turquoise-green glass, a luxury material in the ancient world, this piece would likely have been part of a personal amulet worn during life or placed among mummification wrappings to safeguard the deceased in the afterlife. The cobra, a creature linked to regeneration due to its skin-shedding nature, was also a symbol of rebirth—tying this piece directly to beliefs about resurrection and eternal protection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulets like this were not mere adornments; they embodied the deep spiritual convictions of Ancient Egyptians, who believed that form and symbolism could invoke divine power. This striking fragment, though modest in scale, would have carried immense apotropaic force, serving both as a token of personal devotion and royal association, and as a powerful talisman against the forces of chaos.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eModerate condition. Fragment. Surface wear and abrasions commensurate with age, with nicks and chip. Encrusted rich patina. Size approx. 1,9cm x 2,3cm x 0,9cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55276121948425,"sku":"100100428","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_4714.jpg?v=1744964297"},{"product_id":"egyptian-faience-amulet-of-thoth-as-a-baboon","title":"Egyptian Faience Amulet of Thoth as a Baboon","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom to Third Intermediate Period, c. 1550–664 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fascinating mold-formed faience amulet depicting Thoth in his sacred baboon form, rendered in a creamy, pale hue and seated atop a rectangular base. The figure is portrayed with folded arms resting atop bent legs, its thick, textured mane suggested by vertical incisions and cross-hatching across the body. A tall suspension loop, now lost, once protruded from the back, indicating its function as a protective amulet worn or carried by the living or buried with the deceased.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis amulet captures the baboon manifestation of Thoth (ancient Egyptian: Djehuty), the god of wisdom, writing, accounting, astronomy, and intellectual pursuits. While more commonly depicted as an ibis-headed man, Thoth was also closely associated with the hamadryas baboon (Papio cynocephalus), a sacred animal revered for its perceived wisdom and connection to the sun. In his baboon form, Thoth was linked to Hedj-wer, “the Great White One,” a lunar and solar deity worshipped from Egypt’s earliest dynasties.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBy the end of the Old Kingdom, Thoth's iconography evolved primarily to an ibis-headed man wielding a scribal palette, stylus, or notched palm rib—a visual embodiment of divine record-keeping. Yet amulets such as this preserve the older and deeply symbolic baboon form, thought to channel divine intellect, protective power, and spiritual insight.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulets like this were not merely decorative but held deep apotropaic significance, believed to endow the wearer with wisdom, clarity, and the protective authority of the gods. A compelling artifact from a long continuum of reverence for Thoth, this amulet offers a powerful glimpse into the spiritual life of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eModerate condition. Surface wear and abrasions commensurate with age, chip and nicks with encrusted patina. Size approx. 1,1cm x 0,4cm x 0,5cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet, The British Museum, Accession Number: AN1896-1908-EA.884 (https:\/\/www.britishmuseum.org\/collection\/object\/X__5769?selectedImageId=1371912001) \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002, p. 127.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55282975277321,"sku":"100100431","price":105.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_4767.jpg?v=1745224097"},{"product_id":"egyptian-white-stone-writing-tablet-amulet","title":"Egyptian White Stone Writing Tablet Amulet","description":"\u003ch3 class=\"p1\"\u003eLate Period, Dynasty 26, c. 664–525 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional Egyptian amulet carved from white stone with black inclusions, shaped as a stylized writing tablet. Rectangular in form, the amulet features a cylindrical suspension element at the top—now blocked—suggesting it was once worn or attached. Despite its simplicity and lack of inscription, the piece is a powerful symbol with deep funerary significance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWriting tablet amulets began to appear during the 26th Dynasty and were commonly made from green, blue, or dark stones. This rarer white stone example echoes the same symbolic purpose. These amulets are often linked to Chapter 94 of the Book of the Dead, which states that the deceased must carry the writing tools of Thoth, the god of wisdom, knowledge, and the inventor of writing. Possession of such an amulet was believed to grant the deceased access to sacred spells and magical texts essential for navigating the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePlaced on the chest of the mummy, often alongside other protective charms, writing tablet amulets served as potent talismans to ensure the deceased was both protected and empowered during their journey through the netherworld. This piece stands as a testament to the deep interplay between literacy, magic, and divine knowledge in ancient Egyptian belief.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Light surface wear and abrasions commensurate with age, with minor chip to the edge. Size approx. 1,7cm x 1,0cm x 0,3cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWriting Tablet Amulet, Museum of Fine Arts, Budapest, Accession Number: 52.781 (\u003cspan class=\"s1\"\u003ehttps:\/\/www.mfab.hu\/artworks\/1898\/\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet of a Writing Tablet, Art Institute Chicago, Accession Number:1894.184  (\u003cspan class=\"s1\"\u003ehttps:\/\/www.artic.edu\/artworks\/140916\/amulet-of-a-writing-tablet\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994. pp. 82-83, p. 86, 98, no. 99b.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55396348723465,"sku":"100100439","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_4703.jpg?v=1746098512"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp-2","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA lovely, though chipped, mold-made grey-ware pottery oil lamp from the vibrant Greco-Egyptian cultural crossroads of Naukratis. Crafted during the Ptolemaic dynasty, this piece reflects the fusion of Hellenistic aesthetics with Egyptian craftsmanship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe lamp features a globular body that gently curves inward toward a rounded shoulder, culminating in a sloping rim encircling a small central filling hole. A neatly raised ridge frames this opening, emphasizing the vessel’s careful symmetry and design. A short, flat-topped nozzle extends from the body, ending in a rounded tip with an oval wick hole—traits aligned with Howland Type 25 lamps. A vertically pierced lug handle on the side adds both utility and visual balance. The lamp rests on a sharply defined base with a slightly concave disc foot.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eComposed of grey, reduced Nile silt fabric and coated in a dark, almost metallic slip, the surface bears the hallmarks of Nile Valley ceramic tradition—subtly burnished, compact, and elegantly proportioned. It showcases the synthesis of local materials and Hellenistic forms that flourished under the Ptolemaic regime.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil lamps like this one were ubiquitous in both domestic life and ritual practice, illuminating homes, workshops, and temples. This piece—modest yet refined—embodies the hybrid visual language of Ptolemaic Egypt, offering a tangible connection to a world where Greek and Egyptian identities mingled through trade, art, and everyday life.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Intact. Surface wear and abrasions commensurate with age, nicks and chips, with encrusted patina and rich earthen deposits throughout. Nozzle had even traces of soot. Size approx. 10,5cm x 7,8cm x 3,2cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil-lamp, The British Museum, Accession Number: 1987.291\u003cspan class=\"Apple-converted-space\"\u003e                                      \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/X__2184)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55757609894153,"sku":"100100463","price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5426.jpg?v=1750497956"},{"product_id":"egyptian-wooden-relief-of-the-god-bes","title":"Egyptian Wooden Relief of the God Bes","description":"\u003ch3 class=\"p1\"\u003eLate Period, Dynasty 26, c. 664–525 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional and extremely rare carved wooden relief of the protective household deity Bes, shown in one of his most iconic and expressive forms. The figure appears nude and frontal, with a grotesque leonine face, prominent feline nose, large flaring ears, curling beard, and a tall feathered headdress. His stocky body exhibits the characteristic traits of achondroplastic dwarfism—short, powerful limbs, bowed legs, and a lion’s tail—all rendered with striking anatomical detail.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBes was a fiercely protective god, known to ward off evil through music, raucous dancing, and sheer presence. He emerged prominently in the Middle Kingdom but came into his full visual form during the New Kingdom, where he became a beloved and ubiquitous guardian of the household. He was particularly associated with childbirth and domestic harmony, often appearing on amulets, furniture, mirrors, and cosmetic items to safeguard women and children.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis deeply carved wooden image may have originally adorned the backrest of a ceremonial chair or domestic furnishing, reminiscent of a near-identical depiction of Bes on the New Kingdom chair of Hatnefer in the collection of \u003ci\u003eThe Metropolitan Museum of Art\u003c\/i\u003e. Few such wooden depictions have survived the centuries, making this a truly rare and evocative example of Late Period domestic ritual art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact. Surface wear and abrasions commensurate with age, nicks and chips, with encrusted patina and earthen deposits throughout. Size approx. 16,4cm x 6,2cm x 1,8cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Finnish private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFurniture element, The Fitzwilliam Museum, Accession Number: E.GA.123.1949\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003cspan class=\"s1\"\u003ehttps:\/\/data.fitzmuseum.cam.ac.uk\/id\/object\/61848\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHatnefer's Chair, The Metropolitan Museum of Art, Accession Number: 36.3.152\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003cspan class=\"s1\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/543868\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eBes - Demon God Protector of Egypt, Tine Bagh and Lise Manniche (eds.), Ny Carlsberg Glyptotek 2021.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55927488119049,"sku":"100100472","price":2450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5587_c895f23f-359e-4c50-bde7-e22fc79f744d.jpg?v=1753349940"},{"product_id":"egyptian-bronze-harpocrates-amulet","title":"Egyptian Bronze Harpocrates Amulet","description":"\u003ch3 class=\"p1\"\u003eLate Period to Ptolemaic Period, c. 664-30 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA finely cast bronze amulet depicting Harpocrates—Horus the Child—shown standing with knees slightly bent, one arm at his side, and his index finger raised to his chin, a classic gesture symbolizing childhood. He wears the distinctive side-lock of youth, and a suspension loop remains intact on the back.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rare amulet would have served as a powerful protective charm. Harpocrates, son of Isis and Osiris, was revered in Egyptian culture and later adopted by the Greeks and Romans. His iconic pose, misunderstood by the Greeks as a symbol of silence, led to his association with secrecy and protection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA compelling piece that bridges Egyptian mythology with classical reinterpretation—steeped in symbolism and ancient belief.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact. Light surface wear and abrasions commensurate with age. Beautiful dark brown-green patina. Size approx. 