{"title":"Greek \u0026 Cypriot Art","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eExplore our exceptional collection of genuine Greek and Cypriot art, featuring ancient treasures from classical antiquity. Discover magnificent Greek artifacts, rare Cypro-Archaic pottery fragments, elegant traditional vessels, and finely crafted Tanagra terracotta statuettes. Each piece in our collection is meticulously curated for its authenticity and historical value, backed by our extensive expertise and consultation with recognized experts. All Greek and Cypriot artifacts are sourced from distinguished European collections and date back to before the 1960s. Shop with confidence and bring home a piece of ancient history.\u003c\/p\u003e","products":[{"product_id":"cypro-archaic-period-horse-figure-fragment","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis exquisite terracotta horse figurine fragment represents the artistry and symbolic importance of votive offerings during the Cypro-Archaic period of Iron Age Cyprus. Hand-modeled with an abstract and stylized form, the horse showcases a protruding top-knot, a stylized mane, and a short muzzle. The elongated body and outstretched legs suggest a galloping motion, capturing the dynamism and elegance of the horse, a revered symbol of status and power during this period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of the Archaic Period crafted simple, handmade figurines with cylindrical bodies, coarse faces, and clay pellets for features like hats, eyes, and ears. Terracotta horse and rider figures were often left as votive offerings at sanctuaries or placed in the graves of the elite, symbolizing the owner's status and invoking protection or favor in the afterlife. Riding horses was a privilege of the upper classes, associated with warfare, transport, and ceremonial purposes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment likely originates from a larger figurine group, such as a chariot (quadriga) or mounted soldier, common in the sanctuaries of Cyprus. At the sanctuary of Apollo Hylates in Kourion, numerous horse and rider figurines have been discovered, dedicated to the god Hylates, later likened to the Greek Apollo. Similarly, the sanctuary at Avia Irini yielded numerous terracotta war chariots, reflecting the significance of equestrian imagery in Cypriot culture. This artifact offers a glimpse into the martial traditions, artistic expressions, and religious practices of ancient Cyprus, making it a remarkable piece of history and an exceptional addition to any collection of Cypriot antiquities.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. \u003cspan\u003e10,8cm x 10,0cm x 3,1cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198418645257,"sku":"1081202","price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_142e0037-9d71-4ae1-a934-f73529858a8b.jpg?v=1677060012"},{"product_id":"cypro-archaic-period-figure-fragment","title":"Cypro-Archaic Terracotta Warrior Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis captivating terracotta fragment from the Cypro-Archaic period portrays a warrior figure, part of a horse and rider group. The male figure, crafted in the abstract style characteristic of Iron Age Cyprus, features a conical headdress or crested helmet, along with distinct facial traits—a protruding chin, beard, hooded eyes, small pellet-like ears (or helmet studs), and a prominent hooked nose.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era frequently produced simple handmade figurines with coarse, cylindrical bodies and facial features formed from clay pellets, reflecting the artistic and symbolic traditions of the time. These terracotta figures often depicted warriors, horsemen, and charioteers, symbolizing the societal importance of warfare and the elite status associated with riding horses or commanding chariots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta quadriga models and similar figurines were commonly left in sanctuaries as votive offerings or placed in the graves of the wealthy as symbols of protection, power, and status in the afterlife. The prevalence of these figures points to a period of significant unrest and conflict during the Iron Age, as well as the societal esteem of martial prowess. Artifacts such as this one have been discovered in sacred sites like the sanctuary of Apollo Hylates at Kourion, where offerings were made to Hylates, a deity later associated with the Greek god Apollo. Additionally, excavations at the sanctuary of Avia Irini revealed numerous war chariot models, underscoring the prominence of chariotry and equestrian symbols in Cypriot religious and cultural practices.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rare fragment is a remarkable testament to the artistry and cultural significance of Cypriot terracotta figures, offering a vivid glimpse into the rituals, warfare, and artistry of ancient Cyprus. It is an exceptional addition for collectors and enthusiasts of early Mediterranean antiquities.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. \u003cspan\u003eTraces of red slip paint. \u003c\/span\u003eThe object is covered with a thin layer of earthy encrustation. Size approx. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e6,4cm x 4,0cm x 4,2cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198779289865,"sku":"1024835","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_84bb81f7-0bdf-4afb-849b-178761c92677.jpg?v=1677062352"},{"product_id":"cypro-archaic-period-chariot-fragment","title":"Cypro-Archaic Terracotta Chariot Wheel Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700-475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis fascinating fragment represents a hand-modeled, disc-shaped chariot wheel from the Cypro-Archaic terracotta horse and rider group. Crafted from terracotta, the wheel is adorned with clay pellets designed to imitate wooden pegs. The tubular hubs on either side were intended to receive an axle, indicating that this piece is part of a model chariot used for votive purposes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots during the Archaic Period (c. 700-475 BC) were skilled in creating simple, yet effective, handmade figurines and models. This chariot wheel, part of a larger quadriga model, reflects the period's focus on military and religious practices. Terracotta models of chariots and horses, commonly used as votive offerings, were left in sanctuaries to honor the gods or placed in the graves of the wealthy as part of their burial rites.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of chariots in Cypriot culture during this time is indicative of an elite society where horse and rider, particularly in warfare, held significant status. Chariotry and cavalry played key roles in military conflicts, and these terracotta models, including the horse and rider figurines, reflect this aspect of life in ancient Cyprus.The sanctuary of Apollo Hylates at Kourion is home to numerous examples of such votive offerings, and the god Hylates, later equated with the Greek god Apollo, was often associated with the protection and guidance of warriors. Other sites, such as the sanctuary of Avia Irini, have yielded significant finds of war chariots, underscoring the importance of chariotry in Cypriot religious and military traditions.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. 6,6cm x 5,1cm x 6,0cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot wheel, The Metropolitan Museum of Art, Accession Number: 74.51.490 (https:\/\/www.metmuseum.org\/art\/collection\/search\/240076)\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44198822019337,"sku":"1042060","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_495a75ab-f2e8-42e9-a3d6-e3d591eb908d.jpg?v=1677062813"},{"product_id":"cypro","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis mesmerizing terracotta fragment from the Cypro-Archaic period captures the head of a handmade horse figurine, crafted in the distinctive abstract style of Iron Age Cyprus. The horse’s long, slender neck, pointy ears, flowing mane with a prominent forelock highlight the artistic skill and symbolic significance of these votive offerings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era created simple yet evocative figurines using solid terracotta, often shaping coarse faces and cylindrical bodies with clay pellets for features such as hats, eyes, and ears. These figures frequently depicted horses and riders, symbolizing warfare, status, and devotion. Horse and chariot figurines, including quadriga models, were left at sanctuaries as offerings to male deities or placed in the graves of the elite as markers of privilege and symbols of protection for the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of such figures points to a period of significant conflict in Cyprus during the Iron Age, when equestrian prowess and chariotry were symbols of martial and societal elite. The sanctuary of Apollo Hylates at Kourion, where many similar artifacts have been discovered, highlights the reverence for Hylates, a local god later identified with the Greek Apollo. Similarly, the sanctuary of Avia Irini yielded a wealth of war chariot models, reflecting the role of horses in both ritual and conflict.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment offers an invaluable glimpse into the religious practices, artistic traditions, and societal structures of ancient Cyprus, making it an exceptional piece for collectors and historians alike.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e10,8cm x 5,4cm x 2,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44199055687945,"sku":"1033944","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d2_4750e13c-c124-4c54-ad0a-cde03e3c958f.jpg?v=1677066057"},{"product_id":"hellenistic-black-ware-bottle","title":"Hellenistic Blackware Pottery Bottle","description":"\u003ch3 class=\"p1\"\u003eAncient Greece, Magna Graecia, c. 350–300 BC, Apulia, Southern Italy\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis unusual and elegant Hellenistic blackware bottle is a striking example of the refined pottery traditions of Magna Graecia. Featuring a thick-walled cylindrical body, it is coated in a lustrous black slip, which terminates just below the rim on the interior and at the lower body. A gracefully applied loop handle extends from the vessel’s shoulder to the rim, enhancing both its aesthetic appeal and functionality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBlack-glazed pottery was highly prized in the Hellenistic period, particularly in Southern Italy, where artisans developed sophisticated ceramic techniques influenced by Greek traditions. The deep, glossy black finish was achieved using a special firing process that controlled oxygen levels in the kiln, creating the distinctive, mirror-like sheen characteristic of fine Greek and South Italian ceramics.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eLikely used for storing and pouring liquids, this bottle would have been a staple in both domestic and ritual settings, reflecting the importance of ceramics in daily life. A superb example of Hellenistic craftsmanship, this vessel embodies the artistry and technical expertise of the potters of ancient Magna Graecia.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and chip, with encrusted patina and rich earthen deposits throughout. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ePaint loss to the body. \u003c\/span\u003e\u003cspan\u003eSize approx. 12,8cm x 6,2cm x 5,9cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44208519217417,"sku":"1028990","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_6f1bc231-8a9c-4d0f-a4a1-d29f9c185c66.jpg?v=1677233502"},{"product_id":"tanagra-terracotta-eros-figurine","title":"Hellenistic Terracotta Figurine of a Young Eros","description":"\u003ch3\u003eAncient Greece, The Hellenistic period, c. 320 – 200 BC, Tanagra, Boeotia, Greece\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis magnificent hollow Tanagra terracotta figurine, dating from approximately 320–200 BC during the Hellenistic period, beautifully portrays a seated young Eros, the Greek god of love and desire. Wrapped tightly in a heavy himation draped over his head, the childlike deity exudes a sense of serene contemplation. The Tanagra figurines, named after the Boeotian town where many were unearthed, are mold-cast terracotta sculptures that primarily depict draped female figures, though some represent children, men, and even mythological beings like Eros.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe young god is depicted with a round, cherubic face, finely waved hair rising elegantly above his forehead, and soft, childlike curves accentuating his arms and legs. Seated upon a naturalistic rock, Eros holds a large kithara or lyre, a reference to his association with poetry, music, and the harmonious power of love. Originally, these figures would have been painted in delicate hues, with traces of red, blue, and ochre adding lifelike vibrancy to the sculpted form.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe artistry of Tanagra figurines lies in their subtle naturalism and exquisite detailing, capturing the grace and tenderness of Hellenistic aesthetics. This particular example, with its delicate modeling and emotive presence, reflects the refined sensibilities of the era, making it a remarkable testament to the artistic achievements of ancient Greece.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eProfessionally repaired with some break lines visible.  Remains of white pigment. Size approx. 10,5cm x 4,5cm x 4,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Greek Tanagra Figurines, Alexander Mirtchev, 2022.(https:\/\/www.mirtchevtanagra.org\/)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagra Figurines, In Heilbrunn Timeline of Art History, Department of Greek and Roman Art, New York: The Metropolitan Museum of Art, October 2004. (http:\/\/www.metmuseum.org\/toah\/hd\/tafg\/hd_tafg.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagras: Figurines for Life and Eternity, The Musée du Louvre’s Collection of Greek Figurines, Violaine Jeammet, American Journal of Archaeology, 2012. (https:\/\/www.ajaonline.org\/book-review\/1050)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209251582217,"sku":"1035097","price":1600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_cfc9a493-d5c6-4813-b131-b39e33446b07.jpg?v=1677248654"},{"product_id":"tanagra-lady","title":"Hellenistic Terracotta Figurine of a Young Woman","description":"\u003ch3 class=\"p1\"\u003e\u003cb\u003eAncient Greece, The Hellenistic period, c. 320 – 200 BC, Tanagra, Boeotia, Greece\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis exquisite hollow Tanagra terracotta figurine, dating from approximately 320–200 BC during the Hellenistic period, embodies the grace and refinement characteristic of these famed Boeotian sculptures. Standing contrapposto atop a rectangular plinth, the young woman is elegantly draped in a chiton and himation, which cascade in billowing folds down her slender form, enhancing the sense of fluidity and movement. The Tanagra figurines, named after the Boeotian town where many were unearthed, represent a pinnacle of Hellenistic artistry. Produced using mold-casting techniques, these figures predominantly depict draped females, though some examples include children and men.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eHer centrally parted hair is neatly pulled back, framing her delicately modeled face, which exudes serene elegance. An elaborate headdress, wreath, or wide band crowns her head, adding an element of sophistication and status. Originally, these figurines would have been vibrantly painted in shades of red, blue, and ochre, with additional detailing in gilding or encaustic to bring lifelike realism to their surfaces.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eCelebrated for their naturalistic poses and intricate detailing, Tanagra figurines were highly sought after in antiquity, often serving as votive offerings, grave goods, or decorative objects in private homes. This exceptional example captures the refinement of Hellenistic sculptural traditions, reflecting an era of artistic innovation and appreciation for everyday beauty.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. \u003cspan\u003e\u003c\/span\u003e\u003cspan\u003eProfessionally repaired with some break lines visible.  Remains of white pigment. Size approx. 14,4cm x 4,7cm x 3,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eAncient Greek Tanagra Figurines, Alexander Mirtchev, 2022.(https:\/\/www.mirtchevtanagra.org\/)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagra Figurines, In Heilbrunn Timeline of Art History, Department of Greek and Roman Art, New York: The Metropolitan Museum of Art, October 2004. (http:\/\/www.metmuseum.org\/toah\/hd\/tafg\/hd_tafg.htm)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTanagras: Figurines for Life and Eternity, The Musée du Louvre’s Collection of Greek Figurines, Violaine Jeammet, American Journal of Archaeology, 2012. (https:\/\/www.ajaonline.org\/book-review\/1050)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209285890313,"sku":"1020004","price":1650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d1_6711ce79-469c-4225-8517-c0519c4c5128.jpg?v=1677249329"},{"product_id":"late-hellenistic-terracotta-unguentaria","title":"Late Hellenistic Period Terracotta Unguentaria","description":"\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate Hellenistic period, \u003cmeta charset=\"utf-8\"\u003ec. 150-50BC, Salamis, Cyprus.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis exquisite small terracotta unguentarium, spindle-shaped and elegant in form, is a fine example of Hellenistic craftsmanship. Unguentaria, also known as balsamaria or lacrimaria, were versatile vessels typically used to store oils, perfumes, and other liquid or powdered substances. Their frequent inclusion in grave goods suggests a ritualistic or symbolic role, though their precise function in funerary contexts remains uncertain. They may have held offerings such as oil, wine, or incense used during graveside rituals or as gifts for the deceased.\u003c\/p\u003e\n\u003cp\u003eThis particular unguentarium features a beautifully wheel-made piriform body resting on a low, flat base. The thick, rounded lip, painted in black, adds a touch of refinement. Crafted from coarse orange clay, the piece exhibits a pleasing contrast between its robust material and its delicate design. A lovely representation of Hellenistic pottery, this unguentarium embodies both practical utility and the aesthetic sensibilities of the period, offering a glimpse into the daily and ceremonial life of ancient Cyprus.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eGood\u003c\/span\u003e condition. Age-related wear with chip in the rim and foot, nicks and scratches on surface. Black color worn out. Rich deposits on interior and exterior. Surface encrusted in places. Size approx. 11,9cm x 5,1cm x 5,1cm.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44209521459465,"sku":"1085244","price":220.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_549a9121-7cfa-4607-b71f-3b83341086b1.jpg?v=1677252798"},{"product_id":"late-helle","title":"Late Hellenistic Period Terracotta Lagynos","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eLate Hellenistic period, \u003cmeta charset=\"utf-8\"\u003ec. 150-50BC, Salamis or Kiti, Cyprus.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis captivating large terracotta lagynos, crafted in the \"painted white ware\" style, is a quintessential example of Late Hellenistic pottery. The lagynos was a ubiquitous vessel of the era, primarily used to serve wine, and is particularly associated with women's gatherings and festivals.\u003c\/p\u003e\n\u003cp\u003eSkillfully wheel-made, the vessel boasts a depressed, carinated body with a long cylindrical neck culminating in a flared, trumpet-shaped mouth. Its design is completed by a wide base with a broad ring foot, a progression from earlier flask forms with narrower necks and oval bodies. A gracefully twisted handle connects just below the rim to the vessel's widest point, exemplifying functional elegance.\u003c\/p\u003e\n\u003cp\u003eThe decoration is minimal yet refined, featuring encircling bands in a warm brown tone, with a more prominent band marking the transition to the shoulder. This understated adornment enhances the vessel's clean lines and balanced proportions, a hallmark of Hellenistic aesthetics. As both a functional object and an artistic creation, this lagynos embodies the cultural and ceremonial significance of wine in the Hellenistic world, making it a remarkable artifact of ancient Cypriot craftsmanship.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Age-related wear with nicks and scratches on surface. Repaired mouth, otherwise intact. Rich deposits on interior and exterior. Size approx. 19,5cm x 18,5cm x 18,5cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: Dutch private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eLagynos from Cyprus in the Collection of Classical and Near Eastern Antiquities, The National Museum of Denmark, inv. no. 6543 (cat. no. 23).\u003c\/p\u003e\n\u003cp\u003eLagynos, The British Museum, museum number 1881,0824.56\u003c\/p\u003e\n\u003cp\u003eTerracotta lagynos (oil flask), The Metropolitan Museum of Art, Accession number: 74.51.441\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHellenistic Pottery, Summer Trentin and Debby Sneed, Department of Classics, University of Colorado Boulder, June 14, 2018.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCypriot Lagynoi with a Funnel Shaped Mouth and a Twisted Handle, John Lund, Studies in Ancient Art and Civilization 17, December 2013. pp. 255-275. (https:\/\/doi.org\/10.12797\/SAAC.17.2013.17.22.)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eCognitive Theory of Prototype and Categorization in Pottery Studies. An Analysis Based on Cypriot lagynoi Samples, Sebastian  Borowicz, Archeologia 58, 7-13.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44212240711945,"sku":"1068920","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_02dc416c-ec8b-43af-82d3-ad59658b1727.jpg?v=1677325008"},{"product_id":"cypro-archaic-period-earthenware-horse-figurine-fragment","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis outstanding terracotta fragment from the Cypro-Archaic period captures the head of a handmade horse figurine, crafted in the distinctive abstract style of Iron Age Cyprus. The horse’s pointy ears, flowing mane with a prominent forelock, and a detailed bridle with heavy reins highlight the artistic skill and symbolic significance of these votive offerings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era created simple yet evocative figurines using solid terracotta, often shaping coarse faces and cylindrical bodies with clay pellets for features such as hats, eyes, and ears. These figures frequently depicted horses and riders, symbolizing warfare, status, and devotion. Horse and chariot figurines, including quadriga models, were left at sanctuaries as offerings to male deities or placed in the graves of the elite as markers of privilege and symbols of protection for the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of such figures points to a period of significant conflict in Cyprus during the Iron Age, when equestrian prowess and chariotry were symbols of martial and societal elite. The sanctuary of Apollo Hylates at Kourion, where many similar artifacts have been discovered, highlights the reverence for Hylates, a local god later identified with the Greek Apollo. Similarly, the sanctuary of Avia Irini yielded a wealth of war chariot models, reflecting the role of horses in both ritual and conflict.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment offers an invaluable glimpse into the religious practices, artistic traditions, and societal structures of ancient Cyprus, making it an exceptional piece for collectors and historians alike.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. \u003cspan\u003e5,2cm x 3,0cm x 3,0cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44236263260425,"sku":"1076607","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_9b21aeca-e35f-4443-b46f-a937f1d8e823.jpg?v=1677752737"},{"product_id":"cypr","title":"Cypro-Archaic Terracotta Warrior Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis fascinating terracotta fragment from the Cypro-Archaic period portrays a warrior figure, part of a horse and rider group. The male figure, crafted in the abstract style characteristic of Iron Age Cyprus, features a conical headdress or crested helmet, along with distinct facial traits—a protruding chin, beard, hooded eyes, small pellet-like ears (or helmet studs), and a prominent hooked nose.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era frequently produced simple handmade figurines with coarse, cylindrical bodies and facial features formed from clay pellets, reflecting the artistic and symbolic traditions of the time. These terracotta figures often depicted warriors, horsemen, and charioteers, symbolizing the societal importance of warfare and the elite status associated with riding horses or commanding chariots.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta quadriga models and similar figurines were commonly left in sanctuaries as votive offerings or placed in the graves of the wealthy as symbols of protection, power, and status in the afterlife. The prevalence of these figures points to a period of significant unrest and conflict during the Iron Age, as well as the societal esteem of martial prowess. Artifacts such as this one have been discovered in sacred sites like the sanctuary of Apollo Hylates at Kourion, where offerings were made to Hylates, a deity later associated with the Greek god Apollo. Additionally, excavations at the sanctuary of Avia Irini revealed numerous war chariot models, underscoring the prominence of chariotry and equestrian symbols in Cypriot religious and cultural practices.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rare fragment is a remarkable testament to the artistry and cultural significance of Cypriot terracotta figures, offering a vivid glimpse into the rituals, warfare, and artistry of ancient Cyprus. It is an exceptional addition for collectors and enthusiasts of early Mediterranean antiquities.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. 6,0cm x 4,0cm x 3,1cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44236292751625,"sku":"1074572","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d2_15241fe9-9b9c-463b-9a84-64610630d5c4.jpg?v=1677752991"},{"product_id":"hellenistic-pottery-oil-lamp","title":"Hellenistic Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, c. 300–100 BC, Greece\u003c\/h3\u003e\n\u003cp\u003eAbsolutely gorgeous, small-sized mold-made oil lamp, featuring a carinated body with an elongated nozzle. The lamp sits on a flat, raised base and it features radiating lines and floral designs in relief originating from the ridge of the filling hole, and two incised lines decorate the nozzle. The lamp also features a small lug handle.\u003c\/p\u003e\n\u003cp\u003eThe Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the conquest of Egypt by Rome in 30 BC. Hellenistic lamps were produced during the Hellenistic Period between the third and first centuries BC. These mold-made lamps were produced primarily in Asia Minor and Egypt. A typical Hellenistic lamp had a round, enclosed body and an elongated nozzle.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and abrasion. Minor chip in the nozzle. Smoothed surface with light deposits. Nozzle had even traces of soot. Gorgeous patina. Size approx. 8,1cm x 5,6cm x 3,1cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Danish private collection. \u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44917012136201,"sku":"1027669","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_7434.jpg?v=1704817469"},{"product_id":"hellenistic-pottery-oil-lamp-1","title":"Hellenistic Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, c. 300–100 BC, Greece\u003c\/h3\u003e\n\u003cp\u003eMagnificent, small-sized mold-made oil lamp, featuring a carinated body with an elongated nozzle. The lamp sits on a flat, raised base and it features radiating dots and rosettes in relief originating from the ridge of the filling hole, and one incised line decorate the nozzle. The lamp also features a small lug handle.\u003c\/p\u003e\n\u003cp\u003eThe Hellenistic period covers the time in Mediterranean history after Classical Greece, between the death of Alexander the Great in 323 BC and the conquest of Egypt by Rome in 30 BC. Hellenistic lamps were produced during the Hellenistic Period between the third and first centuries BC. These mold-made lamps were produced primarily in Asia Minor and Egypt. A typical Hellenistic lamp had a round, enclosed body and an elongated nozzle.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and abrasion. Minor chip in the nozzle. Smoothed surface with light deposits. Nozzle had even traces of soot. Gorgeous patina. Size approx. 8,0cm x 5,3cm x 3,0cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Danish private collection. \u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44917055652105,"sku":"1062361","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_7437.jpg?v=1704817990"},{"product_id":"copy-of-cypro-archaic-terracotta-horse-figurine-fragment","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis delightful terracotta fragment from the Cypro-Archaic period captures the head of a handmade horse figurine, crafted in the distinctive abstract style of Iron Age Cyprus. The horse’s long, slender neck, pointy ears, flowing mane with a prominent forelock, and a detailed bridle with heavy reins highlight the artistic skill and symbolic significance of these votive offerings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era created simple yet evocative figurines using solid terracotta, often shaping coarse faces and cylindrical bodies with clay pellets for features such as hats, eyes, and ears. These figures frequently depicted horses and riders, symbolizing warfare, status, and devotion. Horse and chariot figurines, including quadriga models, were left at sanctuaries as offerings to male deities or placed in the graves of the elite as markers of privilege and symbols of protection for the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of such figures points to a period of significant conflict in Cyprus during the Iron Age, when equestrian prowess and chariotry were symbols of martial and societal elite. The sanctuary of Apollo Hylates at Kourion, where many similar artifacts have been discovered, highlights the reverence for Hylates, a local god later identified with the Greek Apollo. Similarly, the sanctuary of Avia Irini yielded a wealth of war chariot models, reflecting the role of horses in both ritual and conflict.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment offers an invaluable glimpse into the religious practices, artistic traditions, and societal structures of ancient Cyprus, making it an exceptional piece for collectors and historians alike.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. 9,9\u003cspan\u003ecm x 5,3cm x 2,5cm. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44994123268361,"sku":"100100184","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8237.jpg?v=1706705277"},{"product_id":"cypro-archaic-terracotta-horse-figurine-fragment","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis exquisite terracotta horse figurine fragment represents the artistry and symbolic importance of votive offerings during the Cypro-Archaic period of Iron Age Cyprus. Hand-modeled with an abstract and stylized form, the horse showcases a protruding top-knot, a stylized mane, and a short muzzle. The elongated body and outstretched legs suggest a galloping motion, capturing the dynamism and elegance of the horse, a revered symbol of status and power during this period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of the Archaic Period crafted simple, handmade figurines with cylindrical bodies, coarse faces, and clay pellets for features like hats, eyes, and ears. Terracotta horse and rider figures were often left as votive offerings at sanctuaries or placed in the graves of the elite, symbolizing the owner's status and invoking protection or favor in the afterlife. Riding horses was a privilege of the upper classes, associated with warfare, transport, and ceremonial purposes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment likely originates from a larger figurine group, such as a chariot (quadriga) or mounted soldier, common in the sanctuaries of Cyprus. At the sanctuary of Apollo Hylates in Kourion, numerous horse and rider figurines have been discovered, dedicated to the god Hylates, later likened to the Greek Apollo. Similarly, the sanctuary at Avia Irini yielded numerous terracotta war chariots, reflecting the significance of equestrian imagery in Cypriot culture. This artifact offers a glimpse into the martial traditions, artistic expressions, and religious practices of ancient Cyprus, making it a remarkable piece of history and an exceptional addition to any collection of Cypriot antiquities.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e10,1cm x 12,3cm x 2,7cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44994152300809,"sku":"100100185","price":255.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8230.jpg?v=1706706199"},{"product_id":"cypro-archaic-terracotta-horse-figurine-fragment-1","title":"Cypro-Archaic Terracotta Horse Figurine Fragment","description":"\u003ch3 class=\"p1\"\u003eCypro-Archaic Period I-II, c. 700–475 BC, Kourion, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis lovely terracotta fragment from the Cypro-Archaic period captures the head of a handmade horse figurine, crafted in the distinctive abstract style of Iron Age Cyprus. The horse’s long, slender neck, pointy ears, flowing mane with a prominent forelock, and a detailed bridle with heavy reins highlight the artistic skill and symbolic significance of these votive offerings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriots of this era created simple yet evocative figurines using solid terracotta, often shaping coarse faces and cylindrical bodies with clay pellets for features such as hats, eyes, and ears. These figures frequently depicted horses and riders, symbolizing warfare, status, and devotion. Horse and chariot figurines, including quadriga models, were left at sanctuaries as offerings to male deities or placed in the graves of the elite as markers of privilege and symbols of protection for the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe prominence of such figures points to a period of significant conflict in Cyprus during the Iron Age, when equestrian prowess and chariotry were symbols of martial and societal elite. The sanctuary of Apollo Hylates at Kourion, where many similar artifacts have been discovered, highlights the reverence for Hylates, a local god later identified with the Greek Apollo. Similarly, the sanctuary of Avia Irini yielded a wealth of war chariot models, reflecting the role of horses in both ritual and conflict.