2,1cm x 0,6cm x 0,5cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Danish private collection. \u003cmeta charset=\"utf-8\"\u003eAcquired abroad and brought to Denmark in the 1950s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHarpocrates Amulet, National Museums Liverpool, World Museum, Accession Number: M11601c (\u003cspan class=\"s1\"\u003ehttps:\/\/www.liverpoolmuseums.org.uk\/artifact\/harpocrates-amulet-3\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet; figure, The British Museum, Accession Number: H1029.1 (\u003cspan class=\"s1\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/X__6311?selectedImageId=1155122001\u003c\/span\u003e)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55994372718857,"sku":"100100482","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5868.jpg?v=1754560359"},{"product_id":"phoenician-egyptian-bronze-harpocrates-pendant","title":"Egyptian Bronze Harpocrates Amulet","description":"\u003ch3 class=\"p1\"\u003eLate Period to Ptolemaic Period, c. 664–30 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA cast bronze amulet depicting Harpocrates—Horus the Child—crafted in a style that reflects both Egyptian and Phoenician artistic influence. The youthful deity is shown standing with knees slightly bent, leaning forward as if in mid-step. His right hand is raised to his lips in the characteristic gesture associated with childhood in ancient Egypt, while his left arm cradles a cornucopia, symbol of abundance and prosperity. Atop his head rests a diminutive double crown of Upper and Lower Egypt, a potent emblem of royal authority and a direct link to his father, Horus, who was also depicted wearing this regal headdress. Pharaohs themselves adopted the crown to affirm their divine role as earthly manifestations of Horus.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA suspension loop is neatly cast on the reverse, allowing the amulet to be worn as a protective charm. Harpocrates, the son of Isis and Osiris, occupied a unique place in Egyptian religion as the divine child, symbolizing renewal, protection, and the continuation of the royal line. When his cult was adopted by the Greeks and Romans, the Egyptian gesture for “child” was misinterpreted as the sign for silence—transforming Harpocrates into the god of secrecy, discretion, and hidden knowledge in the classical world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rare pendant is a compelling artifact that bridges two great cultural traditions, combining Egyptian religious symbolism with a classical reinterpretation that would influence iconography for centuries. A powerful and evocative piece for any collection of ancient amulets, Egyptian bronzes, or cross-cultural antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Intact. Surface wear and abrasions commensurate with age. Beautiful dark brown-green patina. Size approx. 1,7cm x 0,6cm x 0,5cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Danish private collection. Acquired in the 1950s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHarpocrates Amulet, National Museums Liverpool, World Museum, Accession Number: M11601c (\u003cspan class=\"s1\"\u003ehttps:\/\/www.liverpoolmuseums.org.uk\/artifact\/harpocrates-amulet-3\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet; figure, The British Museum, Accession Number: H1029.1 (\u003cspan class=\"s1\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/X__6311?selectedImageId=1155122001\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994. pp. 82-83, p. 86, 98, no. 99b.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56012538413321,"sku":"100100487","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5872.jpg?v=1755102234"},{"product_id":"collection-of-romano-egyptian-terracotta-heads-of-harpocrates","title":"Collection of Romano-Egyptian Terracotta Heads of Harpocrates","description":"\u003ch3 class=\"p1\"\u003ePtolemaic Period, c. 330–30 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional trio of finely preserved Romano-Egyptian votive terracotta heads depicting Harpocrates, the youthful god of secrecy and renewal. Once part of larger statuettes, these sculpted fragments retain delicately modeled features that convey the innocence of the divine child—rounded cherubic cheeks, softly arched brows, and large doll-like eyes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEach head shows Harpocrates with the traditional shaven scalp and distinctive side-lock of youth. He wears the tall double crown of Upper and Lower Egypt, once flanked by lotus buds tied with a ribbon across the brow (now mostly lost). This crown not only signified royal authority but also underscored Harpocrates’ filial connection to Horus, who himself was often portrayed wearing it. Pharaohs adopted the same headdress as a public declaration of their role as earthly manifestations of Horus.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn Egyptian tradition, Harpocrates—Harpa-Khruti (“Horus the Child”)—was the son of Isis and Osiris, embodying rebirth, protection, and the continuity of kingship. His raised finger to the lips was a conventional Egyptian sign for childhood and the hieroglyph for “child.” However, when the Greeks encountered this imagery, they misinterpreted it as the gesture of silence, transforming Harpocrates into the god of secrecy, confidentiality, and hidden truths in the classical world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese rare heads are compelling survivals of cross-cultural religious art, bridging Egyptian mythological tradition with its Greco-Roman reinterpretation. Their fine modeling, symbolic richness, and provenance from Naukratis—a key center of Greek-Egyptian cultural exchange—make them an important addition to any serious collection of ancient terracotta sculpture or Mediterranean religious iconography.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chips, with encrusted patina. Some white chalk traces are still visible. One example is presented on a custom-made display stand. Size approx. 5,1cm x 3,2cm x 3,3cm, 2,9cm x 2,6cm x 2,8cm \u0026amp;\u003cspan class=\"Apple-converted-space\"\u003e  \u003c\/span\u003e3,5cm x 3,6cm x 1,6cm.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFigure, The British Museum, Accession Number: NA705 (https:\/\/www.britishmuseum.org\/collection\/object\/X__761)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFigure, The British Museum, Accession Number: NA657 (https:\/\/www.britishmuseum.org\/collection\/object\/X__759)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56013393821961,"sku":"100100488","price":465.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5890.jpg?v=1755107199"},{"product_id":"egyptian-faience-bead-necklace","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070 BC – 600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA magnificent ancient Egyptian necklace, restrung for preservation, composed of faience beads in a striking arrangement of shapes and colors. The main body consists of long turquoise tubular beads, interspaced with smaller disc-shaped spacers in red, black, blue, brown, and white. Together, these create a rhythm of color and form that reflects the refined artistry of Egyptian jewelry-making.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience, a glazed non-clay ceramic made from crushed quartz or sand coated with a vitreous alkaline glaze, was one of the most iconic materials of Egyptian craftsmanship. Its luminous hues—particularly blues, greens, and turquoise—were associated with fertility, renewal, and the brilliance of eternity. From the Old Kingdom onward, Egyptian artisans expanded their palette to include black, yellow, red, and other shades, allowing for more complex and symbolic jewelry designs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeyond its beauty, faience carried deep spiritual meaning. The Egyptians believed that such ornaments embodied rebirth and immortality, serving as both adornment and protective amulets. Jewelry like this necklace was not merely decorative but imbued with symbolic power, intended to protect the wearer in life and in the afterlife. The shimmering blue-green tones were also admired as imitations of highly prized stones such as turquoise and lapis lazuli.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor over four millennia, faience was used to create a wide range of objects, from beads and amulets to scarabs, ushabtis, and ceremonial vessels, as well as tiles that once adorned temple walls. This necklace, originating from Naukratis—an important Egyptian-Greek trading hub—stands as a testament to both the enduring skill of Egyptian artisans and the timeless appeal of their symbolic artistry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA rare and beautiful survival, this necklace embodies the perfect union of color, craftsmanship, and ancient belief.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chips, with nice patina. Discolouration and minor earthly encrustations. Length approx. 77,0cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56022893363465,"sku":"100100489","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5993_fd8eb5a1-213a-4815-b9d0-778cec8b65c2.jpg?v=1755329845"},{"product_id":"egyptian-faience-bead-and-petal-amulet-necklace","title":"Egyptian Faience Bead and Petal Amulet Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070 BC – 600 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional ancient Egyptian necklace, restrung for preservation, composed of luminous faience beads in a refined arrangement of long turquoise tubular beads interspaced with smaller spherical beads. The design is further enriched with blue petal amulets, now fragmented, which once heightened the piece’s symbolic and decorative impact.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience—crafted from crushed quartz coated with a gleaming alkaline glaze—was one of Egypt’s most celebrated materials. Its vibrant hues of blue and turquoise evoked fertility, rebirth, and eternal brilliance, qualities that made such jewelry both protective and deeply symbolic. To the ancient Egyptians, necklaces like this were not mere adornment but powerful amulets, conferring protection in life and the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginating from Naukratis, a key Egyptian-Greek trading center, this necklace reflects both the technical mastery of Egyptian artisans and the enduring appeal of their symbolic artistry. Its shimmering tones recall prized stones such as turquoise and lapis lazuli, while its form embodies the elegance of Egyptian jewelry-making across millennia.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA rare survival of timeless beauty and meaning, this piece stands as a testament to the spiritual and artistic sophistication of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Heavy surface wear and abrasions commensurate with age, nicks and chips, with encrusted patina. Discolouration and minor earthly encrustations. Length approx. 53,0cm\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From an old Dutch private collection, acquired in Egypt during the 1920s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cmeta charset=\"utf-8\"\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56028480373001,"sku":"100100491","price":325.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6002.jpg?v=1755511437"},{"product_id":"egyptian-faience-bead-necklace-1","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA magnificent ancient Egyptian necklace, restrung for preservation, composed of faience beads arranged in a striking interplay of shapes and colors. The main strand is formed of long turquoise tubular beads, interspaced with smaller disc-shaped spacers in red, black, blue, brown, and white, creating a rhythmic balance of form and hue that reflects the refined artistry of Egyptian jewelry-making.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience—a glazed non-clay ceramic made from crushed quartz or sand coated with a vitreous alkaline glaze—was one of the most iconic and enduring materials of Egyptian craftsmanship. Its luminous shades of turquoise, green, and blue symbolized fertility, renewal, and eternal life, while the broader palette, introduced from the Old Kingdom onward, allowed artisans to incorporate deeper symbolic complexity into their designs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMore than mere ornament, jewelry of this kind carried profound spiritual significance. Faience beads were believed to embody rebirth and immortality, serving as protective amulets both in life and in the afterlife. Their shimmering colors also imitated highly prized stones such as turquoise and lapis lazuli, ensuring that beauty and symbolism went hand in hand.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor over four millennia, faience adorned not only necklaces and amulets but also scarabs, ushabtis, vessels, and architectural tiles that decorated temples and tombs. This necklace, originating from Naukratis—an important Egyptian-Greek trading hub—stands as a rare survival, a testament to the timeless skill of Egyptian artisans and the symbolic power of their creations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA superb piece of ancient jewelry, full of historical resonance and enduring charm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition overall. Surface wear and abrasions commensurate with age; nicks, chips, and attractive patina. Some discolouration and minor earthly encrustations. Length approx. 85,0 cm.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56075648434441,"sku":"100100495","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6039.jpg?v=1756386858"},{"product_id":"egyptian-faience-bead-necklace-2","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA magnificent ancient Egyptian necklace, restrung for preservation, composed of faience beads arranged in a harmonious interplay of form and color. The main strand is crafted from long turquoise tubular beads, interspaced with smaller disc-shaped spacers in red, black, blue, brown, and white. Together, they create a striking rhythm that reflects the sophistication and symbolic depth of Egyptian jewelry-making.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience—an innovative glazed material made from ground quartz coated with a vitreous alkaline glaze—was among the most celebrated mediums of Egyptian craftsmanship. Its luminous turquoise, green, and blue tones symbolized fertility, renewal, and eternal life, while additional hues introduced from the Old Kingdom onward enriched designs with deeper symbolic layers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJewelry such as this was never merely decorative; it carried profound spiritual meaning. Faience beads were believed to embody rebirth and immortality, serving as protective amulets for both the living and the dead. Their shimmering hues also imitated prized stones such as turquoise and lapis lazuli, combining accessibility with elegance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor more than four millennia, faience adorned necklaces, amulets, scarabs, ushabtis, vessels, and temple tiles, bridging artistry and devotion. This necklace, originating from Naukratis—an important Egyptian-Greek trading hub—stands as a rare survival and a superb testament to the enduring skill of Egyptian artisans. Both historically significant and visually captivating, it remains a piece of timeless beauty.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 77,0 cm.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56080706371849,"sku":"100100499","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6138.jpg?v=1756472374"},{"product_id":"egyptian-faience-bead-necklace-3","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful ancient Egyptian necklace, restrung for preservation, composed of small disc-shaped faience beads in a rich interplay of colors—red, black, blue, brown, and white. The balanced arrangement reflects the elegance and refinement of Egyptian jewelry-making.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience, an innovative glazed material of ground quartz coated with a lustrous alkaline glaze, was among the most celebrated mediums of Egyptian craftsmanship. Its luminous turquoise, green, and blue hues symbolized fertility, renewal, and eternal life, while additional tones introduced from the Old Kingdom onward imbued pieces with added symbolic depth.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMore than ornament, necklaces such as this carried profound meaning. Faience beads were believed to embody rebirth and immortality, serving as protective amulets for both the living and the dead. Their shimmering colors also evoked prized stones like turquoise and lapis lazuli, making them both accessible and powerful.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginating from Naukratis—an important Egyptian-Greek trading hub—this necklace is a rare survival and a superb testament to the enduring artistry of Egyptian craftsmen. Historically significant and visually striking, it offers both timeless beauty and a direct connection to one of the world’s greatest civilizations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good overall. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 83,5 cm.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56118136668425,"sku":"100100506","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6397.jpg?v=1757435175"},{"product_id":"egyptian-late-period-alabaster-jar","title":"Egyptian Late Period Alabaster Jar","description":"\u003ch3 class=\"p1\"\u003eLate Dynastic Period, 26th to 31st Dynasty, c. 664–332 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exquisite alabaster jar, finely carved from near-translucent stone in soft tones of pale cream and brown with delicate banded inclusions. The vessel presents a rounded body with corseted shoulders, a dramatically flared flat rim encircling a wide mouth, and a stable flat base. When held to the light, the stone reveals its remarkable translucency, a feature highly prized in Egyptian craftsmanship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSuch vessels were often used to hold cosmetics—particularly kohl, which the Egyptians famously applied around the eyes for both aesthetic and protective purposes. Alabaster containers were luxury objects, their beauty and material lending them a place in elite households and tombs.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eComparable examples of alabaster vessels have been found in high-status burials beyond Egypt, including in Bactria. At Ai Khanum, a Hellenistic city at the confluence of the Kokcha and Oxus rivers in modern-day Afghanistan, several alabaster vessels were discovered in the tomb of Kineas, the city’s founder. These parallels underscore both the enduring appeal and the widespread circulation of such finely crafted objects in antiquity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good overall. Repairs visible with traces of wax. Surface wear and abrasions consistent with age, along with minor chips, nicks, and a small hole. Attractive patina present, with traces of discoloration and earthly encrustations, enhancing the piece’s antiquarian character. \u003cmeta charset=\"utf-8\"\u003eSize approx. 10,7cm x 8,6cm x 8,5cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection. Acquired in the 1960s.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56219091140873,"sku":"100100514","price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6658.jpg?v=1758960143"},{"product_id":"egyptian-faience-bead-necklace-4","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful and timeless ancient Egyptian necklace, restrung for preservation, composed of faience beads in a striking arrangement of shapes and colors. The main body consists of long turquoise tubular beads, interspaced with smaller disc-shaped spacers in red, black, blue, brown, and white. The rhythmic sequence of hues reflects the refined aesthetics of Egyptian jewelry-making, where balance and symbolism were central to design.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFaience, crafted from ground quartz coated in a lustrous alkaline glaze, was one of the most celebrated materials of Egyptian artisanship. Its brilliant turquoise, green, and blue tones symbolized fertility, renewal, and eternal life, while other shades introduced in later periods carried additional layers of symbolic meaning.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eSuch necklaces were not merely ornamental but deeply imbued with spiritual power. Faience beads were believed to embody rebirth and immortality, serving as protective amulets for both the living and the dead. Their shimmering surfaces evoked precious stones like turquoise and lapis lazuli, making them both beautiful and accessible to a wide spectrum of Egyptian society.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis necklace originates from Naukratis, the famed Egyptian-Greek trading hub of the Nile Delta, where artisans blended local traditions with Mediterranean exchange. A rare survival in such fine condition, it offers not only timeless visual beauty but also a direct and evocative connection to one of the world’s greatest civilizations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good overall. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 83,0 cm.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p5\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56249116786953,"sku":"100100520","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6820.jpg?v=1759392025"},{"product_id":"egyptian-faience-bead-necklace-5","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful and timeless ancient Egyptian necklace, carefully restrung for preservation, composed of faience beads arranged in a striking interplay of form and color. The necklace features long turquoise tubular beads, interspaced with smaller disc-shaped spacers in red, black, blue, brown, and white. This rhythmic sequence reflects the refined aesthetics of Egyptian jewelry-making, where harmony, balance, and symbolism were central to design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience—crafted from ground quartz covered in a lustrous alkaline glaze—was one of the most celebrated materials of Egyptian craftsmanship. Its radiant turquoise, green, and blue hues symbolized fertility, renewal, and eternal life, while other tones introduced in later periods enriched the symbolic and visual vocabulary of Egyptian ornament.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSuch necklaces were never merely decorative. Faience beads carried profound spiritual significance, believed to embody rebirth and immortality while serving as protective amulets for both the living and the dead. Their shimmering surfaces imitated precious stones such as lapis lazuli and turquoise, making them both desirable and widely accessible.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginating from Naukratis, the famed Egyptian-Greek trading hub in the Nile Delta, this necklace represents the crosscurrents of cultural exchange and enduring artistic traditions. A rare survival in such fine condition, it offers timeless beauty and a direct, evocative link to the beliefs, artistry, and sophistication of one of the world’s greatest civilizations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good overall. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 82,5 cm.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56252975546633,"sku":"100100524","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6816.jpg?v=1759491159"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp-4","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA finely moulded grey-ware pottery oil lamp from the vibrant Greco-Egyptian city of Naukratis, a major centre of trade and cultural fusion during the Ptolemaic Dynasty. This elegant piece beautifully embodies the synthesis of Hellenistic form and Egyptian craftsmanship that defined the material culture of the period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe lamp features a globular body with a gently curved shoulder and a narrow rim encircling a small central filling hole, neatly framed by a raised ridge. A short, flat-topped nozzle extends forward, terminating in a rounded tip with an oval wick hole, consistent with Howland Type 25 forms. A vertically pierced lug handle provides both functionality and aesthetic symmetry. The sharply defined disc foot exhibits a subtle concavity, lending a refined sense of balance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCrafted from reduced Nile silt fabric, the lamp is coated in a dark, reddish brown slip, though now almost gone. The surface bears the tactile traces of careful ancient workmanship, revealing a harmony of local materials and Hellenistic stylistic sensibility.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil lamps such as this were essential objects of daily and ritual life—used to illuminate domestic interiors, sanctuaries, and workshops. Modest in scale yet exquisite in execution, this example reflects the cosmopolitan artistry of Ptolemaic Egypt, where Greek and Egyptian identities converged in a shared visual and spiritual vocabulary.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Small chips in the filling hole, wick hole and the foot. Surface wear and abrasions commensurate with age and use. Encrusted patina and rich earthen deposits throughout. Nozzle had even traces of soot. Size approx. 