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment offers an invaluable glimpse into the religious practices, artistic traditions, and societal structures of ancient Cyprus, making it an exceptional piece for collectors and historians alike.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. 7,1\u003cspan\u003ecm x 5,5cm x 2,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44994166685961,"sku":"100100186","price":175.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8239.jpg?v=1706706400"},{"product_id":"cypro-archaic-terracotta-warrior-figurine-fragment","title":"Cypro-Archaic Terracotta Warrior Figurine Fragment","description":"\u003ch3\u003e\u003cspan\u003eCypro-Archaic Period I-II, c. 700-475 BC, Kourion, Republic of Cyprus\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis magnificent and rare figure fragment from the Cypro-Archaic period features the upper half of a handmade male warrior, likely part of a larger horse and rider group. The figure is adorned with a conical headdress, characteristic of the era. Notable facial features include a protruding chin, beard, hooded eyes, small pellet ears or studs on the helmet, and a pronounced large nose. While the arms are missing, it is believed that the warrior’s original posture had them extended forward, possibly holding reins within a chariot group.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment is a remarkable example of the Cypriot craftsmanship from the Iron Age, where simple handmade terracotta figurines were crafted with coarse, cylindrical bodies and distinctive facial features formed from clay pellets. These figures were symbolic representations of warriors, charioteers, and soldiers, linking them to the martial culture of the time. Terracotta chariot models and horse and rider figures, such as this one, were often used as votive offerings in sanctuaries or placed in the graves of the wealthy. They were thought to symbolize the connection between the divine and the earthly realms, offering protection and guidance in the afterlife. The prominence of such figures suggests a society deeply entrenched in warfare, with the riding of horses and chariot warfare being exclusive to the elite. Many of these horse and rider figurines have been found in the sanctuary of Apollo Hylates at Kourion, where the god Hylates—later associated with Apollo—was worshipped. Excavations at other sites, such as the sanctuary of Avia Irini, have uncovered numerous chariot models, further emphasizing the importance of chariotry in Cypriot culture.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis fragment, with its raw and expressive form, offers a fascinating insight into the religious, military, and cultural life of ancient Cyprus, making it a highly desirable piece for collectors and scholars of Mediterranean antiquities.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and corrosion. Chip and nicks. The object is covered with a thin layer of earthy encrustation. Size approx. 10,3cm x 5,6cm x 3,6cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: According to information, from the collection of professor Dr. Med. Albert Fischer, 1891–1956. Founder and director of the Carlsberg Foundation biological institute, Copenhagen (1932–1956). Albert Fischer acquired antiquities during his travels in the 1930s-1950s.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eChariot group, The Metropolitan Museum of Art, Accession Number: 74.51.1800 (https:\/\/www.metmuseum.org\/art\/collection\/search\/241355)\u003c\/p\u003e\n\u003cp\u003eFigurine, Louvre, Accession Number: AO 32412 (https:\/\/collections.louvre.fr\/en\/ark:\/53355\/cl010359455)\u003c\/p\u003e\n\u003cp\u003eFigure, The British Museum, Accession Number: 1896,0201.219 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1896-0201-219)\u003c\/p\u003e\n\u003cp\u003eTerracotta horse and rider figurine (tomb gift), Ashmolean Museum, University of Oxford, Accession Number: AN1888.1267 (https:\/\/collections.ashmolean.org\/object\/304807)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTerracotta Figurines from Kourion in Cyprus, John Howard Young \u0026amp; Suzanne Halstead Young, Published by: The University Museum, University of Pennsylvania, Philadelphia, 1955.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHorse and Rider Figurines from Ancient Marion, Chelsea Walter, Arizona State University, December 2014.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44994181136649,"sku":"100100187","price":420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8232.jpg?v=1706706860"},{"product_id":"cypriot","title":"Cypro-Classical Plain White Ware Wine Jug (Oinochoe)","description":"\u003ch3 class=\"p1\"\u003eCypro-Classical I Period, c. 475–400 BC, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis exceptional wheel-made pottery wine jug, or oinochoe, crafted in Plain White Ware VI during the Cypro-Classical I period, exemplifies the refined simplicity and functionality characteristic of ancient Cypriot ceramics. The jug features an elegant ovoid-biconical body resting on a low conical foot, a conical neck, and a distinctive trefoil spout designed for precise pouring. A single high strap handle, gracefully extending from the rim to the vessel's waist, complements its symmetrical form. Shallow parallel grooves encircle the body, subtly enhancing its aesthetic appeal. The jug is fashioned from coarse, light buff clay with white grits, further emphasizing its rustic yet sophisticated craftsmanship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriot pottery has a rich heritage dating back to the Neolithic period, evolving significantly through the centuries as Cyprus became a cultural and commercial hub in the ancient Mediterranean. During the Early and Middle Bronze Ages, Cypriot artisans produced innovative and imaginative ceramics, and these artistic traditions continued into the Cypro-Classical period. The Plain White Ware technique gained popularity during this time, especially for utilitarian and ceremonial vessels like this oinochoe. Its form reflects the influence of Levantine designs, particularly the dipper sack-shaped jugs, while embodying the unique stylistic identity of Cyprus.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe island of Cyprus, strategically located at the crossroads of the Aegean, Anatolia, the Levant, and Egypt, played a vital role in the ancient Mediterranean trade networks. During the Classical period, it was under Persian control, but its artistic traditions remained vibrant and distinctive. Following Alexander the Great’s conquests, Cyprus enjoyed a brief period of autonomy before being annexed by Ptolemaic Egypt, further enriching its cultural influences. This wine jug is more than just a functional vessel—it is a testament to the artistic and cultural sophistication of ancient Cyprus. With its graceful proportions and historical significance, it would be a remarkable addition to any collection of ancient Mediterranean artifacts or Cypriot ceramics.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Intact. No chips, cracks or fractures. Rootmarks and light earthen deposits. Museum number: S.R: 7371\/75. Size approx. 17,5cm x 11,5cm x 11,5cm. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNB! Comes with original documents, including Licence to Export Antiquities No. 99370, issued under Antiquities Law, Cap. 43, Form F.18. Republic of Cyprus, Department of Antiquities, dated and signed 9.1.1979.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003c\/p\u003e\n\u003cp\u003eCyprus Archaeological Museum, Nicosia, Cyprus.\u003c\/p\u003e\n\u003cp\u003eacquired from the above, 1979\u003c\/p\u003e\n\u003cp\u003ewith danish private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eJug, The Metropolitan Museum of Art, Accession Number: 74.51.427 (https:\/\/www.metmuseum.org\/art\/collection\/search\/240013)\u003c\/p\u003e\n\u003cp\u003eTrefoil Jug, Penn Museum, University of Pennsylvania Museum of Archaeology and Anthropology, Accession Number: 54-41-28 (https:\/\/www.penn.museum\/collections\/object\/292959)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery of Geometric, Archaic and Classical periods in Cyprus,  Anna, P. Georgiadou, Kyprios Character. History, Archaeology \u0026amp; Numismatics of Ancient Cyprus (kyprioscharacter.eie.gr\/en\/t\/A0)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery Types, Cypro-Geometric to Cypro-Classical, Einar Gjerstad, Opuscula Atheniensia. 7 (7): pp. 105–122, 1960.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSwedish Cyprus Expedition IV, 2. The Cypro-geometric, Cypro-archaic and Cypro-classical Periods, Einar Gjerstad, Stockholm: Swedish Cyprus Expedition, 1948.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":45017302171913,"sku":"1059069","price":1025.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8392.jpg?v=1707229639"},{"product_id":"cypro-classical-pottery-jug","title":"Cypro-Classical Coarse Ware Cooking Pot (Chytra)","description":"\u003ch3 class=\"p1\"\u003eCypro-Classical II Period, c. 400–323 BC, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis exquisite wheel-made cooking pot, or chytra, is a remarkable example of Cypriot Coarse Ware pottery from the Cypro-Classical II period. It features a beautifully crafted globular body with a flat bottom, surmounted by an everted rim. A single strap handle elegantly connects the rim to the vessel's rounded waist. Made of coarse red clay mixed with white grits, the piece exudes a rustic charm indicative of its utilitarian purpose while reflecting the artistic traditions of ancient Cyprus.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe pottery of ancient Cyprus, which dates back to the Neolithic period, is renowned for its diversity and adaptability, showcasing connections with various Mediterranean cultures. During the Cypro-Classical period, these cultural exchanges are evident in the continuation and refinement of stylistic trends from the preceding Cypro-Archaic II period. Fine ware ceramics, such as Plain White pottery, gained popularity during this time, particularly in the form of jug-like vessels and handle-less bowls inspired by Levantine shapes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCyprus' strategic location in the northeastern Mediterranean made it a vital hub in ancient trade networks. Positioned at the crossroads of the Aegean, Anatolia, the Levant, and Egypt, the island played a pivotal role in the exchange of goods, ideas, and artistic influences. During the Classical period, Cyprus was under Persian rule but maintained its cultural identity through its unique ceramic traditions. The island experienced a brief period of autonomy under Alexander the Great, who granted greater independence to Cypriot city-states. Following his death in 323 BC, Cyprus became part of the Ptolemaic Kingdom of Egypt, ushering in a new era of Hellenistic influence.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis chytra is more than a utilitarian artifact; it embodies the rich history and cultural significance of ancient Cyprus, offering a tangible link to the island's role as a bridge between civilizations. A piece like this would make an outstanding addition to any collection of ancient Mediterranean artifacts, reflecting the artistry and heritage of a pivotal era in Cypriot history.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExcellent condition. Intact. No chips, cracks or fractures. Delcate rootmarks and earthen patina. Museum number: S.R: 7020\/75. Size approx. 12,7cm x 16,0cm x 14,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNB! Comes with original documents, including Licence to Export Antiquities No. 007268, issued under Antiquities Law, Cap. 43, Form Antiq. 1. Republic of Cyprus, Department of Antiquities, dated and signed 26. April 1979, Director of Antiquities.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003c\/p\u003e\n\u003cp\u003eCyprus Archaeological Museum, Nicosia, Cyprus.\u003c\/p\u003e\n\u003cp\u003eacquired from the above, 1979\u003c\/p\u003e\n\u003cp\u003ewith danish private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCooking-pot, The British Museum, Accession Number: 1864,1007.1937 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1864-1007-1937)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eChytra: miniature cooking pot, Museum of Fine Arts Boston, Accession Number: 81.175 (https:\/\/collections.mfa.org\/objects\/198988)\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eMiniature chytra, The Acropolis Museum, Accession Number: ΝΜΑ 409 (https:\/\/theacropolismuseum.gr\/en\/miniature-chytra-0)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery of Geometric, Archaic and Classical periods in Cyprus,  Anna, P. Georgiadou, Kyprios Character. History, Archaeology \u0026amp; Numismatics of Ancient Cyprus (kyprioscharacter.eie.gr\/en\/t\/A0)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery Types, Cypro-Geometric to Cypro-Classical, Einar Gjerstad, Opuscula Atheniensia. 7 (7): pp. 105–122, 1960.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSwedish Cyprus Expedition IV, 2. The Cypro-geometric, Cypro-archaic and Cypro-classical Periods, Einar Gjerstad, Stockholm: Swedish Cyprus Expedition, 1948.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":45020518646025,"sku":"1039414","price":985.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8414.jpg?v=1707302478"},{"product_id":"copy-of-cypro-classical-plain-white-ware-wine-jug-or-oinochoe","title":"Cypro-Classical Coarse Ware Jug","description":"\u003ch3 class=\"p1\"\u003eCypro-Classical I Period, c. 475–400 BC, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis magnificent wheel-made pottery jug, crafted in Coarse Ware during the Cypro-Classical I period, exemplifies the functional elegance of ancient Cypriot ceramics. The jug features a finely potted, depressed globular body with a pronounced bulge resting on a flat base. Its wide, sinuous concave neck leads to an incurved rim, while a single strap handle extends gracefully from the shoulder to the rim. Made from coarse, grayish-red clay with small inclusions, the jug showcases the robust yet refined craftsmanship characteristic of this period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriot pottery has its origins in the Neolithic period and evolved significantly over the millennia, reflecting the island's interactions with neighboring Mediterranean cultures. During the Early and Middle Bronze Ages, Cypriot ceramics became known for their imaginative shapes and intricate decorations. By the Cypro-Classical period, pottery styles displayed a refinement that built upon earlier traditions, including those of the Cypro-Archaic era. This jug, with its globular form and practical strap handle, exemplifies the stylistic evolution of the dipper sack-shaped jugs of Levantine origin.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCyprus’s geographical position as a crossroads of the Aegean, Anatolia, the Levant, and Egypt played a crucial role in shaping its artistic and cultural identity. Throughout the Classical period, Cyprus was under Persian control, which influenced its artistic and cultural developments. After gaining brief independence under Alexander the Great, the island was annexed by Ptolemaic Egypt, further enriching its cultural tapestry. This jug not only served as a utilitarian object but also stands as a testament to the skill and artistry of Cypriot potters during the Cypro-Classical period. Its timeless design and historical significance make it a prized artifact for collectors and enthusiasts of ancient Mediterranean ceramics.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExcellent condition. Intact. Minor chip on the rim, rootmarks and earthen deposits. Museum lead seal (CM) and number: S.R: 5990\/75. Size approx. 14,0cm x 13,8cm x 13,8cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNB! Comes with original documents, including Licence to Export Antiquities No. 007222, issued under Antiquities Law, Cap. 43, Form Antiq. 1. Republic of Cyprus, Department of Antiquities, dated and signed Director of A\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003entiquities 29. March 1979.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003c\/p\u003e\n\u003cp\u003eCyprus Archaeological Museum, Nicosia, Cyprus.\u003c\/p\u003e\n\u003cp\u003eacquired from the above, 1979\u003c\/p\u003e\n\u003cp\u003ewith danish private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eJug, The British Museum, Accession Number: 1982,0729.360 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1982-0729-360)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery of Geometric, Archaic and Classical periods in Cyprus,  Anna, P. Georgiadou, Kyprios Character. History, Archaeology \u0026amp; Numismatics of Ancient Cyprus (kyprioscharacter.eie.gr\/en\/t\/A0)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery Types, Cypro-Geometric to Cypro-Classical, Einar Gjerstad, Opuscula Atheniensia. 7 (7): pp. 105–122, 1960.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSwedish Cyprus Expedition IV, 2. The Cypro-geometric, Cypro-archaic and Cypro-classical Periods, Einar Gjerstad, Stockholm: Swedish Cyprus Expedition, 1948.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":45020829483273,"sku":"1034142","price":725.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8421.jpg?v=1707307296"},{"product_id":"copy-of-cypro-classical-coarse-ware-jug","title":"Cypro-Classical Stone Fishing Net Weight","description":"\u003ch3 class=\"p1\"\u003eCypro-Classical I Period, c. 475–400 BC, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis intriguing ancient fishing net weight, crafted during the Cypro-Classical I period, provides a tangible connection to the everyday life of coastal communities in ancient Cyprus. Made from a coarse, rounded stone with a prominent central hole, it was designed to anchor fishing nets, showcasing the resourcefulness and ingenuity of ancient Cypriot craftsmanship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe island of Cyprus, strategically located at the crossroads of the Aegean, Anatolia, the Levant, and Egypt, has long been a hub of maritime activity and trade. Its position in the northeastern Mediterranean Sea made it a vital link in ancient commercial networks, facilitating the exchange of goods, culture, and technology. Fishing was an essential livelihood for coastal populations, and tools like this weight were crucial for ensuring successful catches.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDuring the Cypro-Classical period, Cyprus was under Persian control but maintained a distinct cultural identity. Following this era, the island experienced a brief period of independence under Alexander the Great before its annexation by Ptolemaic Egypt. These historical transitions influenced the island's economic practices, artistic expressions, and daily tools like this net weight. This stone fishing net weight is a rare and evocative artifact, encapsulating the maritime traditions and resourceful lifestyle of ancient Cypriots. It serves as both a functional object of the past and a window into the interplay of culture and commerce that defined the island's history.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExcellent condition. Intact. Light mineral encrustation. \u003cmeta charset=\"utf-8\"\u003eMuseum number: S.R: 6116\/75. Size approx. 12,5cm x 10,5cm x 5,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNB! Comes with original documents, including Licence to Export Antiquities No. 007222, issued under Antiquities Law, Cap. 43, Form Antiq. 1. Republic of Cyprus, Department of Antiquities, dated and signed Director of A\u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003entiquities 29. March 1979.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003c\/p\u003e\n\u003cp\u003eCyprus Archaeological Museum, Nicosia, Cyprus.\u003c\/p\u003e\n\u003cp\u003eacquired from the above, 1979\u003c\/p\u003e\n\u003cp\u003ewith danish private collection\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery of Geometric, Archaic and Classical periods in Cyprus,  Anna, P. Georgiadou, Kyprios Character. History, Archaeology \u0026amp; Numismatics of Ancient Cyprus (kyprioscharacter.eie.gr\/en\/t\/A0)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery Types, Cypro-Geometric to Cypro-Classical, Einar Gjerstad, Opuscula Atheniensia. 7 (7): pp. 105–122, 1960.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSwedish Cyprus Expedition IV, 2. The Cypro-geometric, Cypro-archaic and Cypro-classical Periods, Einar Gjerstad, Stockholm: Swedish Cyprus Expedition, 1948.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":45020937847049,"sku":"1086725","price":275.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8426.jpg?v=1707312043"},{"product_id":"cypro-classical-plain-white-ware-wine-jug-or-oinochoe","title":"Cypro-Classical Plain White Ware Wine Jug (Oinochoe)","description":"\u003ch3 class=\"p1\"\u003eCypro-Classical II Period, c. 400–323 BC, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis exquisite wheel-made pottery wine jug, or oinochoe, crafted from Plain White Ware VI during the Cypro-Classical II period, is a superb example of the understated elegance and functionality that define ancient Cypriot ceramics. The vessel features a beautifully proportioned depressed ovoid body resting on a slightly raised disc base, a sinuous concave neck, and a refined trefoil-shaped lip designed for smooth pouring. A single strap handle gracefully extends from the rim to the vessel's waist, harmonizing the jug's form with its practical use. The piece is made from light buff clay with white grits, offering a tactile charm that reflects its ancient origins.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriot pottery has a storied history beginning in the Neolithic period, evolving through centuries of cultural exchange and innovation. By the Cypro-Classical period, pottery reflected both local creativity and influences from neighboring regions, particularly the Levant. Plain White Ware emerged as a favored technique for fine ceramics, notable for its simplicity and adaptability. This style was especially prevalent in the creation of functional vessels like jugs and bowls, which were integral to daily life and ceremonial practices. Cyprus, strategically situated at the crossroads of the Aegean, Anatolia, the Levant, and Egypt, was a pivotal player in ancient Mediterranean trade networks. During the Cypro-Classical period, it remained under Persian dominion, yet its artistic and cultural identity flourished. The island experienced a brief period of autonomy under Alexander the Great before becoming part of the Ptolemaic Egyptian empire after his death in 323 BC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis wine jug is more than just an artifact of utility; it represents the harmonious blend of form, function, and cultural significance characteristic of ancient Cypriot craftsmanship. Its timeless design and historical importance make it a captivating addition to any collection of Mediterranean antiquities or archaeological treasures.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Chip in the mouth, otherwise intact. Rootmarks and light earthen deposits. Museum number: S.R: 9560\/77. Size approx. 19,0cm x 14,2cm x 14,2cm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cem\u003eNB! Comes with original documents, including Licence to Export Antiquities No. 007268, issued under Antiquities Law, Cap. 43, Form Antiq. 1. Republic of Cyprus, \u003c\/em\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cem\u003eDepartment of Antiquities, dated and signed Director of Antiquities 26th April 1979.\u003c\/em\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003c\/p\u003e\n\u003cp\u003eCyprus Archaeological Museum, Nicosia, Cyprus.\u003c\/p\u003e\n\u003cp\u003eacquired from the above, 1979\u003c\/p\u003e\n\u003cp\u003ewith danish private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eOinochoe, The British Museum, Accession Number: 1982,0729.364 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1982-0729-364)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery of Geometric, Archaic and Classical periods in Cyprus,  Anna, P. Georgiadou, Kyprios Character. History, Archaeology \u0026amp; Numismatics of Ancient Cyprus (kyprioscharacter.eie.gr\/en\/t\/A0)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePottery Types, Cypro-Geometric to Cypro-Classical, Einar Gjerstad, Opuscula Atheniensia. 7 (7): pp. 105–122, 1960.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eSwedish Cyprus Expedition IV, 2. The Cypro-geometric, Cypro-archaic and Cypro-classical Periods, Einar Gjerstad, Stockholm: Swedish Cyprus Expedition, 1948.\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":45021339844873,"sku":"1045169","price":725.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8442.jpg?v=1707314679"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp\u003eMagnificent Hellenistic Ptolemaic Period Red Slip Oil Lamp, an exquisite example of ancient craftsmanship from Ptolemaic Egypt. This mould-made terracotta lamp, covered in a rich red-orange slip, dates back to the Hellenistic period and showcases the sophisticated design and practicality typical of ancient Egyptian daily life.\u003c\/p\u003e\n\u003cp\u003eThe lamp features a double-convex circular body, smoothly transitioning into a long, tapering nozzle with a rounded end, elegantly designed for precision in oil flow. Slight angles at the junction between the body and the nozzle add a subtle touch of architectural charm to its form. The filling hole is thoughtfully crafted, marked by an inward-sloping band framed by an outer groove, ensuring ease of use for refilling. A solid pointed lug on the left side adds both balance and aesthetic appeal. The circular base, slightly raised and concave toward the center, provides stability while contributing to the overall refined design. This piece embodies the fusion of form and function, a hallmark of Hellenistic artistry, making it not only a practical tool but also a beautiful artifact of ancient Ptolemaic culture.\u003c\/p\u003e\n\u003cp\u003ePerfect for collectors of ancient artifacts or those with an eye for classical design, this red slip oil lamp is an exceptional piece of history that will bring a touch of antiquity to any collection. Own a timeless treasure from the rich cultural tapestry of Hellenistic Egypt.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear and light abrasion. Smoothed surface with light deposits. Nozzle had even traces of soot. Gorgeous patina. Size approx. 7,6cm x 5,2cm x 2,5cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Finnish private collection. \u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48534450831625,"sku":"100100334","price":225.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1957.jpg?v=1728568754"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp-copy","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp\u003eThis remarkable mould-made ceramic oil lamp, dating back to the Hellenistic Period of the Ptolemaic Dynasty (c. 300-50 BC), is a stunning example of ancient Egyptian craftsmanship. Originating from Naukratis, Egypt, the lamp features a beautifully crafted double-convex body with a long, flaring splayed nozzle, gently curved at the tip, and showing traces of ancient burning, a testament to its use in antiquity.\u003c\/p\u003e\n\u003cp\u003eThe round reservoir, designed with a central filling hole, is framed by a concentric ring, adding a touch of elegance to the functional design. The front of the reservoir is adorned with a delicate incised volute design, a hallmark of Hellenistic artistry. A circular base-ring provides stability, while two graceful leaf-shaped lugs on either side add both balance and aesthetic charm.\u003c\/p\u003e\n\u003cp\u003eCrafted from red-brown micaceous Nile silt clay, this lamp not only embodies the utilitarian beauty of Egyptian pottery but also captures the rich cultural fusion of Greek and Egyptian traditions during the Ptolemaic era. This exceptional piece is perfect for collectors of ancient artifacts, offering a rare glimpse into the daily life and religious practices of the ancient world. Own a piece of history with this stunning Egyptian oil lamp, a timeless symbol of ancient craftsmanship and artistic elegance.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eExcellent condition. Intact. Age-related light wear and minimal abrasion. Mineral encrustation, soil and dust. Nozzle had even traces of soot. Gorgeous patina. Size approx. 8,5cm x 6,3cm x 2,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: Finnish private collection. \u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eOil-lamp, The British Museum, Accession Number: 1886.31.1 \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/X__990)\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48560531472649,"sku":"100100337","price":265.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_1951.jpg?v=1728983996"},{"product_id":"collection-of-phoenician-glass-beads","title":"Collection of Phoenician Glass Beads","description":"\u003ch3 class=\"p1\"\u003eEastern Mediterranean, c. 600–200 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis captivating collection comprises three ancient Mediterranean glass beads, each showcasing the artistry and symbolism of Phoenician culture. The first bead features a delicate light blue base adorned with blue and yellow \"eyes,\" designed as protective talismans to ward off malevolent forces. The second bead is a translucent green hemispherical piece, possibly used as a weight or adornment, embodying simplicity and elegance. The third is a stunning larger bead crafted from black glass, featuring multicolored dots in orange, green, white, and yellow. These dots, separated by a trailed ribbon of white glass, form stratified \"eyes,\" symbolizing protection against the evil eye.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Phoenicians, skilled seafarers of the ancient Mediterranean, used beads like these as offerings to ensure safe passage during their perilous voyages. These artifacts not only served as apotropaic devices but also as trade goods, connecting the cultures of Anatolia, the Aegean, the Levant, and North Africa. Phoenician eye beads were particularly significant, with their blue eyes considered potent symbols to repel curses. In antiquity, blue-eyed individuals were thought to possess the power to cast the evil eye, a belief echoed by Aristotle, who cautioned against their gaze. By incorporating blue eyes into their amulets, Phoenicians created a reflective defense—blue eyes staring back to neutralize the curse.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese beads, rich in history and symbolism, exemplify the ingenuity and spiritual traditions of the Phoenician people. Perfectly suited for trade, adornment, or protection, they remain a testament to the ancient Mediterranean's cultural interconnectedness.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Age-related wear, chips and nicks. Encrustation. Size approx. 1,9cm x 0,9cm, 1,5cm x 1,1cm \u0026amp; 0,9cm x 1,0cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: British private collection.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":48944059121929,"sku":"100100360","price":345.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_2788.jpg?v=1736084635"},{"product_id":"cypro-geometric-plate-with-wishbone-handles","title":"Cypro-Geometric Plate with Wishbone Handles","description":"\u003ch3 class=\"p1\"\u003eCypro-Geometric II–III Period, c. 950–850 BC, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis extraordinary wheel-made pottery plate, crafted in Bichrome III Ware, is a masterpiece of Cypriot craftsmanship from the Cypro-Geometric period. Its shallow, slightly carinated body rests on a ring foot, with distinctive horizontally protruding wishbone handles. The plate’s design demonstrates the artistic precision and creativity of ancient Cypriot potters, particularly in its striking black-painted decoration.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe interior features a black-painted rim with two widely spaced black bands encircling the dish, while the underside boasts an intricate design of concentric bands of varying widths. Four evenly spaced rectangular panels with wavy motifs accentuate the underside, framing a central umber circle surrounded by five thin concentric rings. The plate’s distorted shape, caused by firing, adds a unique character to the artifact, emphasizing its authenticity and historical significance. Made of coarse orange-red clay with a cream slip and small inclusions, this plate exemplifies the rich ceramic tradition of Cyprus. Cypriot pottery, which originated in the Neolithic period, reflects the island’s role as a cultural and commercial hub of the ancient Mediterranean. The Cypro-Geometric period, marked by its geometric motifs and bichrome decoration, bridges the transition from the Bronze Age to the Iron Age.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCyprus, strategically located at the crossroads of the Aegean, Anatolia, the Levant, and Egypt, played a crucial role in ancient trade and cultural exchange. Its ceramic styles reveal influences from neighboring regions while maintaining a distinct Cypriot identity. The wishbone handles on this plate are a hallmark of Cypriot pottery, blending functionality with elegance. This plate, with its meticulous design and historical context, serves as a window into the daily life, artistic achievements, and cultural interactions of ancient Cyprus. It is a rare and valuable artifact, ideal for any collection focusing on early Mediterranean civilizations or the history of ceramic artistry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact, with some wear to the paint and minor rim chips. A museum inventory number \"2959\" written in ink under one of the handles. Size approx. 