10,2cm x 7,6cm x 4,0cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil-lamp, The British Museum, Accession Number: 1987.291\u003cspan class=\"Apple-converted-space\"\u003e                                      \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/X__2184)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56324470210825,"sku":"100100542","price":145.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_7517_9d897f98-0509-4d38-a042-cfae7d84c593.jpg?v=1761143893"},{"product_id":"egyptian-wooden-shabti-for-the-high-priest-of-amun","title":"Egyptian Wooden Shabti for the High Priest of Amun","description":"\u003ch3 class=\"p1\"\u003eRamesside Period, 19th Dynasty, New Kingdom of Egypt, c. 1294–1279 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn absolutely stunning and finely carved wooden ushabti depicting a standing wab priest of Amun, carved with remarkable sensitivity and presence. The figure stands frontally with fused legs, dressed in daily attire rather than the more common mummiform shabti type, indicating elevated status. The elongated body is subtly modelled, with a gently defined abdomen and softly rounded buttocks.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe head is surmounted by a finely incised tripartite wig with long lappets falling over the shoulders and partially covering a striped wesekh collar pectoral. The face is delicately carved, with smooth cheeks and a broad nose; the facial features appear to have been deliberately abraded in antiquity—a practice sometimes associated with ritual “deactivation”—and are now heavily worn through age. A short beard frames the chin. The slender arms are crossed over the chest, holding a djed pillar and a tyet amulet, powerful symbols of stability and protection. Notably, there is no basket on the back, further distinguishing this figure from typical worker shabtis. The figure wears a long pleated kilt with a frontal panel bearing a partially legible incised inscription reading:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003e“Glorifying the Osiris, the First Prophet (First God’s Servant) of Amun …”\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShabtis were funerary figurines intended to act as magical substitutes for the deceased, answering the call to perform manual labor in the afterlife. Over time, their numbers increased significantly; by the 21st Dynasty, elite burials might include up to 401 examples—one for each day of the year, plus overseers for each ten-day week. Worker shabtis typically carry agricultural tools, while overseer figures wear kilts and hold whips. This exceptional wooden example, with its refined carving, priestly iconography, and inscribed reference to the First Prophet of Amun, represents a rare and highly evocative survival from the height of the New Kingdom.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chips, with encrusted patina and earthen deposits throughout. Traces of white gesso. Split down one side. Size approx.\u003cspan class=\"Apple-converted-space\"\u003e 19\u003c\/span\u003e,4cm x 5,6cm x 3,2cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Nils Edvin Jönsson, cinematographer and close friend of Professor Vivi Laurent-Täckholm, who established the Department of Botany at Cairo University. Received as a gift from Professor Laurent-Täckholm in connection with the production of a television program in Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePreviously in the Täckholm Collection, Sweden (formed c. 1890–1940), assembled primarily by Professor Richard Täckholm (1865–1937) and Professor Vivi Laurent-Täckholm, who lived and worked in Cairo between 1923 and 1978.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShabti of Sety I, National Museums Liverpool, Accession number: M13578\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.liverpoolmuseums.org.uk\/artifact\/shabti-of-sety-i-8)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eShabti, The British Museum, Accession Number: EA15300\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA15300)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56686670676233,"sku":"100100556","price":2250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_7914.jpg?v=1765977717"},{"product_id":"egyptian-faience-amulet-of-ptah-pataikos","title":"Egyptian Faience Amulet of Ptah-Pataikos","description":"\u003ch3 class=\"p1\"\u003eThe Thutmoside period, 18th Dynasty, New Kingdom of Egypt, c. 1504-1425 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA large and extremely rare ancient Egyptian faience amulet representing the protective dwarf deity Ptah-Pataikos. The figure is incomplete, with the lower portion of the legs lost in antiquity, yet it remains a remarkably detailed and expressive example of this powerful apotropaic form.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe deity is shown in his characteristic squatting posture, with legs bent outward and fists clenched at either side of his protruding stomach. His disproportionately large head displays exaggerated features typical of Pataikos imagery: a broad nose, small lips, and almond-shaped eyes beneath a pronounced brow. The figure wears a cropped hairstyle surmounted by a scarab, while small falcons—representing the god Horus—perch on each shoulder.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eStanding at his sides are the protective goddesses Isis and Nephthys, reinforcing the amulet’s protective function. The dorsal pillar is incised with the winged form of Isis wearing a Hathoric crown composed of a sun disk flanked by tall horns. Across the abdomen runs a curved band that may represent snakes—creatures Pataikos is frequently depicted grasping or subduing in related amulets, symbolizing his power over dangerous animals. A ribbed suspension loop at the back of the neck allowed the amulet to be worn or attached as a protective charm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe name “Pataikos” derives from the writings of Herodotus (5th century BC), who used the term to describe small protective dwarf figures known among the Phoenicians. In Egyptian belief, Pataikos was considered a manifestation or child-form of the creator god Ptah, patron of craftsmen. Depictions of dwarfs appear frequently in Old Kingdom scenes of precious metal workshops, reflecting their respected role in specialized craft production.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFrom the New Kingdom onward, Pataikos amulets became widely popular as protective charms, particularly for children. Often shown restraining snakes or other dangerous creatures, the deity was believed to guard against harmful animals such as serpents and crocodiles.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePowerful in symbolism and striking in design, this rare faience amulet represents both the artistic sophistication and the deeply protective spiritual beliefs of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Loss to legs below knees. Chips and abrasions, with fading to pigment, light pitting in scattered areas, and softening to some finer details, otherwise in great condition. Size approx. 5,3cm x 3,5cm x 2,3cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Harald Egon Stridh (b. 1935), Stockholm. Acquired abroad and brought to Sweden in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet in the shape of Pataikos, Muzeum Archeologiczne w Krakowie (\u003cspan class=\"s1\"\u003ehttps:\/\/ma.krakow.pl\/en\/tour\/amulet-in-the-shape-of-pataikos\/)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet of the God Pataikos, The Metropolitan Museum of Art, Accession number: 40.2.10 (https:\/\/www.metmuseum.org\/art\/collection\/search\/548397)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulet of Pataikos on Crocodiles, The Walters Art Museum, Accession Number: 48.1602 (https:\/\/art.thewalters.org\/object\/48.1602\/)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994, pp. 38-39\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002, p. 127.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003ci\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56878921580809,"sku":"100100597","price":2150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_9394.jpg?v=1773308250"},{"product_id":"egyptian-small-steatite-scarab","title":"Egyptian Steatite Scarab","description":"\u003ch3 class=\"p1\"\u003eThutmose III Reign, 18th Dynasty, New Kingdom of Egypt, c. 1400–700 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn attractive small Egyptian steatite scarab, finely carved with remarkable attention to detail despite its diminutive size. The upper surface displays a carefully rendered beetle with a well-defined clypeus and head, while delicately incised lines define the prothorax and elytra, creating a balanced and naturalistic representation of the sacred scarab beetle.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside is intricately engraved with hieroglyphic motifs, including a standing figure, possibly falcon-headed and representing the god Horus. Above the figure appears a solar disk associated with Ra, while a \u003ci\u003ešw\u003c\/i\u003e feather is positioned to the side, forming a symbolic composition linked to divine protection, kingship, and solar regeneration. The scarab has been pierced longitudinally for suspension, allowing it to be worn as an amulet or mounted in a piece of jewelry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eScarabs of this type became especially popular during the New Kingdom and remained in use for centuries thereafter. They functioned as personal seals, protective amulets, and devotional objects, often bearing royal names, religious symbols, or auspicious inscriptions. The continued production and circulation of scarabs long after the reigns they commemorated reflects their enduring symbolic importance within Egyptian society.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn ancient Egyptian belief, the scarab beetle (\u003ci\u003eScarabaeus sacer\u003c\/i\u003e) was revered as a symbol of rebirth, renewal, and the eternal cycle of life. Observing the beetle rolling balls of dung across the ground, the Egyptians associated its movements with the daily journey of the sun across the heavens. This connection linked the insect to the god Khepri, the divine manifestation of the rising sun and a powerful symbol of creation and transformation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmong the most iconic and enduring forms of Egyptian material culture, scarabs were widely employed in both daily life and funerary contexts. This finely engraved example is a charming testament to the religious beliefs, artistic skill, and symbolic sophistication of ancient Egypt, combining intricate craftsmanship with profound spiritual significance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition to the obverse and reverse. Surface wear and abrasions commensurate with age, with chips, nicks and abrasion, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. Please note the small dimensions of this scarab. Size approx. 1,9cm x 1,2cm x 0,7cm.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Dutch private collection\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57102591197449,"sku":"100100603","price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_9695.jpg?v=1780227759"},{"product_id":"egyptian-sarcophagus-mask","title":"Egyptian Sarcophagus Mask","description":"\u003ch3 class=\"p1\"\u003eLate Period to Ptolemaic Kingdom, c. 660–30 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional and rare Egyptian mummy mask depicting the frontal visage of an idealized individual, rendered with remarkable sensitivity and elegance. The face is characterized by a smooth, gessoed white complexion and a softly rounded ovoid form. Finely modeled features include a slender nose, full lips gently raised in a subtle smile, and large almond-shaped eyes framed by carefully arched brows and black-painted cosmetic details. The serene expression reflects the artistic conventions of Egyptian funerary portraiture, which sought to present the deceased in an eternally perfected state.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWhile mummy masks and coffins were traditionally fashioned from wood or cartonnage—a composite material of linen, plaster, and paint—this unusual example was constructed from a mixture of mud and straw. The material would have been shaped and dried to form the mask's core before being carefully modeled and finished, ultimately becoming an integral part of the coffin. Examples produced in this manner are considerably less common and offer valuable insight into regional and economic variations within Egyptian funerary practices.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally reserved for royalty and members of the highest elite, mummification became increasingly accessible over time, particularly during the Late Period and Ptolemaic era. Nevertheless, the commissioning of a personalized mummy mask remained a significant investment, suggesting that the owner belonged to a prosperous or privileged segment of society.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeyond preserving the likeness of the deceased, mummy masks fulfilled an essential religious function. They provided both physical and magical protection, ensuring that the individual's identity remained intact in the afterlife. Egyptian funerary rituals centered upon the belief that the body served as the vessel of the soul, and its preservation was therefore of paramount importance. Through the elaborate seventy-day mummification process and subsequent interment within a coffin and tomb, the deceased was prepared for a successful journey into the next world and eventual rebirth.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis remarkable mask stands as a powerful testament to the spiritual beliefs, artistic achievements, and enduring concern with eternity that defined ancient Egyptian civilization for millennia.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with encrusted patina. Losses to areas of cheeks, neckline, coiffure, and mask peripheries as shown. Nice earthen deposits and great traces of original pigment throughout. Size approx. 16,5cm x 13,6cm\u003cspan class=\"Apple-converted-space\"\u003e x 7,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Rolf Harald Lindholm (1934–2025), thence by descent to the current owner. The items were acquired in Egypt and brought to Sweden between 1960 and 1970, during Lindholm’s tenure as Secretary at the Swedish Embassy in Cairo.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57111938826505,"sku":"100100610","price":2450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_9912.jpg?v=1780562149"},{"product_id":"amarna-period-painted-pottery-fragments","title":"Amarna Period Painted Pottery Fragments","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom, Amarna Period, 18th Dynasty, Reign of Akhenaten (Amenhotep IV), c. 1352–1336 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful and well-preserved pair of painted pottery fragments from the side of a large ceramic vessel, crafted from fine reddish-buff Nile silt clay during the Amarna Period. The gently curved fragments are decorated with elegant bands of stylized floral, foliate, and linear motifs, delicately rendered in vivid blue and black pigments against a cream-coloured ground. The principal component of the blue pigment applied to Egyptian ceramics before firing was cobalt, producing the distinctive brilliant hue so closely associated with luxury wares of the period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally forming part of a substantial storage vessel, these fragments would have belonged to containers used for valuable commodities such as oils, perfumes, unguents, wine, or preserved fruits. Such finely decorated vessels were not only functional but also reflected the sophisticated artistic tastes that flourished during the reign of Akhenaten.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe decorative motifs closely parallel those found in the wall paintings of the tomb-chapel of Nebamun, where luxuriant vegetation, flowering plants, and the abundant wildlife of the Nile marshes are rendered with remarkable naturalism. This artistic style reached its fullest expression during the Amarna Period, when Egyptian artists embraced greater fluidity, elegance, and close observation of the natural world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese attractive fragments offer an evocative glimpse into one of the most distinctive artistic periods of ancient Egypt, preserving both the refined craftsmanship and innovative decorative traditions that characterized the reign of Akhenaten.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Fragment as shown, with nice preservation of the painted motifs on its decorated and scratches on surface. Size approx. 6,3cm x 6,9cm x 1,3cm \u0026amp; 2,5cm x 3,3cm x 0,8cm. Sell as a pair.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVessel fragment, The Metropolitan Museum of Art, Accession number: 2006.82.10 (https:\/\/www.metmuseum.org\/art\/collection\/search\/576657)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVessel, National Museums Liverpool, Accession number: 1973.1.425.9 (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/vessel-67)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57157550768393,"sku":"100100622","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0130.jpg?v=1782497576"},{"product_id":"egyptian-faience-ushabti-fragment","title":"Egyptian Faience Ushabti Fragment","description":"\u003ch3 class=\"p1\"\u003eLate Period, 26th–30th Dynasty, c. 688–332 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA finely moulded Egyptian faience ushabti fragment dating to the Late Period, preserving the upper portion of a mummiform funerary servant. Although the lower body has been lost in antiquity, the figure remains remarkably expressive and retains many of its original details, testifying to the skill of ancient Egyptian craftsmen.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe arms are crossed over the chest in the traditional pose, each hand holding an agricultural implement—a pick and a hoe—symbolizing the labor the ushabti was destined to perform on behalf of the deceased in the afterlife. A seed bag is suspended over the rounded shoulders, further identifying the figure as one of the eternal workers charged with cultivating the fertile \"Field of Reeds,\" the idyllic realm of the dead ruled by Osiris.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe face is rendered with elegant simplicity, featuring elongated almond-shaped eyes with extended outer canthi, a small straight nose, softly modelled cheeks, and a rounded chin. The figure wears a curved divine beard, while the forehead is encircled by a narrow headband beneath a finely modelled tripartite wig, both characteristic features of Late Period ushabtis.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUshabtis—also known as shabtis or shawabtis—formed an essential part of ancient Egyptian funerary equipment. They were placed within tombs to serve as magical substitutes for the deceased, answering the call to perform agricultural and other manual tasks in the afterlife. By the Late Period, burials often contained large numbers of these figures, each intended to ensure that the owner would enjoy an existence free from physical labor for eternity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe figure is fashioned from Egyptian faience, a silica-based glazed composition made primarily from finely ground quartz with copper compounds that produced its distinctive blue or blue-green glaze. Known to the ancient Egyptians as \u003ci\u003etjehenet\u003c\/i\u003e (\"the dazzling\" or \"the brilliant\"), faience was closely associated with rebirth, regeneration, and the life-giving waters of the Nile, making it an especially appropriate material for funerary objects.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDespite its fragmentary condition, this ushabti remains a compelling example of Late Period funerary art, embodying the religious beliefs, technical accomplishment, and enduring artistic traditions of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Fragment as shown. Surface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, with glazing flaws and fritting. Size approx. 3,5cm x 2,1cm x 1,5cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Belgian private collection\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57161849471241,"sku":"100100623","price":125.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0124_e9771198-271e-4e1a-8433-2f383bdd8e13.jpg?v=1782728211"},{"product_id":"amarna-period-painted-pottery-fragments-1","title":"Amarna Period Painted Pottery Fragments","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom, Amarna Period, 18th Dynasty, Reign of Akhenaten (Amenhotep IV), c. 1352–1336 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful and exceptionally well-preserved group of three painted pottery fragments from the side of a large ceramic vessel, crafted from fine reddish-buff Nile silt clay during the Amarna Period. The gently curved sherds are elegantly decorated with horizontal bands of stylized floral, foliate, and linear ornament, rendered in brilliant blue and black pigments against a creamy white slip. The vivid blue, produced primarily from cobalt-bearing pigments applied before firing, is characteristic of the finest decorated Egyptian ceramics of the New Kingdom and reflects the high technical standards achieved by royal workshops.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally forming part of a substantial storage vessel, these fragments would have belonged to containers used for valuable commodities such as perfumed oils, unguents, wine, fruits, or other luxury provisions. Such vessels fulfilled both practical and aesthetic functions, their refined decoration reflecting the sophisticated artistic tastes that flourished during the reign of Akhenaten.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe painted motifs closely relate to the luxuriant floral and vegetal designs found in elite Theban tomb paintings, including those of the celebrated official Nebamun. During the Amarna Period, however, this long-established appreciation for nature reached an unprecedented level of refinement. Artists increasingly embraced fluid compositions, elegant linework, and close observation of the natural world, producing decorative schemes distinguished by their vitality, grace, and remarkable sense of movement.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eConstructed from Nile silt clay and coated with a carefully prepared light slip, vessels such as these formed part of the finest domestic and ceremonial tableware of the period. Their vibrant painted decoration illustrates the remarkable fusion of technical innovation and artistic creativity that characterized Egyptian ceramic production during the late Eighteenth Dynasty.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese finely painted fragments offer an evocative glimpse into one of the most innovative artistic periods of ancient Egypt. Though fragmentary, they preserve the elegance, vibrant colour palette, and naturalistic decorative traditions that define the extraordinary artistic legacy of the Amarna age, making them both aesthetically appealing and historically significant survivals of this remarkable era.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Fragment as shown, with nice preservation of the painted motifs on its decorated and scratches on surface. Size approx. 6,0cm x 5,5cm x 1,0cm, 3,9cm x 3,7cm x 0,8cm \u0026amp; 3,8cm x 3,1cm x 0,8cm. Sell as a set.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVessel fragment, The Metropolitan Museum of Art, Accession number: 2006.82.10 (https:\/\/www.metmuseum.org\/art\/collection\/search\/576657)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVessel, National Museums Liverpool, Accession number: 1973.1.425.9 (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/vessel-67)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57168696836361,"sku":"100100626","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0136.jpg?v=1782928843"},{"product_id":"egyptian-steatite-scarab","title":"Egyptian Steatite Scarab","description":"\u003ch3 class=\"p1\"\u003e20th Dynasty, New Kingdom of Egypt, c. 1186–1069 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA charming and finely carved Egyptian steatite scarab of small size, displaying remarkable craftsmanship and attention to detail. The upper surface is skilfully modelled as a sacred scarab beetle, with a clearly defined clypeus and head, while finely incised lines delineate the prothorax and elytra, lending the insect a naturalistic and well-balanced appearance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside is engraved with an elegant symmetrical design comprising six groups of concentric circles arranged around a central linear motif. The scarab is pierced longitudinally for suspension, allowing it to have been worn as a protective amulet or mounted within a ring or other piece of jewellery. Decorative motifs such as concentric circles, floral scrolls, and abstract geometric designs were among the most common devices found on Egyptian scarabs. Although their precise symbolic significance remains uncertain, they served as attractive ornamental compositions and were especially popular from the Middle Kingdom through the Hyksos period and into the New Kingdom. The carefully rendered anatomical details of the beetle, including the pronounced humeral callosities, indicate a later date of manufacture, as such features are generally associated with scarabs produced during the New Kingdom, particularly from the 18th Dynasty onward.