29,0cm x 22,2cm x 2,9cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta plate, The Metropolitan Museum of Art, Accession Number: 74.51.971 (https:\/\/www.metmuseum.org\/art\/collection\/search\/240559)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBichrome ware dish, University of St Andrews Libraries and Museums, Accession Number: HC1994.3(133)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/collections.st-andrews.ac.uk\/item\/bichrome-ware-dish\/1000122)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDish; plate, The British Museum, Accession Number: 1869,0604.22\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/G_1869-0604-22)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003ePottery of Geometric, Archaic and Classical periods in Cyprus,  Anna, P. Georgiadou, Kyprios Character. History, Archaeology \u0026amp; Numismatics of Ancient Cyprus (kyprioscharacter.eie.gr\/en\/t\/A0)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003ePottery Types, Cypro-Geometric to Cypro-Classical, Einar Gjerstad, Opuscula Atheniensia. 7 (7): pp. 105–122, 1960.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eHandbook of the Cesnola Collection of Antiquities from Cyprus, John L. Myres, The Metropolitan Museum of Art, 1914.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003ci\u003eSwedish Cyprus Expedition IV, 2. The Cypro-geometric, Cypro-archaic and Cypro-classical Periods, Einar Gjerstad, Stockholm: Swedish Cyprus Expedition, 1948.\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":49049072664841,"sku":"100100373","price":2250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_3112.jpg?v=1737547824"},{"product_id":"cypriot-marble-architectural-refief-fragment","title":"Cypriot Marble Architectural Refief Fragment","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, c. 315–58 BC, Paphos, Cyprus\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis Cypriot marble architectural relief fragment, dating to approximately 300 BC and originating from Paphos, Cyprus, is a finely carved piece that likely once adorned a sarcophagus or architectural structure. Made from white marble, the fragment features geometric decoration above a thick border, suggesting its function as a decorative element. The flat surface on the reverse indicates that it was originally affixed to a larger structure or funerary monument.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eDuring the Hellenistic period, Cyprus was a cultural crossroads, influenced by Greek, Egyptian, and Near Eastern artistic traditions. Paphos, a prominent city on the island, was an important religious and political center, particularly renowned for its sanctuary of Aphrodite. The marble relief’s geometric motifs align with the artistic styles seen in Cypriot funerary art of the time, where abstract patterns and architectural elements were commonly employed to embellish tombs and sarcophagi.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGiven its likely association with a sarcophagus, this relief fragment would have served both an aesthetic and symbolic purpose, enhancing the monument's visual appeal while reflecting the artistic heritage of Hellenistic Cyprus. Though only a fragment of a once-complete work, it offers a glimpse into the rich artistic and funerary traditions of ancient Cyprus.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. Size approx.\u003cspan class=\"Apple-converted-space\"\u003e 9,6cm x 9,8cm x 3,2cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eProvenance: Belgian private collection. The object was acquired in travels in between 1910-1930.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":50169411567881,"sku":"100100392","price":495.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_3678.jpg?v=1740680412"},{"product_id":"collection-of-phoenician-glass-beads-1","title":"Collection of Phoenician Glass Beads","description":"\u003ch3 class=\"p1\"\u003eEastern Mediterranean, c. 600–200 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis exquisite collection of three ancient Mediterranean glass beads, dating from 600–200 BC, beautifully embodies the artistry and symbolism of Phoenician culture. Each bead is a testament to the Phoenicians’ exceptional craftsmanship and their deep-rooted belief in protective talismans.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe first bead showcases a gorgeous silvery iridescence that has developed over centuries, enhancing its striking faceted black surface, which is adorned with blue “eyes”—apotropaic symbols believed to ward off malevolent forces. The second bead, once white and now a soft crème hue, is decorated with blue and yellow eye motifs, further reinforcing its protective purpose. The third and largest bead is crafted from black glass, featuring multicolored stratified “eyes” in red, green, blue, and orange, creating a mesmerizing display of both artistry and spiritual intent.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Phoenicians, master seafarers of the ancient Mediterranean, used such beads not only as protective charms for safe passage but also as highly valued trade goods. These artifacts forged connections between the cultures of Anatolia, the Aegean, the Levant, and North Africa, illustrating the vast commercial and cultural network of the Phoenician world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePhoenician eye beads were particularly significant, as blue eyes were believed to repel curses. In antiquity, it was thought that individuals with blue eyes had the power to cast the evil eye, a superstition even referenced by Aristotle, who warned against their gaze. By incorporating blue eyes into their amulets, the Phoenicians created a reflective defense—gazing back to neutralize the curse.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese remarkable beads, rich in history, mysticism, and cross-cultural significance, are enduring relics of the ancient Mediterranean’s spiritual and artistic traditions. Whether appreciated as historical artifacts, protective amulets, or symbols of early global trade, they offer a fascinating glimpse into the ingenuity of the Phoenician world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with encrusted patina and rich earthen deposits throughout. Size approx. 2,0cm x 1,5cm, 1,1cm x 0,8cm \u0026amp; 1,1cm x 0,9cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":50199551443209,"sku":"100100397","price":345.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_2784.jpg?v=1741090014"},{"product_id":"cypriot-terracotta-juglet","title":"Cypriot Terracotta Juglet","description":"\u003ch3 class=\"p1\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eMiddle Bronze Age, \u003c\/span\u003eLate Cypriot I, c. 1900–1450 BC, Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis fascinating and rare bulbous-bodied juglet exemplifies the artistry of Middle Bronze Age Cyprus. Crafted from polished terracotta with black slip paint, the vessel’s most striking feature is its tall, cut-away spout, adorned with highly abstract, anthropomorphic elements molded onto both the spout and body. The vertical loop handle, rising from the vessel’s highest point to the side of the spout, includes a tall thumb rest for added grip. A pierced knob on the front, possibly representing a nose, and two circular holes interpreted as ears, further enhance its anthropomorphic character.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe jug’s body is richly decorated with net lozenges and coiling snakes in relief, both motifs characteristic of Middle Bronze Age Cypriot art. It is believed that vessels like this were handmade by women, though their exact purpose—whether for household use or religious offerings—remains uncertain.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe cut-away spout juglet is an iconic ceramic form within the limited repertoire of Philia-period pottery, as documented by Webb \u0026amp; Frankel. The Middle Bronze Age (1900–1600 BC) followed the Early Bronze Age and initially saw a period of peaceful development. Archaeological excavations at sites such as Marki Alonia, Alambra Mouttes, and Pyrgos Mavroraki provide insights into the architecture and economy of the time. These settlements reveal multi-roomed, rectangular houses with narrow lanes facilitating movement within the community. However, toward the end of the Middle Bronze Age, fortresses were constructed, signaling a period of unrest for reasons still debated by scholars.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe most important Bronze Age cemeteries, located at Bellapais, Lapithos, Kalavasos, and Deneia, have yielded an extensive collection of pottery, with notable examples available for study online. This exceptional juglet stands as a testament to the skilled craftsmanship and artistic sensibilities of Middle Bronze Age Cyprus, making it a remarkable addition to any collection of ancient Cypriot artifacts.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Intact. Surface wear and abrasions commensurate with age and use, with encrusted deposits. Surface of slip worn. Size approx.\u003cspan class=\"Apple-converted-space\"\u003e 14,1cm x 8,8cm x 8,7cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. \u003cmeta charset=\"utf-8\"\u003eThe object was acquired in travels in between 1900-1925.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCypriot buffware jug with beaked spout with linear ornament, Frances Lehman Loeb Art Center | Vassar College, Accession Number: CC48.254\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/emuseum.vassar.edu\/objects\/12410\/cypriot-buffware-jug-with-beaked-spout-with-linear-ornament)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":54932253311241,"sku":"100100403","price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_3891.jpg?v=1741614222"},{"product_id":"archaic-greek-bronze-strigil-stlengis","title":"Archaic Greek Bronze Strigil (Stlengis)","description":"\u003ch3 class=\"p1\"\u003eArchaic Greece, c. 500–400 BC, Corinth, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA rare and beautifully preserved example of a bronze strigil, this elegant bathing implement is formed from hammered bronze into a distinctive zigzag handle terminating in a sharp, leaf-shaped blade. The tool retains traces of an oval manufacturer’s stamp on the upper portion of the handle, showing a bearded, dancing male figure in relief—likely a satyr—now softly worn through age and corrosion. An inscription for the original owner remains faintly visible but is obscured by surface oxidation. Stamped and inscribed strigils of this quality are exceedingly scarce.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe strigil (stlengis in Greek) was an essential tool in the ancient Greco-Roman bathing and athletic tradition, used to scrape oil, sweat, and dust from the skin following physical exertion. Before entering the baths, athletes would coat their bodies with olive oil, then use the strigil to cleanse themselves—a ritual often immortalized in painted ceramics and sculpture. The residue collected, known as gloios, was believed to have curative properties and was sometimes sold for medicinal purposes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePrimarily crafted from bronze, strigils were also made in silver, glass, and other materials, typically shaped like an elongated “J” with a broad, curved scraping blade. While strigils began as athletic implements, they later became common items in personal grooming kits across the ancient Mediterranean, used by both men and women, and found as far afield as South Italy and Etruria.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis example, with its finely worked profile and rare stamped imagery, offers a tangible connection to the world of ancient athleticism, hygiene, and daily ritual—an evocative piece for collectors of Greek antiquities, tools, or classical personal objects.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eExcellent condition. Intact. Surface wear and corrosion commensurate with age, nicks and chip, with earthen deposits throughout. Size approx. 22,3cm x 14,5cm x 2,5cm.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Swedish private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eStrigil, Archaic Greek, Classical Greek, Corinth, The British Museum, Accession Number: 1891,0424.1 (https:\/\/www.bmimages.com\/results.asp?W=4\u0026amp;F=0002\u0026amp;Step=1\u0026amp;rowx=3)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGilt bronze strigil, The Metropolitan Museum of Art, Accession Number:15.43.269\u003cspan class=\"Apple-converted-space\"\u003e    \u003c\/span\u003e(https:\/\/www.metmuseum.org\/art\/collection\/search\/249020)\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eStrigil, The British Museum, Accession Number: 1885,1213.51. \u003cspan class=\"Apple-converted-space\"\u003e                                  \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/G_1885-1213-51)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55400679866633,"sku":"100100443","price":2850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_4895.jpg?v=1746187165"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp-1","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fascinating and well-preserved example of a mould-made grey-ware pottery oil lamp from the Ptolemaic period, crafted in the dynamic Greco-Egyptian cultural milieu of Naukratis. The lamp features a globular body that curves inward toward a rounded shoulder, leading to an inward-sloping rim encircling a small central filling hole. A raised ridge neatly frames the opening, emphasizing the careful and symmetrical design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe lamp is supported on a sharply turned base with a slightly concave disc foot. To one side, a vertically pierced lug handle provides functional utility, while a short, flat-topped nozzle projects outward, terminating in a rounded end with an oval wick hole—characteristics consistent with Howland Type 25.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eComposed of a grey, reduced Nile silt fabric and coated in a dark slip, the lamp exemplifies the technical and aesthetic qualities of Nile Valley ceramic production during the Hellenistic period. The dark, burnished surface and balanced proportions reflect both local Egyptian techniques and Hellenistic design influences, which blended Greek forms with native traditions under the Ptolemaic regime.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil lamps such as this were essential objects in both domestic and ritual contexts, used for illumination and sometimes offerings. This piece, with its elegant form and subtle details, offers a compelling insight into daily life and material culture in Ptolemaic Egypt—a time of cosmopolitan exchange, innovation, and hybrid identity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Wear consistent with age and use. Heavy encrusted patina and rich earthen deposits. Nozzle had even traces of soot. Size approx. 10,3cm x 7,8cm x 3,3cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil-lamp, The British Museum, Accession Number: 1987.291\u003cspan class=\"Apple-converted-space\"\u003e                                      \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/X__2184)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55677095248137,"sku":"100100458","price":195.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5304.jpg?v=1749631986"},{"product_id":"collection-of-phoenician-glass-beads-2","title":"Collection of Phoenician Glass Beads","description":"\u003ch3 class=\"p1\"\u003eEastern Mediterranean, c. 600–200 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful set of four ancient Phoenician glass beads, each showcasing the artistry, symbolism, and far-reaching trade of the ancient Mediterranean world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOne features a striking dark blue surface with silvery iridescence and applied blue eye motifs believed to protect against evil. Another is a small black cylindrical bead with delicate white and turquoise spirals. A third is decorated with orange and white chevrons dragged across a black base. The fourth and largest bead is barrel shaped with flowing trails of yellow and white over deep black glass.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Phoenicians were renowned for their skill in glassmaking and their role as master traders. These beads were worn as powerful amulets and traded across cultures from Anatolia to North Africa. The blue eye motif was especially valued as protection against the evil eye, believed to reflect back malevolent gazes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRich in beauty and ancient meaning, this rare set is a remarkable link to the spiritual and artistic traditions of the ancient Mediterranean world. A striking addition to any collection of early jewelry or ancient art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with encrusted patina and rich earthen deposits throughout. Size approx. 3,2cm x 1,2cm, 1,7cm x 1,6cm, 1,1cm x 1,2cm \u0026amp; 1,0cm x 0,8cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNecklace, The British Museum, Accession Number: 133713\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003cspan class=\"s1\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/W_1856-1223-1159\u003c\/span\u003e)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGlass eye beads, The Metropolitan Museum of Art, Accession Number: 17.194.717\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003cspan class=\"s1\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/249950\u003c\/span\u003e)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":55993734037769,"sku":"100100480","price":365.