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eScarabs of this type were widely used throughout the New Kingdom as personal seals, protective amulets, and devotional objects. Many bore the names of kings, religious emblems, or auspicious inscriptions, while others, such as this example, relied upon symbolic decorative motifs. Their continued production and circulation over many centuries reflects the enduring religious and cultural significance of the scarab within Egyptian society.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn ancient Egyptian belief, the scarab beetle (Scarabaeus sacer) symbolised rebirth, regeneration, and the eternal cycle of existence. The Egyptians observed the beetle rolling balls of dung across the ground and likened this action to the daily journey of the sun across the sky. As a result, the scarab became closely associated with the god Khepri, the divine manifestation of the rising sun, who embodied creation, renewal, and transformation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmong the most recognisable symbols of ancient Egypt, scarabs combined artistic refinement with profound spiritual meaning. This finely engraved example is a beautiful testament to the skill of Egyptian craftsmen and the enduring religious traditions of the New Kingdom, offering a tangible connection to one of history's most fascinating civilizations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition to the obverse and reverse. Surface wear and abrasions commensurate with age, with chips, nicks and abrasion, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. Please note the small dimensions of this scarab. Size approx. 1,6cm x 1,2cm x 0,6cm.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Stig Regnell. Acquired abroad and brought to Sweden during the 1960s. Previously in the collection of Mr. H. Khattab, 11 Mariette Pasha Street, Cairo.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eScarab, National Museums Liverpool, Accession Number:13.12.05.30d\u003cspan class=\"Apple-converted-space\"\u003e                              \u003c\/span\u003e(https:\/\/www.liverpoolmuseums.org.uk\/artifact\/scarab-322)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57226721624329,"sku":"100100639","price":245.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0408.jpg?v=1785322563"},{"product_id":"egyptian-steatite-scarab-1","title":"Egyptian Steatite Scarab","description":"\u003ch3 class=\"p1\"\u003e19th Dynasty, New Kingdom of Egypt, c. 1259–1186 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful and finely carved Egyptian steatite scarab of small size, executed with remarkable precision and attention to detail. The upper surface is carefully modelled in the form of the sacred scarab beetle, with a clearly defined clypeus and head, while delicately incised lines separate the prothorax and elytra, giving the insect a naturalistic and harmonious appearance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside bears a finely engraved hieroglyphic design. On the left is a seated baboon with its knees drawn up toward its body, identifiable by its rounded form and distinctive flattened face. This figure is most likely intended to represent the god Thoth, although baboons were occasionally employed as symbols of the lunar deity Khonsu. Opposite the baboon appears a large hes (ḥs) vase, a hieroglyph associated with praise, favour, and divine blessing. Together, these symbols probably formed a protective and auspicious motif, invoking wisdom, divine approval, and supernatural guardianship for the owner.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe finely rendered anatomical details of the beetle, particularly the pronounced humeral callosities and crisp linear carving, are characteristic of scarabs produced during the New Kingdom. Such features are generally absent on earlier examples and became increasingly refined from the 18th Dynasty onward, continuing throughout the Ramesside period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThoth ranked among the most important gods of ancient Egypt, revered as the divine patron of writing, knowledge, wisdom, and sacred law. He was believed to have invented hieroglyphic writing and served as the celestial scribe, recording the decrees of the gods. In Egyptian funerary belief, Thoth played a pivotal role during the Weighing of the Heart ceremony, where he recorded the judgment as the heart of the deceased was weighed against the feather of Ma'at—the embodiment of truth, justice, and cosmic order—to determine whether the soul was worthy of entering the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe scarab beetle (Scarabaeus sacer) itself was one of the most powerful religious symbols in ancient Egypt, representing rebirth, regeneration, and the perpetual cycle of life. Inspired by the beetle's habit of rolling dung across the ground, the Egyptians likened its movement to the daily passage of the sun through the heavens. This association linked the scarab to Khepri, the god of the rising sun, who personified creation, renewal, and the eternal promise of rebirth.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBoth an object of personal devotion and a protective amulet, the scarab remained one of the most enduring forms of Egyptian material culture. This finely engraved example beautifully illustrates the artistic sophistication and profound religious symbolism of the New Kingdom, offering a tangible link to the spiritual beliefs and craftsmanship of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition to the obverse and reverse. Surface wear and abrasions commensurate with age, with chip, nicks and abrasion, with fading to some finer features, and light encrustations within recessed areas. Please note the small dimensions of this scarab. Size approx. 1,3cm x 1,0cm x 0,6cm.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Stig Regnell. Acquired abroad and brought to Sweden during the 1960s. Previously in the collection of Mr. H. Khattab, 11 Mariette Pasha Street, Cairo.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eScarab, National Museums Liverpool, Accession Number: M14339 \u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e(https:\/\/www.liverpoolmuseums.org.uk\/artifact\/scarab-393)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57244602564873,"sku":"100100646","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0425.jpg?v=1786009846"},{"product_id":"egyptian-faience-bead-necklace-6","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful ancient Egyptian necklace, carefully restrung for preservation, composed of numerous small disc-shaped faience beads arranged in a harmonious combination of red, black, blue, brown, and white. The carefully balanced sequence of colours creates an elegant and distinctive appearance, reflecting the refined aesthetic of ancient Egyptian personal adornment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience was one of the most characteristic and celebrated materials of ancient Egyptian craftsmanship. Produced from finely ground quartz and coated with a lustrous alkaline glaze, it was capable of producing brilliant turquoise, green, and blue surfaces reminiscent of precious and semi-precious stones. These luminous colours were closely associated with fertility, regeneration, and eternal life, while the introduction of additional colours from the Old Kingdom onward added further decorative and symbolic richness.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJewellery such as this served a purpose far beyond simple adornment. Faience beads were closely associated with protection, rebirth, and immortality and were worn by the living as well as placed with the dead as funerary and protective objects. Their shimmering surfaces and vivid colours also evoked highly prized materials such as turquoise and lapis lazuli, allowing Egyptian craftsmen to reproduce the visual qualities and symbolic associations of precious stones in a versatile and comparatively accessible medium.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSaid to originate from Naukratis, the important Egyptian-Greek trading centre in the Nile Delta, this necklace represents a particularly attractive survival of ancient Egyptian jewellery. Visually appealing and rich in cultural significance, it offers a fascinating glimpse into the sophisticated traditions of Egyptian adornment while providing a tangible connection to one of the ancient world's most enduring civilizations.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCondition: Good overall. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 83,5 cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57248964772105,"sku":"100100648","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0649.jpg?v=1786294014"},{"product_id":"egyptian-faience-wadj-sceptre-amulet","title":"Egyptian Faience Wadj Sceptre Amulet","description":"\u003ch3 class=\"p1\"\u003eLate Dynastic Period, 26th to 31st Dynasty, c. 730–332 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA striking ancient Egyptian faience amulet in the form of a papyrus sceptre, known as a wadj amulet. Beautifully covered in a vivid turquoise glaze, the sceptre features a characteristic flaring papyrus capital at the top and a pointed lower end. A small suspension loop is incorporated at the base of the capital, allowing the amulet to be worn or attached as a protective talisman.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe wadj sceptre was closely associated with the papyrus plant, one of ancient Egypt’s most important symbols of renewal and regeneration. Emerging from the waters of the Nile, the papyrus represented new life, fertility, and the continual renewal of existence. Its symbolism was therefore particularly appropriate in funerary contexts, where regeneration and rebirth were central aspects of Egyptian religious belief.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAmulets of this type are specifically mentioned in Chapters 159 and 160 of the Book of the Dead, which prescribe the placement of a wadj amulet at the throat of a mummy. Its presence was intended to provide magical protection and assist the deceased in their journey toward rebirth in the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAncient Egyptian amulets were valued not merely as ornaments but as objects invested with powerful magical and religious properties. They were believed to protect, heal, empower, and bring divine favour to their owners. Produced in a wide variety of forms representing animals, deities, plants, and sacred symbols, these small objects created a tangible connection between the wearer and the supernatural world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe use of brilliantly coloured faience further enhanced the amulet's symbolism. Its luminous turquoise-blue surface evoked the life-giving waters of the Nile and the concepts of regeneration, purity, and eternal life. Small yet rich in religious significance, this wadj amulet is an evocative example of the enduring role of personal protective objects in ancient Egyptian belief and funerary tradition.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eGood condition. Age-related wear and signs of use. A fine glaze with light encrustations. Size approx. 1,9cm x 0,7cm x 0,7cm.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Dutch private collection\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFaience Wadj Papyrus Column, The Metropolitan Museum of Art, Accession Number: 74.51.4519 \u003cspan class=\"Apple-converted-space\"\u003e                                                                                                      \u003c\/span\u003e(https:\/\/www.metmuseum.org\/art\/collection\/search\/243787)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003ePapyrus Sceptre Amulet, National Museums Liverpool, Accession Number: 44.19.67 (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/papyrus-sceptre-amulet-3)\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eAmulets of Ancient Egypt, Carol Andrews, University of Texas Press, 1994. pp. 82-83.