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5862.jpg?v=1754555051"},{"product_id":"pair-of-late-hellenistic-terracotta-unguentaria","title":"Pair of Late Hellenistic Terracotta Unguentaria","description":"\u003ch3 class=\"p1\"\u003eLate Hellenistic Period, c. 200–100 BC, Salamis, Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA charming and finely made pair of spindle-shaped terracotta unguentaria, exemplary of Late Hellenistic ceramic artistry. These elegant vessels, one slightly taller than the other, were wheel-thrown with slender piriform bodies rising from low, flat bases, and finished with thick, rounded lips for ease of pouring.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUnguentaria—also known as balsamaria or lacrimaria—were versatile containers used to store precious oils, perfumes, and powdered substances. Their frequent discovery in graves suggests both a practical and ritualistic role, possibly holding offerings such as oil, wine, or incense for funerary rites or as gifts to the deceased.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCrafted from coarse orange clay with traces of a once-dark reddish-brown slip, the pair retains a pleasing interplay between robust material and refined form. Though partially restored, they remain elegant representatives of Hellenistic craftsmanship, offering both aesthetic appeal and a tangible connection to the daily and ceremonial life of ancient Cyprus.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Age-related wear with chip in the rim and foot, nicks and scratches on surface. Restored neck. Rich deposits on interior and exterior. Surface encrusted in places. Size approx. 11,9cm x 4,3cm x 4,3cm \u0026amp; 8,6cm x 3,2cm x 3,2cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. Acquired in the early 1960’s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUnguentarium, Teece Museum of Classical Antiquities, Accession Number: 81.68\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003cspan class=\"s1\"\u003ehttps:\/\/teecemuseum.nz\/collection-item\/1238934\/\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta spindle-shaped unguentarium (perfume bottle), The Metropolitan Museum of Art, Accession Number: 74.51.363 (\u003cspan class=\"s1\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/239948\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSpindle-shaped Unguentarium, Harvard Art Museums\/Arthur M. Sackler Museum, Accession Number: 1964.51 (\u003cspan class=\"s1\"\u003ehttps:\/\/hvrd.art\/o\/290196\u003c\/span\u003e)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56005515608329,"sku":"100100484","price":425.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5941.jpg?v=1754990647"},{"product_id":"collection-of-phoenician-glass-beads-3","title":"Collection of Phoenician Glass Beads","description":"\u003ch3 class=\"p1\"\u003eEastern Mediterranean, c. 600–200 BC\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exquisite set of four ancient Phoenician glass beads, each a miniature masterpiece reflecting the artistry, symbolism, and far-reaching trade networks of the ancient Mediterranean world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe smallest bead features a delicate light-blue surface adorned with applied red-on-white eye motifs, an ancient design believed to ward off evil. Another, a sleek black cylindrical bead, is enhanced with graceful light-blue and orange trailing lines. A third example is barrel-shaped, its black base decorated with yellow and white chevron patterns drawn into a flowing wave. The largest bead in the group boasts a turquoise-blue core overlaid with an intricate coating of red and white trails on black, creating a striking visual contrast.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Phoenicians were celebrated for their mastery of glassmaking and their role as consummate traders. Such beads were treasured not only as ornaments but also as amulets of protection and status, exchanged across cultures from Anatolia to North Africa. The “eye” motif, in particular, was highly prized for its apotropaic power—thought to repel malevolent forces and safeguard the wearer.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVibrant in both form and history, this rare set offers a tangible link to the spiritual beliefs and artistic achievements of the ancient Mediterranean. A distinctive and meaningful addition to any collection of early jewelry or classical antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with encrusted patina and rich earthen deposits throughout. Size approx. 0,4cm x 0,9cm, 1,2cm x 1,4cm, 2,3cm x 1,3cm \u0026amp; 3,2cm x 1,4cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eNecklace, The British Museum, Accession Number: 133713\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003cspan class=\"s1\"\u003ehttps:\/\/www.britishmuseum.org\/collection\/object\/W_1856-1223-1159\u003c\/span\u003e)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGlass eye beads, The Metropolitan Museum of Art, Accession Number: 17.194.717\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(\u003cspan class=\"s1\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/249950\u003c\/span\u003e)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56007667384585,"sku":"100100485","price":395.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5865.jpg?v=1754991773"},{"product_id":"corinthian-terracotta-aryballos-with-quatrefoil-motif","title":"Corinthian Terracotta Aryballos with Quatrefoil Motif","description":"\u003ch3 class=\"p1\"\u003eLate Corinthian Period, c. 575–550 BC, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superb wheel-thrown terracotta aryballos, finely crafted in a squat form with a rounded base, globular body, slender neck, and collared rim, joined by a single strap handle from rim to shoulder. Vessels of this type were used in daily life to hold perfumed oil or ointment, often carried by athletes and aristocrats alike.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe decoration features a quatrefoil motif framed by stylized leaves, executed in dark red slip with traces of added red pigment, preserved primarily on one side of the body. Additional bands of pigment adorn the rim and lip, lending balance to the overall composition. The quatrefoil, a decorative scheme of Near Eastern (Assyrian) inspiration, was widely adopted into Corinthian pottery and became a hallmark of the period’s cross-cultural artistic vocabulary.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThough worn with age, this aryballos retains its elegance and historical resonance, standing as a testament to the sophistication of Late Corinthian ceramic design. Compact yet full of presence, it offers both aesthetic charm and cultural depth, making it a distinguished addition to any collection of Greek antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear commensurate with age, with a few chips to the rim and encrusted patina and rich earthen deposits throughout. Size approx. 6,7cm x 6,5cm x 6,5cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. Acquired abroad and brought to Sweden in the 1960s\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAryballos, National Museums Liverpool, World Museum, Accession Number: 1981.1112.14 (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/aryballos-27)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAryballos, The Michael C. Carlos Museum, Accession Number: 2018.010.476\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/collections.carlos.emory.edu\/objects\/37509\/aryballos)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAryballos ; ca. 575-550 BC; 33.55, Teece Museum of Classical Antiquities at the University of Canterbury, Accession Number: 33.55\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/ehive.com\/collections\/4835\/objects\/995523\/aryballos)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56117726544137,"sku":"100100504","price":525.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6526.jpg?v=1757432610"},{"product_id":"hellenistic-ptolemaic-period-pottery-oil-lamp-3","title":"Hellenistic Ptolemaic Period Pottery Oil Lamp","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, Ptolemaic Dynasty, c. 300–100 BC, Naukratis, Egypt\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn elegant and finely preserved mould-made grey-ware pottery oil lamp from the Ptolemaic period, produced in Naukratis, the celebrated Greco-Egyptian port city of the Nile Delta. The lamp displays a globular body with a gently rounded shoulder, narrowing toward an inward-sloping rim that frames a small central filling hole. A raised ridge accentuates the opening, highlighting the vessel’s symmetry and balance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSupported on a sharply turned base with a slightly concave disc foot, the lamp also features a vertically pierced lug handle and a short flat-topped nozzle with an oval wick hole—typical characteristics of the Howland Type 25 form. Fashioned from reduced Nile silt clay and finished with a dark slip, the piece combines the technical excellence of Egyptian ceramic tradition with the refined aesthetic sensibilities of Hellenistic design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOil lamps such as this were indispensable in antiquity, providing light in homes, sanctuaries, and public spaces, while also serving as ritual offerings. This example, with its graceful proportions, tactile finish, and cosmopolitan character, offers a tangible glimpse into daily life and cultural fusion under the Ptolemaic dynasty. A superb artifact that embodies both functionality and artistry from one of the most dynamic eras of the ancient Mediterranean world.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGood condition. Wear consistent with age and use. Chip. Heavy encrusted patina and rich earthen deposits. \u003cmeta charset=\"utf-8\"\u003eNozzle had even traces of soot. Size approx. 9,9cm x 6,7cm x 3,5cm.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eProvenance: Swedish private collection. Acquired abroad and brought to Sweden in the 1960s and 1970s.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eOil-lamp, The British Museum, Accession Number: 1987.291 \u003cspan class=\"Apple-converted-space\"\u003e                                    \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/X__2184)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56118018605321,"sku":"100100505","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6477_209094ba-d61e-4781-9354-d7ab03fa38e6.jpg?v=1757434229"},{"product_id":"greek-terracotta-figurine-of-a-seated-woman","title":"Greek Terracotta Figurine of A Seated Woman ","description":"\u003ch3 class=\"p1\"\u003eEast Greek, c. 500–450 BC, possibly Rhodes\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA rare and evocative hollow-moulded terracotta figurine depicting a seated woman—possibly a mother or goddess—regally enthroned with a child resting at her side. She is shown wearing a finely rendered \u003ci\u003echiton\u003c\/i\u003e and \u003ci\u003ehimation\u003c\/i\u003e, crowned with a garland, her pose conveying both dignity and intimacy. The child is positioned to her left, suggesting themes of fertility, protection, or maternal devotion.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe figure sits on a high-backed throne, a motif deeply tied to divine authority in Greek art. While traces of pigment have long faded, such figurines were originally enhanced with painted details, lending further vibrancy and lifelike quality. The reverse remains plain and unmodelled, typical of votive terracottas intended for placement within sanctuaries or shrines.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis figure belongs to a well-established type in East Greek terracotta production, closely related to larger-scale stone sculptures and part of a broader repertoire that included deities, worshippers, athletes, and participants in Dionysian revelry. By the 5th century BC, these mould-made figures had become popular devotional offerings, their relatively small size making them accessible to a wide range of worshippers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSuch figures were often presented as votive gifts to the gods, though it remains uncertain whether they represent divine beings, priestesses, or worshippers themselves. The enthroned female type, especially when accompanied by a child, strongly suggests associations with fertility and divine motherhood—possibly linked to cults of deities such as Demeter, Hera, or local mother-goddesses.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eComparable examples were found in sanctuaries across the Greek world, and notably, hundreds of terracotta votives were deposited on the Athenian Akropolis after its destruction by the Persians in 480 BC, hinting at their role in early cult practice and their symbolic significance as guardians of continuity and renewal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis finely moulded example captures both the artistry and spiritual resonance of Greek terracotta production, offering a moving connection to the devotional life of the ancient Mediterranean.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. Size approx. 12,5cm x 5,8cm x 6,1cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFigure, The British Museum, Accession Number: 1864,1007.1290\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/G_1864-1007-1290)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta statuette of a seated woman, The Metropolitan Museum of Art, Accession Number: 89.2.2131 (https:\/\/www.metmuseum.org\/art\/collection\/search\/245531)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56124437004553,"sku":"100100510","price":985.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6611.jpg?v=1757529149"},{"product_id":"corinthian-pottery-aryballos-with-a-lion","title":"Corinthian Terracotta Aryballos with a Lion Motif","description":"\u003ch3 class=\"p1\"\u003eOrientalizing Period, c. 725–600 BC, Corinth, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA remarkable and highly unusual Corinthian black-figure pottery aryballos, wheel-made with a squat, globular body rising from a broad ring base, surmounted by a short cylindrical neck with an outward-folded rim and a single strap handle extending from shoulder to rim. The vessel features a small conical spout and is crafted from fine buff clay, coated with a light slip and adorned with painted and incised decoration.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe principal frieze depicts a striking scene of two lions facing one another, each shown in typical front pose with elongated tails, open jaws, and finely incised details. Between them, the field is richly embellished with abstract organic motifs, perhaps stylized lotus blossoms and palmettes, further enlivened with traces of fugitive red pigment. Radiating rays at the base of the neck add a dynamic visual rhythm to the composition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eCorinthian pottery of the Orientalizing Period is celebrated for its vivid figural decoration, heavily influenced by the city’s flourishing trade with the Levant, Egypt, and Assyria. Exotic animals, mythological creatures, and stylized plants became signature motifs of Corinthian workshops, reflecting the cultural and artistic exchanges of the 7th–6th centuries BC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAryballoi such as this were used to hold perfumed oils, prized in both athletic and domestic contexts, making them objects of personal luxury as well as artistic expression. The present example, with its unusual pairing of lions and its superb execution, exemplifies the refinement of the Orientalizing style and the technical brilliance of Corinthian ceramicists at the height of their innovation.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA rare and evocative survival, this piece offers both historical depth and aesthetic allure—an outstanding testament to the fusion of Greek craftsmanship and Eastern inspiration in early classical art.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Museum-quality restorations. Surface wear consistent with age, featuring encrusted patina and rich earthen deposits throughout. Size approx. 7,6cm x 8,5cm x 7,8cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. Acquired abroad and brought to Sweden in the 1960s\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56146668093705,"sku":"100100512","price":1450.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6410.jpg?v=1758099410"},{"product_id":"greek-hellenistic-terracotta-figurine-of-a-standing-woman","title":"Hellenistic Terracotta Figurine of a Standing Woman","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, c. 200 BC, possibly Boeotia, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA magnificent and finely moulded terracotta figurine of an elegantly dressed woman, exemplifying the refinement of Hellenistic artistry. She is shown standing in contrapposto, her weight shifted gracefully onto her left leg, the pose lending a naturalistic sense of balance and poise. Draped in a long himation that cascades over her legs and feet, the folds of the garment gather in her lap where her right arm rests, while her left arm is drawn modestly beneath the mantle. The fabric slips languidly from her left shoulder, revealing a sensuous play of form beneath the drapery.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer face is rendered with delicate precision, the features calm yet intent, framed by hair drawn back into a bun beneath a headwrap. The composition captures both fashionable elegance and quiet dignity, hallmarks of terracotta figures from the Hellenistic world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSuch figurines became especially popular in the 4th and 3rd centuries BC, often depicting stylish women, deities, athletes, or revelers. Though seemingly secular, they carried deeper meaning, frequently placed in domestic shrines, dedicated in sanctuaries, or interred in graves as offerings. Excavations at Tanagra, for example, have revealed tombs containing multiple figures, suggesting both personal devotion and symbolic significance. These works, while celebrating contemporary fashion and beauty, also served as subtle reminders of religious ceremony and the continuity between life and death.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElegant, expressive, and richly evocative, this statuette embodies the grace and sophistication of Hellenistic terracotta art, offering a window into both private devotion and public ritual in the ancient Greek world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition, with small material losses to the lower section. Surface wear and abrasions consistent with age, including softening of finer details. Light encrustations remain within recessed areas. Traces of original white and yellow pigment hint at the vivid coloration the sculpture once displayed in antiquity. Attractive earthen deposits enhance the piece’s authenticity and character.. Size approx. 16,3cm x 6,0cm x 5,2cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: British private collection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eStanding Draped Woman, Harvard Art Museums, Accession Number:1926.21.12\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/harvardartmuseums.org\/collections\/object\/291905)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eStanding Draped Woman with Clasped Hands, The Walters Art Museum, Accession Number: 48.285 (https:\/\/art.thewalters.org\/object\/48.285\/)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta statuette of a woman standing, The Metropolitan Museum of Art, Accession Number: 74.57.20 (https:\/\/www.metmuseum.org\/art\/collection\/search\/244801)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56247094575369,"sku":"100100518","price":1850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6323.jpg?v=1759333951"},{"product_id":"cypriot-bichrome-ware-juglet-bilbil","title":"Cypriot Bichrome Ware Juglet (Bilbil)","description":"\u003ch3 class=\"p1\"\u003eLate Cypriot II, c. 1450–1200 BC, Republic of Cyprus\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exquisite Cypriot bichrome ware juglet, known as a bilbil, finely preserved from the Late Bronze Age. This miniature vessel features a globular body rising to a slender neck with a pronounced ridge and a flaring trumpet-shaped mouth. A single strap handle curves elegantly from the shoulder to the neck, while the piece rests on a small ring foot.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003ePainted decoration enhances its form, with dark red bands encircling the neck and lip, a broad central red band at the body’s widest point, bordered above and below by thin black lines. The handle is richly painted in dark pigment, creating a striking contrast against the vessel’s buff clay surface.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe distinctive shape of bilbils is thought to echo the form of the poppy seedpod, suggesting these vessels may once have contained opium—a valuable commodity used both medicinally and ritually throughout the eastern Mediterranean.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBichrome ware, characterized by its bold use of red and black pigments on a buff slip, represents one of Cyprus’s most iconic ceramic traditions. Widely traded across the region, such vessels embody the island’s role as a key hub of commerce and culture in the Late Bronze Age.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA superb and evocative piece, this juglet not only reflects the artistry of Cypriot potters but also carries with it the enduring legacy of trade, ritual, and daily life in the ancient Mediterranean world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact. Surface wear, and minor abrasions consistent with age, with areas of encrusted patina and rich earthen deposits across the surface. Size approx. 12,5cm x 7,9cm x 7,9cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. \u003cmeta charset=\"utf-8\"\u003eAcquired abroad and brought to Sweden in the 1960s and 1970s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eJug, The Metropolitan Museum of Art, Accession Number: 74.51.950\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.metmuseum.org\/art\/collection\/search\/240539)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBottle, The British Museum, Accession Number: 1977,1011.85\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/G_1977-1011-85)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eReferences and further reading:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003ci\u003eSarah Vilain. The Bronze Age Cypriot Pottery from Tell Tweini Field A. Joachim Bretschneider; Greta Jans. About Tell Tweini (Syria): Artefacts, Ecofacts and Landscape. Research Results of the Belgian Mission., 281, Peeters, pp.313-393, 2019, Orientalia Lovaniensia Analecta, 9789042936782. ffhalshs-03531995f (\u003c\/i\u003e\u003ci\u003ehttps:\/\/shs.hal.science\/halshs-03531995\/document\u003c\/i\u003e\u003ci\u003e)\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eHirschfeld, N. (2008). Cypriot pottery. In J. Aruz, K. Benzel, \u0026amp; J. M. Evans (Eds.), Beyond Babylon: Art, trade, and diplomacy in the second millennium B.C. (pp. 321-323). Metropolitan Museum of Art.\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p5\"\u003e\u003ci\u003eMerrillees, R. S. (1992). The Absolute Chronology of the Bronze Age in Cyprus: A Revision. Bulletin of the American Schools of Oriental Research, 288, 47–52. (\u003c\/i\u003e\u003ci\u003ehttps:\/\/doi.org\/10.2307\/1357230\u003c\/i\u003e\u003ci\u003e)\u003c\/i\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56252924231945,"sku":"100100523","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6677.jpg?v=1759490107"},{"product_id":"greek-bronze-bilobate-arrowheads","title":"Greek Bronze Bilobate Arrowheads","description":"\u003ch3 class=\"p1\"\u003eArchaic and Classical periods, c. 675–323 BC, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA beautiful and well-preserved group of three ancient Greek bronze arrowheads. Each example features a lanceolate bilobate blade with a socketed base, the blade defined by a prominent flanged midrib that extends seamlessly into the socket, providing both structural strength and penetrating efficiency.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBilobate arrowheads are thought to have originated in the Pontic Steppe region during the 8th century BC, predating the later and more familiar trilobate forms. By the 7th century BC, bilobate types had achieved wide distribution across Anatolia and the Caucasus, and subsequently spread throughout the Near East and into Europe. Although trilobate arrowheads became increasingly dominant in later periods, bilobate forms continued to be produced and used alongside them.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eVariations within the type include both spur and non-spur forms. Spur-equipped examples are particularly associated with Graeco-Scythian traditions, reflecting the close cultural and military interactions between Greek and nomadic steppe populations. The influence of Scythian archery is well documented in the Greek world; the distinctive Scythian archer’s equipment—including pointed caps, bow cases, patterned garments, and characteristic arrow types—was introduced to Athens in the second half of the 6th century BC, where Scythian archers were famously employed as public police.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis group of bilobate arrowheads offers a tangible link to the transmission of military technology across cultures and stands as a fine example of ancient Greek martial craftsmanship during the Archaic and Classical periods.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age and use. Dark green patina and minor encrustations over the whole of each arrowhead. Size approx. 4,4cm x 1,2cm x 0,7cm. Sell as a set.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Swedish private collection.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eArrow-head, The British Museum, Accession Number: 1935,0823.47 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1935-0823-47)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eBronze arrowhead, The Metropolitan Museum of Art, Accession Number: 26.199.295\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.metmuseum.org\/art\/collection\/search\/252858)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56778626826505,"sku":"100100579","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8675.jpg?v=1769336893"},{"product_id":"greek-bronze-trilobate-arrowheads","title":"Greek Bronze Trilobate Arrowheads","description":"\u003ch3 class=\"p1\"\u003eArchaic and Classical periods, c. 475–300 BC, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fine and well-preserved group of three ancient Greek bronze arrowheads. Each example is formed with a trilobate blade and a socketed base, the blade articulated by a pronounced flanged midrib that continues smoothly into the socket. This construction enhanced both structural rigidity and penetrating capability, making the form particularly effective in combat.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOften referred to as trilobate or “Scythian-type” arrowheads, socketed trilobate forms are widely attested in the Near East from the 7th century BC and subsequently appear in Greece and Egypt. The type was employed extensively by the Achaemenid Persians prior to 500 BC and later became the dominant arrowhead form in Greece during the 5th century BC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlthough long associated with Scythian and Cimmerian nomadic groups from the Eurasian steppe—who entered the Near East in the 8th century BC—this arrowhead type is now understood to have enjoyed a far broader geographic and chronological distribution. Its widespread adoption reflects its exceptional effectiveness, particularly its ability to pierce armor. The discovery of more than 3,000 trilobate arrowheads at Persepolis, which succeeded Pasargadae as the Achaemenid capital, strongly suggests that this design represented the standard Persian military issue.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis cohesive group of trilobate arrowheads provides a compelling illustration of the diffusion of military technology across cultures and stands as an excellent example of Greek bronze weaponry from the Archaic and Classical periods.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age and use. Dark green patina and minor encrustations over the whole of each arrowhead. Size varies from approx. 2,2cm to 3,6cm.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eProvenance: Swedish private collection.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eArrow-head, The British Museum, Accession Number: 1865,0720.79 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1865-0720-79)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eArrowhead, The Metropolitan Museum of Art, Accession Number: 74.51.5323 (https:\/\/www.metmuseum.org\/art\/collection\/search\/244202)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56811397775625,"sku":"100100583","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_8680.jpg?v=1770743515"},{"product_id":"greek-bronze-trilobate-arrowheads-1","title":"Greek Bronze Trilobate Arrowheads","description":"\u003ch3 class=\"p1\"\u003eArchaic and Classical periods, c. 475–300 BC, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA well-preserved group of three ancient Greek bronze arrowheads, each featuring the characteristic trilobate blade and socketed base. The blades are defined by a strong flanged midrib that runs the full length of the head and continues directly into the socket, a design that increased both the strength of the weapon and its ability to penetrate armor or shields.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese forms, commonly described as trilobate or “Scythian-type” arrowheads, are widely documented throughout the ancient Near East beginning in the 7th century BC, before spreading into Greece and Egypt. The type was used extensively by the armies of the Achaemenid Empire before 500 BC and later became one of the most prevalent arrowhead forms in Greece during the 5th century BC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eEarlier scholarship associated these arrowheads primarily with the nomadic Scythians and Cimmerians, groups originating from the Eurasian steppe who moved into the Near East during the 8th century BC. However, archaeological evidence now demonstrates that this efficient and durable design achieved far broader distribution across both time and geography. Its effectiveness—particularly its capacity to pierce armor—made it a favored military form across multiple cultures. The discovery of more than 3,000 examples at Persepolis, which replaced Pasargadae as the capital of the Persian Empire, strongly suggests that it was the standard arrowhead type employed by Persian forces.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis attractive group of trilobate arrowheads provides a clear illustration of the spread of military technology throughout the ancient world and represents a fine example of Greek bronze weaponry from the Archaic and Classical periods.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions commensurate with age and use. Dark green patina and minor encrustations over the whole of each arrowhead. Size varies from approx. 2,7cm to 3,9cm.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eProvenance: Swedish private collection.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eFor a similar example see:\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eArrow-head, The British Museum, Accession Number: 1865,0720.79 (https:\/\/www.britishmuseum.org\/collection\/object\/G_1865-0720-79)\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003eArrowhead, The Metropolitan Museum of Art, Accession Number: 74.51.5323 (https:\/\/www.metmuseum.org\/art\/collection\/search\/244202)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":56879045050633,"sku":"100100599","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_9354.jpg?v=1773310498"},{"product_id":"hellenistic-terracotta-head-of-a-woman","title":"Hellenistic Terracotta Head of a Woman","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, c. 300–100 BC, possibly Boeotia, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptionally delicate terracotta fragment portraying the head of a woman, rendered with the naturalism and refined elegance characteristic of Hellenistic Greek art. The figure is depicted with a serene, contemplative expression, her gaze directed outward in a manner that conveys both individuality and quiet dignity.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer face is framed by softly modelled wavy hair, parted centrally and drawn back into a small bun behind the head. Covering the upper portions of the ears, the coiffure is secured by a striking tiered diadem. The lower band is slender and embellished at the center with a circular ornament, while the upper section flares dramatically outward, forming a graceful arched silhouette that lends the figure a sense of nobility and distinction. The ears are adorned with large earrings, further enhancing the elegance of the composition.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe sculptor paid particular attention to the naturalistic modelling of the facial features, including the rounded eyes, finely arched brows, slender nose, softly pouting lips, and elongated neck. Such careful observation of human anatomy and expression reflects the artistic ideals of the Hellenistic period, when sculptors increasingly sought to convey realism, emotion, and individual character.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally, this head would have formed part of a larger terracotta statue or figural group, perhaps depicting a goddess, priestess, or female personification. Terracotta figurines and statuettes were among the most widespread forms of sculpture in the Greek world. Produced in large numbers and accessible across all levels of society, they served a variety of functions, including domestic devotion, sanctuary offerings, funerary dedications, and personal ornamentation. Their popularity provides invaluable insight into the religious practices and daily lives of ancient Greeks.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElegant and expressive, this finely modelled head embodies the artistic sophistication of the Hellenistic age and preserves the enduring beauty of one of antiquity’s most influential sculptural traditions.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions consistent with age. The figure has been chipped to the diadem. Attractive encrusted patina and rich earthen deposits across the surface. Size approx. 