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eTalismans \u0026amp; amulets, Felicitas H. Nelson, New York: Sterling, 2008, p. 25. \u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eAncient Egyptian Amulets, Isabel Stünkel, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, February 2019. (http:\/\/www.metmuseum.org\/toah\/hd\/egam\/hd_egam.htm)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eHandbook of Egyptian mythology, Geraldine Pinch, Santa Barbara, Calif.: ABC-CLIO, 2002, p. 127.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eEgypt in the New Kingdom (ca. 1550–1070 B.C.), Catharine H. Roehrig, In Heilbrunn Timeline of Art History, New York: The Metropolitan Museum of Art, October 2000. (http:\/\/www.metmuseum.org\/toah\/hd\/nking\/hd_nking.htm)\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57249601454345,"sku":"100100650","price":115.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0630.jpg?v=1786355929"},{"product_id":"egyptian-faience-bead-necklace-7","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful ancient Egyptian necklace, carefully restrung for preservation, composed of numerous small disc-shaped faience beads arranged in a balanced sequence of red, black, blue, brown, and white. The harmonious combination of colours gives the necklace a distinctive and elegant appearance, reflecting the sophisticated taste and craftsmanship of ancient Egyptian personal adornment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience was one of the most distinctive and highly valued materials used by Egyptian craftsmen. Made from finely ground quartz and coated with a lustrous alkaline glaze, faience could produce brilliant turquoise, green, and blue surfaces that visually recalled precious stones such as turquoise and lapis lazuli. These luminous colours carried important associations with fertility, regeneration, renewal, and eternal life, while the use of contrasting colours added both visual richness and symbolic depth to Egyptian jewellery.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNecklaces and other items of personal adornment were valued for much more than their decorative appeal. Faience beads were believed to possess protective and regenerative qualities and could be worn as amuletic jewellery during life or placed among funerary equipment after death. Their brilliant surfaces and jewel-like appearance made them particularly effective carriers of symbolic meaning, combining beauty with beliefs surrounding protection, rebirth, and immortality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe necklace is said to have originated from Naukratis, the important Egyptian-Greek trading centre situated in the Nile Delta. As a major centre of commerce and cultural interaction, Naukratis connected Egypt with the wider Mediterranean world, making its reported provenance particularly interesting in the context of ancient Egyptian material culture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith its vivid palette, elegant arrangement, and deeply rooted symbolic associations, this faience necklace is an appealing example of ancient Egyptian jewellery. It combines the technical ingenuity of Egyptian faience production with the enduring spiritual significance of personal adornment, offering a tangible connection to the beliefs, craftsmanship, and everyday world of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eGood condition. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 83,5 cm.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57257459908873,"sku":"100100654","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0654.jpg?v=1786697541"},{"product_id":"egyptian-steatite-scarab-2","title":"Egyptian Steatite Scarab","description":"\u003ch3 class=\"p1\"\u003e18th-19th Dynasty, \u003cmeta charset=\"utf-8\"\u003eNew Kingdom of Egypt, Ramesside period c. 1570–1185 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful and finely carved Egyptian steatite scarab of small size, executed with remarkable precision and attention to detail. The upper surface is carefully modelled in the form of the sacred scarab beetle, with a clearly defined clypeus and head, while delicately incised lines distinguish the prothorax and elytra, giving the insect a naturalistic and harmonious appearance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside bears a finely engraved hieroglyphic composition enclosed within an oval border. From left to right, the design incorporates several important Egyptian signs. At the far left is the Neb sign, depicting a shallow bowl or basket traditionally associated with the concepts of “lord” or “all.” Beside it is the Nefer sign, recognizable by its distinctive looped form resting upon a horizontal base. Meaning “beautiful,” “good,” “pleasant,” or “perfect,” nefer was frequently used in amuletic contexts as an auspicious expression of well-being, prosperity, and good fortune.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOpposite the nefer sign is a rearing uraeus cobra, its hood raised in a characteristic defensive posture. The cobra represents the protective goddess Wadjet, one of the most important divine guardians in ancient Egyptian religion. At the far right is the Djed pillar, an ancient symbol associated with stability, permanence, and enduring strength. Together, these signs create a compact but richly symbolic composition, combining ideas of protection, prosperity, stability, and divine favour.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe finely rendered anatomy of the beetle, particularly the pronounced humeral callosities and crisp linear carving, is characteristic of scarabs produced during the New Kingdom. Such anatomical details are generally absent from earlier examples and became increasingly refined from the 18th Dynasty onward, continuing through the Ramesside period. The quality of the engraving reflects the considerable skill of the Egyptian craftsmen responsible for these small yet highly significant objects.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe scarab beetle (Scarabaeus sacer) was among the most powerful and enduring religious symbols of ancient Egypt, representing rebirth, regeneration, and the perpetual cycle of existence. The Egyptians observed the beetle rolling balls of dung across the ground and associated this mysterious act with the daily movement of the sun across the heavens. This connection linked the scarab to Khepri, the divine manifestation of the rising sun and a powerful symbol of creation, renewal, and transformation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe hieroglyphic imagery on Egyptian scarabs could likewise invoke divine protection and auspicious qualities. Protective deities such as Wadjet played an important role in safeguarding both individuals and the king, while the nefer and Djed signs expressed desirable qualities of goodness, prosperity, stability, and enduring life. Scarabs could therefore function simultaneously as personal ornaments, seals, amulets, and objects of devotion.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBoth a beautiful piece of personal adornment and a powerful protective object, this finely engraved scarab offers a remarkable combination of artistic refinement and religious symbolism. Its detailed beetle carving and carefully composed hieroglyphic reverse make it an evocative example of New Kingdom Egyptian craftsmanship and a tangible connection to the spiritual world of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition to the obverse and reverse. Surface wear and abrasions commensurate with age, with fading to some finer features, and light encrustations within recessed areas. Please note the small dimensions of this scarab. Size approx. 1,2cm x 0,8cm x 0,6cm.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Stig Regnell. Acquired abroad and brought to Sweden during the 1960s. Previously in the collection of Mr. H. Khattab, 11 Mariette Pasha Street, Cairo.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57273867895049,"sku":"100100657","price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0615.jpg?v=1787568005"},{"product_id":"egyptian-multicolored-beaded-necklace","title":"Egyptian Multicolored Beaded Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom of Egypt to Ptolemaic Period, c. 1550–30 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA magnificent ancient Egyptian necklace, beautifully restrung from a diverse collection of original beads and amuletic elements fashioned from core glass, faience, pottery, and an exceptional variety of semi-precious stones, including carnelian, agate, alabaster, and quartz. Such beads formed part of elaborate personal adornments worn throughout ancient Egypt, serving not only as ornaments but also as expressions of status, identity, protection, and religious belief.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe necklace is particularly striking for its rich and varied palette of translucent and opaque beads in shades of blue, green, red, black, yellow, and moss green. Each individual bead displays its own distinctive shape, colour, translucency, and surface character, producing a wonderfully varied composition and an evocative mosaic of ancient craftsmanship. The combination of glass, faience, stone, and pottery reflects the extraordinary range of materials employed by Egyptian artisans in the creation of personal jewellery and protective adornment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeads and amulets held an important place in ancient Egyptian life. Beyond their decorative function, particular colours, materials, and forms were believed to possess protective and regenerative properties, while semi-precious stones such as carnelian and quartz were valued for both their beauty and symbolic associations. Their presence in necklaces allowed the wearer to carry these qualities close to the body, while similar beadwork was also placed in funerary contexts to accompany the deceased into the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSaid to originate from Naukratis, one of the most important Egyptian-Greek trading centres of antiquity, this necklace reflects the cultural interaction and thriving craftsmanship of the Nile Delta. With its exceptional variety of materials, vibrant colours, and unmistakable ancient character, it is a visually captivating survival of Egyptian personal adornment and a superb addition to any collection of ancient jewellery, Egyptian antiquities, or historical beadwork.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition, necklace has been restrung. Surface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features. Wearable. Length c. 67,0cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Provenance: From the collection of Stig Regnell. Acquired abroad and brought to Sweden during the 1960s.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57277794451721,"sku":"100100658","price":895.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0657.jpg?v=1787735922"},{"product_id":"neck","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful ancient Egyptian necklace, carefully restrung for preservation, composed of numerous small disc-shaped faience beads arranged in a balanced sequence of red, yellow, black, blue, brown, and white. The harmonious combination of colours gives the necklace a distinctive and elegant appearance, reflecting the sophisticated taste and craftsmanship of ancient Egyptian personal adornment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience was one of the most distinctive and highly valued materials used by Egyptian craftsmen. Made from finely ground quartz and coated with a lustrous alkaline glaze, faience could produce brilliant turquoise, green, and blue surfaces that visually recalled precious stones such as turquoise and lapis lazuli. These luminous colours carried important associations with fertility, regeneration, renewal, and eternal life, while the use of contrasting colours added both visual richness and symbolic depth to Egyptian jewellery.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNecklaces and other items of personal adornment were valued for much more than their decorative appeal. Faience beads were believed to possess protective and regenerative qualities and could be worn as amuletic jewellery during life or placed among funerary equipment after death. Their brilliant surfaces and jewel-like appearance made them particularly effective carriers of symbolic meaning, combining beauty with beliefs surrounding protection, rebirth, and immortality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe necklace is said to have originated from Naukratis, the important Egyptian-Greek trading centre situated in the Nile Delta. As a major centre of commerce and cultural interaction, Naukratis connected Egypt with the wider Mediterranean world, making its reported provenance particularly interesting in the context of ancient Egyptian material culture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith its vivid palette, elegant arrangement, and deeply rooted symbolic associations, this faience necklace is an appealing example of ancient Egyptian jewellery. It combines the technical ingenuity of Egyptian faience production with the enduring spiritual significance of personal adornment, offering a tangible connection to the beliefs, craftsmanship, and everyday world of ancient Egypt.