7,0cm x 4,9cm x 3,8cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Harald Egon Stridh (b. 1935), Stockholm. Acquired through auction purchases in Sweden during the 1960s and 1970s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta head of a woman, The Metropolitan Museum of Art, Accession number: 98.8.35 (https:\/\/www.metmuseum.org\/art\/collection\/search\/246747)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFigure, The British Museum, Accession Number: 1814,0704.893.                                        (https:\/\/www.britishmuseum.org\/collection\/object\/G_1814-0704-893)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57121958756617,"sku":"100100617","price":375.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_9973.jpg?v=1781164987"},{"product_id":"hellenistic-terracotta-head-of-a-woman-1","title":"Hellenistic Terracotta Head of a Woman","description":"\u003ch3 class=\"p1\"\u003eHellenistic Period, c. 300–100 BC, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptionally delicate terracotta fragment depicting the head of a woman, rendered with the naturalism and refined elegance that define Hellenistic Greek art. The figure presents a serene and contemplative expression, her gaze directed outward with a sense of quiet dignity and individuality.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eHer face is framed by softly modelled wavy hair, centrally parted and drawn back into a small bun at the rear of the head. A wreath encircles her coiffure, secured by a broad fillet that accentuates her graceful features and suggests elevated status or religious significance. The sculptor devoted particular attention to the sensitive modelling of the face, with rounded eyes beneath finely arched brows, a slender nose, softly defined lips, and an elegant elongated neck. Such careful observation of anatomy and expression reflects the artistic ideals of the Hellenistic age, when sculptors increasingly sought to capture realism, emotion, and individual character.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eOriginally, this finely modelled head would have belonged to a larger terracotta statuette or figural composition, perhaps representing a goddess, priestess, devotee, or female personification. Terracotta sculpture occupied an important place within the Greek world, offering an affordable yet highly expressive medium through which artists could explore both sacred and secular themes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta figurines and statuettes were produced in great numbers and enjoyed by all levels of society. They served a wide variety of functions, including domestic worship, sanctuary dedications, funerary offerings, and personal ornamentation. Their widespread use provides valuable insight into the religious beliefs, artistic traditions, and daily life of the ancient Greek world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA beautifully expressive fragment, this terracotta head embodies the grace, humanity, and technical sophistication of Hellenistic sculpture, preserving the enduring appeal of one of antiquity's most influential artistic traditions.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear and abrasions consistent with age. Attractive encrusted patina and rich earthen deposits across the surface. Size approx. 4,8cm x 3,3cm x 3,0cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Harald Egon Stridh (b. 1935), Stockholm. Acquired through auction purchases in Sweden during the 1960s and 1970s.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTerracotta head of a woman, The Metropolitan Museum of Art, Accession number: 24.97.85 (https:\/\/www.metmuseum.org\/art\/collection\/search\/251511)\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eFigure, The British Museum, Accession Number: 1814,0704.893\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e(https:\/\/www.britishmuseum.org\/collection\/object\/G_1814-0704-893)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57152174227721,"sku":"100100620","price":355.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_9996.jpg?v=1782309149"},{"product_id":"corinthian-terracotta-aryballos-with-panther-bird-motif","title":"Corinthian Terracotta Aryballos with Panther-Bird Motif","description":"\u003ch3 class=\"p1\"\u003eEarly Corinthian Period, c. 620–590 BC, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superb wheel-thrown terracotta aryballos, finely potted in a compact ovoid form with a small ring foot, globular body, slender neck, and collared rim, joined by a single flat, disc-shaped handle extending from the rim to the shoulder. Vessels of this type were prized throughout the Greek world as containers for perfumed oils and ointments, commonly carried by athletes, warriors, and members of the aristocracy.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe body is decorated in dark brown slip with a lively animal frieze executed in the characteristic Early Corinthian black-figure technique. A pair of horned stags is shown in silhouette, their antlers, eyes, and muscular shoulders carefully defined with delicate sgraffito incision through the painted slip. Accompanying them is a mythical panther-bird, depicted with outstretched wings, a powerful feline body, and an elaborate sweeping tail. The composition is animated by dotted rosettes and finely incised star-shaped filler ornaments, distinctive elements of the Orientalizing style that established Corinth as the foremost producer and exporter of fine painted pottery during the 7th century BC.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAdditional decorative bands enrich the vessel. A narrow undulating band with dotted ornament encircles the shoulder, while pendant tongues radiate beneath the flat disc rim. Concentric circles decorate the lower body above the foot, complemented by a band of rays that frames the base. Added red pigment highlights the panther-bird's wings and head, as well as the stag's neck, shoulders, belly, and striped flanks, providing a striking chromatic contrast to the dark painted decoration.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe panther-bird is among the most distinctive creatures of the Corinthian Orientalizing repertoire, combining the strength of a great feline with the supernatural qualities of a bird. Such fantastic hybrid creatures, inspired by the artistic traditions of the Near East and Egypt, were widely employed as protective and decorative motifs, reflecting the vibrant exchange of ideas that shaped Greek art during the Archaic period.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAlthough displaying gentle wear consistent with its great antiquity, this aryballos remains an elegant and highly attractive example of Early Corinthian pottery. Richly decorated and expertly potted, it stands as a fine testament to the technical mastery and artistic innovation of Corinthian ceramic workshops, making it a distinguished addition to any collection of Greek antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear commensurate with age, with a few chips to the rim and encrusted patina and rich earthen deposits throughout. Size approx. 10,4cm x 8,0cm x 8,1cm. \u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. Acquired abroad and brought to Sweden in the 1960s.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57164065931529,"sku":"100100624","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0080.jpg?v=1782812631"},{"product_id":"greek-geometric-bronze-dove-pendant","title":"Greek Geometric Bronze Dove Pendant","description":"\u003ch3 class=\"p1\"\u003eLate Geometric Period, c. 750–700 BC, Greece (Macedonia)\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional ancient Greek bronze pendant cast in the form of a dove, beautifully rendered with a pointed beak, elongated flat tail, rounded body, and finely incised striations defining the wings on either side. A small suspension loop is positioned at the centre of the back, allowing the bird to have been worn as an individual pendant or incorporated into a larger necklace or item of personal adornment.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe dove held important symbolic associations in the ancient Mediterranean, particularly with femininity, motherhood, fertility, and love. In Greek mythology, the bird was closely associated with Aphrodite, goddess of love and beauty, and was later similarly connected with the Roman goddess Venus. Its gentle nature and graceful appearance made it a natural symbol of feminine qualities and divine affection.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDoves and pigeons also played a practical role in the ancient Greek world. Carrier pigeons were used to transmit messages over considerable distances, including the communication of military victories and important news from the battlefield. They were famously employed in connection with the Olympic Games, where pigeons could be released to carry the results of competitions back to distant communities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eElegant in form yet rich in symbolic associations, this bronze dove pendant is a fine example of Late Geometric Greek metalwork. Its carefully stylised form and suspension loop offer a tangible glimpse into the personal adornment, artistic traditions, and symbolic world of Archaic Greece.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact. Light surface wear and abrasions commensurate with age and use, with lovely deep green and brown patina. Light encrustations within recessed areas. Size approx. 5,1cm x 2,2cm x 1,0cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Dutch private collection. Acquired in the 1960s.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57248976568585,"sku":"100100649","price":385.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0609_51febe04-f45d-4909-9b2d-c55858cfaa7b.jpg?v=1786297588"},{"product_id":"byzantine-greek-gilded-shield-crown-ring","title":"Byzantine Greek Gilded Shield Crown Ring","description":"\u003ch3 class=\"p1\"\u003eLate Byzantine Empire, c. 1100–1600 AD, Greece (Macedonia)\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exquisitely crafted and rare Byzantine Greek or Macedonian cast and hand-hammered bronze men's ring, retaining traces of thin gold and silver plating. The broad, circular bezel and serrated outer profile evoke the form of a military shield or ceremonial crown, creating a bold and highly distinctive appearance. Floral elements adorn the upper, lateral, and lower portions of the ring, adding an elegant decorative character to the otherwise martial design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAt the centre is a striking red domed setting enclosed within a high-walled metal cell and surrounded by a series of sharply defined triangular tabs. The vivid red centre imitates the appearance of the highly prized cabochon garnets and carnelians favoured in earlier periods of Mediterranean and Byzantine luxury jewellery. In later regional revival pieces such as this, similar effects were often achieved using poured vitreous ruby-red glass, allowing craftsmen to reproduce the rich appearance of precious gemstones.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe central setting is framed by raised metallic bands carefully worked to imitate the appearance of fine filigree. Around these is a recessed circular trench decorated with delicate vitreous cloisonné enamel, providing an additional layer of colour and texture. The combination of deep ruby red, copper-derived green and near-black tones, set against a gilded metallic framework, creates the rich polychrome effect characteristic of Byzantine luxury metalwork.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRings of this imposing form were not merely functional ornaments but could serve as conspicuous expressions of wealth, status, identity, and affiliation. The shield-like profile and crown-inspired silhouette give the piece a particularly commanding presence, while the combination of enamel, simulated gemstones, and precious-metal plating demonstrates the Byzantine fascination with richly coloured and highly worked surfaces.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA rare and visually impressive example of Byzantine-inspired jewellery, this ring combines martial symbolism with the sumptuous decorative language of Byzantine luxury arts. Its layered construction, vibrant colour scheme, and elaborate central setting make it a compelling object for collectors of Byzantine, medieval Greek, and Eastern Mediterranean antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eExcellent condition. Intact. Light surface wear consistent with age and use. Small chip in the one f\u003cmeta charset=\"utf-8\"\u003eloral element. Fine green patina. Corrosion and minimal dents. Size approx. 3,6cm x 2,4cm x 2,4cm. Size 20.5.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: Swedish private collection. \u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57267136135433,"sku":"100100655","price":595.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0575_7ad278a6-dfe9-461a-89c8-8782a18237f1.jpg?v=1787162601"},{"product_id":"corinthian-terracotta-aryballos-with-quatrefoil-motif-1","title":"Corinthian Terracotta Aryballos with Quatrefoil Motif","description":"\u003ch3 class=\"p1\"\u003eLate Corinthian, c. 575–550 BC, Greece\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis elegant Corinthian terracotta aryballos is a finely proportioned example of the small perfume vessels prized in the ancient Greek world. Wheel-thrown with a squat rounded body, gently rounded base, slender neck, collared rim, and broad strap handle, it possesses the compact yet graceful silhouette characteristic of Corinthian pottery. The vessel retains traces of its original dark red slip and added red pigment, now softened by centuries of age and wear, lending the surface an appealingly understated and authentic appearance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe principal decoration is centred on a sophisticated quatrefoil motif enclosed within a decorative frame and accompanied by stylised leaves. Painted bands embellish the rim and lip, while the surviving traces of red pigment add warmth and subtle variation to the otherwise dark surface. The restrained ornamentation, combined with the softly weathered finish, gives the vessel a particularly refined aesthetic appeal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAryballoi were intended for precious scented oils, perfumes, and ointments, and their diminutive size made them ideal personal vessels. They were associated with grooming and athletic life, as well as the cultivated habits of aristocratic society. Such objects therefore belonged not only to the practical world of ancient Greek life but also to a culture in which fragrance, personal appearance, and beautifully crafted possessions carried considerable social significance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe quatrefoil belongs to the rich Orientalizing vocabulary that transformed Greek art during the Archaic period. Inspired in part by Near Eastern and Assyrian decorative traditions, such motifs were adopted and reinterpreted by Greek craftsmen, becoming an integral part of the distinctive visual language of Corinthian pottery. Corinth itself developed into one of the most important ceramic centres of the Greek world, with its finely made vessels widely traded across the Mediterranean.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eWith its graceful proportions, sophisticated ornament, traces of original colour, and beautifully aged surface, this aryballos is an especially attractive representative of Late Corinthian pottery. A refined and highly displayable ancient object, it combines intimate evidence of everyday Greek life with the artistic sophistication and cross-cultural character of the Archaic period, making it a desirable addition to a discerning collection of Greek antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Surface wear commensurate with age, with a few chips to the rim and encrusted patina and rich earthen deposits throughout. Size approx. 7,0cm x 6,7cm x 6,8cm.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eProvenance: From the collection of Erik Artur Olson (Ohlson, Olsson) (1901–1986) of Halmstad, Sweden. Olson was a distinguished Swedish painter, illustrator, graphic artist, sculptor, and theatre decorator, and a prominent member of the Halmstadgruppen. The object was acquired abroad and brought to Sweden during the 1950s.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eFor a similar examples see:\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eAryballos, National Museums Liverpool, World Museum, Accession Number: 1981.1112.14 (https:\/\/www.liverpoolmuseums.org.uk\/artifact\/aryballos-27)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eAryballos, The Michael C. Carlos Museum, Accession Number: 2018.010.476 (https:\/\/collections.carlos.emory.edu\/objects\/37509\/aryballos)\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eAryballos ; ca. 575-550 BC; 33.55, Teece Museum of Classical Antiquities at the University of Canterbury, Accession Number: 33.55 (https:\/\/ehive.com\/collections\/4835\/objects\/995523\/aryballos)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":57319737655561,"sku":"100100667","price":525.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_0804.jpg?v=1789030543"}],"url":"https:\/\/gotasworld.com\/collections\/greek-cypriot-art.oembed?page=5","provider":"Göta's World","version":"1.0","type":"link"}