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eGood condition. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 83,5 cm.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cem\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57301462679817,"sku":"100100662","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0782.jpg?v=1788343937"},{"product_id":"egyptian-faience-bead-necklace-8","title":"Egyptian Faience Bead Necklace","description":"\u003ch3 class=\"p1\"\u003eNew Kingdom Period to Late Period, c. 1070–600 BC, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis beautiful ancient Egyptian necklace, carefully restrung for preservation, is composed of numerous small, disc-shaped faience beads arranged in a harmonious sequence of red, black, blue, brown, and white. The carefully balanced palette lends the necklace a distinctive visual richness, while the varied colours and lustrous surfaces evoke the refined artistry of ancient Egyptian personal adornment. Elegant in its simplicity, it offers an appealing example of the enduring fascination with colour, craftsmanship, and symbolic beauty in Egyptian jewellery.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFaience was one of the most characteristic materials employed by ancient Egyptian craftsmen, prized for its luminous colours and jewel-like appearance. Made primarily from finely ground quartz and finished with a lustrous alkaline glaze, it could achieve brilliant turquoise, green, and blue hues reminiscent of precious materials such as turquoise and lapis lazuli. These colours carried profound symbolic associations with fertility, regeneration, renewal, and eternal life, while contrasting shades introduced further visual interest and symbolic richness into personal ornaments.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn ancient Egypt, necklaces and other forms of jewellery were valued for far more than their decorative appeal. Faience beads were associated with protection, vitality, and regeneration, and could be worn as personal adornments during life or incorporated into funerary equipment. Their radiant surfaces and vivid colours made them particularly suited to objects believed to bridge the material and spiritual worlds, combining personal beauty with enduring hopes for protection, rebirth, and immortality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe necklace is said to have originated from Naukratis, the important Egyptian-Greek trading settlement in the Nile Delta. Flourishing as a centre of commerce and cultural exchange, Naukratis connected Egypt with merchants and communities from across the Mediterranean. Its reported provenance therefore adds an intriguing dimension to the necklace, placing it within the wider network of trade and cultural interaction that shaped the ancient Egyptian world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith its vivid colour scheme, delicate beadwork, and associations with ancient Egyptian beliefs, this faience necklace possesses a distinctive charm. Combining the technical sophistication of Egyptian faience production with the symbolic importance of personal adornment, it offers collectors an evocative and highly displayable piece of ancient jewellery, preserving a tangible connection to the artistry, spiritual traditions, and daily life of one of antiquity’s most enduring civilisations.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eCondition: Good overall. Surface wear and abrasions consistent with age; minor chips, nicks, and attractive patina, with traces of discolouration and earthly encrustations. Length approx. 83,5 cm.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eNecklace, The Metropolitan Museum of Art, Accession Number: 15.3.470 (https:\/\/www.metmuseum.org\/art\/collection\/search\/557476)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eBead, The British Museum, Accession Number: EA87240 (https:\/\/www.britishmuseum.org\/collection\/object\/Y_EA87240)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eBead Necklace with a Heart Amulet Pendant, Museum of Fine Arts, Budapest, Accession Number: 51.1032 (https:\/\/www.mfab.hu\/artworks\/18889\/)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003eReferences and further reading:\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003eGifts of the Nile: Ancient Egyptian Faience, Florence Dunn Friedman (ed.), London: Thames and Hudson, 1998\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003eEgyptian Faiance: Technology and Production, Carolyn Riccardelli, Department of Objects Conservation, December 2017, The Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003eAncient Technology: Faiance Beads in the Garstang Museum, Garstang Museum of Archaeology.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003eAncient Egyptian Faience: An Analytical Survey of Egyptian Faience from Predynastic to Roman Times, Alexander Kaczmarczyk \u0026amp; Robert E. M. Hedges, Warminster: Aris \u0026amp; Phillips, 1983.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57373013311753,"sku":"100100672","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1064.jpg?v=1790951502"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp-5","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis elegant red-slip terracotta oil lamp is a fine example of the functional craftsmanship and understated aesthetic sensibilities of Ptolemaic Egypt. Mould-made and finished with a rich red-orange slip, it possesses a beautifully balanced form that reflects the practical ingenuity and refined ceramic traditions of the Hellenistic world. Its warm surface and graceful contours lend the piece a distinctive visual appeal, preserving the character of an object made for everyday use more than two thousand years ago.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe lamp features a double-convex circular body that flows smoothly into a long, tapering nozzle with a rounded end, designed to accommodate a wick and direct the flame. Subtle angular transitions between the body and nozzle add definition to the silhouette, while the filling hole is framed by an inward-sloping band and an outer groove. A solid, pointed lug projects from the left side, providing a distinctive detail to the otherwise harmonious profile. The slightly raised circular base, concave towards the centre, completes the carefully considered design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil lamps were indispensable objects in the ancient Mediterranean, providing illumination in domestic interiors, workshops, public buildings, and religious settings. Typically fuelled with vegetable oil and fitted with a fibrous wick, they offered a practical source of light after sunset. Their widespread use made them an integral part of daily life, while their forms, manufacturing techniques, and surface treatments reflect regional ceramic traditions and changing artistic influences.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the Ptolemaic period, Egypt occupied a distinctive position at the crossroads of Egyptian and Greek cultural traditions. Following the establishment of Ptolemaic rule after the conquests of Alexander the Great, Hellenistic artistic influences became increasingly visible in Egyptian material culture. Naukratis, an important settlement and trading centre in the Nile Delta, had long served as a meeting point between Egyptian and Greek communities, making it a particularly interesting setting for understanding the exchange of objects, techniques, and ideas across the eastern Mediterranean.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith its rich red-orange surface, elegant proportions, and well-defined moulded details, this ancient oil lamp possesses a timeless simplicity that is both decorative and historically evocative. Once a familiar companion in the daily lives of people in Ptolemaic Egypt, it now offers collectors a tangible connection to the domestic world and artistic traditions of the Hellenistic age.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Age-related wear and light abrasion. Smoothed surface with light deposits. Nozzle had even traces of soot. Gorgeous patina. Size approx. 8,8cm x 4,8cm x 2,9cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. The object was acquired abroad and brought to Sweden during the 1950s.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57373186130185,"sku":"100100674","price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1192.jpg?v=1790958818"},{"product_id":"egyptian-steatite-scarab-3","title":"Egyptian Steatite Scarab","description":"\u003ch3 class=\"p1\"\u003e18th-19th Dynasty, New Kingdom of Egypt, Ramesside period c 1570–1185 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis finely carved Egyptian steatite scarab is a charming miniature example of ancient Egyptian craftsmanship, distinguished by its carefully modelled anatomy and delicately engraved underside. The upper surface depicts the sacred scarab beetle with a clearly defined head and clypeus, while fine incised lines delineate the prothorax and elytra. Pronounced humeral callosities and crisp linear details lend the tiny figure a remarkably naturalistic appearance, demonstrating the precision and skill invested in these small yet symbolically important objects.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe underside bears an engraved composition of pseudohieroglyphic signs, including a basket-shaped motif possibly representing \u003ci\u003eneb\u003c\/i\u003e, together with a possible \u003ci\u003eankh\u003c\/i\u003e, the familiar symbol of life. To the left appears a circular sun disc, potentially representing Re (Ra), the ancient Egyptian sun god. Although the precise meaning of the composition remains uncertain, the combination of these motifs evokes themes of divine power, life, and solar regeneration that were central to Egyptian religious thought.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe scarab beetle (\u003ci\u003eScarabaeus sacer\u003c\/i\u003e) was one of the most enduring symbols of ancient Egyptian religion, associated with rebirth, regeneration, and the perpetual cycle of existence. The Egyptians observed the beetle rolling balls of dung across the ground and connected this behaviour with the movement of the sun across the heavens. This association linked the scarab to Khepri, the divine manifestation of the rising sun, whose daily emergence symbolised creation, renewal, and the triumph of life over death.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe anatomical precision of this example, particularly the pronounced humeral callosities and carefully incised divisions of the beetle's body, is consistent with features found on New Kingdom scarabs. Such details became increasingly refined from the 18th Dynasty onwards and continued to feature in examples produced during the Ramesside period. Scarabs served a variety of purposes, functioning as personal ornaments, seals, protective amulets, and objects of religious significance. Their engraved bases could carry names, symbols, and auspicious motifs intended to invoke divine favour or protection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDespite its diminutive dimensions, this scarab combines finely observed naturalistic carving with a thoughtfully composed engraved reverse. Its compact form and surviving surface details offer an intimate glimpse into the artistic traditions and spiritual beliefs of ancient Egypt, making it an appealing addition to a collection of Egyptian antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Chip to the bottom left. Surface wear and abrasions commensurate with age, with nicks and abrasion, with fading to some finer features, and light encrustations within recessed areas. Please note the small dimensions of this scarab. Size approx. 1,4cm x 1,0cm x 0,6cm.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Stig Regnell. Acquired abroad and brought to Sweden during the 1960s. Previously in the collection of Mr. H. Khattab, 11 Mariette Pasha Street, Cairo.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57374933811465,"sku":"100100676","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1171.jpg?v=1791137930"}],"url":"https:\/\/gotasworld.com\/collections\/egyptian.oembed?page=5","provider":"Göta's World","version":"1.0","type":"link"}