{"title":"Peru","description":"\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBrowse our exceptional selection of Pre-Columbian art from the rich Andean civilizations of Ecuador and Peru, including Nazca, Mochica, Chimú, Sicán, Chancay, and Inca. Discover extraordinary artworks crafted in terracotta, textiles, stone, and metal. Each piece is meticulously curated for its authenticity and quality, backed by our extensive expertise. All Pre-Columbian artifacts are sourced from distinguished European collections, acquired before the 1960s, ensuring their historical integrity and unparalleled value. Elevate your collection with these stunning relics of ancient artistry.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"sewing-needle-tawantinsuyu","title":"Inca Bronze Sewing Needle","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate bronze sewing needle from the Inca Empire, showcasing the refined craftsmanship of this advanced civilization. The Inca, known for their impressive architecture and textiles, used such tools in their intricate weaving processes. This needle, likely used in the production of fine textiles for both everyday wear and ceremonial use, highlights the Inca's mastery in creating functional yet beautifully crafted items.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Inca Empire was the largest in pre-Columbian America, renowned for its innovations in agriculture, architecture, and record-keeping. This rare artifact offers a unique glimpse into the daily life and craftsmanship that supported the empire’s success.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptional piece for collectors, offering a tangible connection to the Inca's rich culture and advanced society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina. \u003cspan\u003eSize approx. 9,6cm x 0,2cm x 0,2cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44152820564233,"sku":"1050259","price":75.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/needle.jpg?v=1676473434"},{"product_id":"inca-sewing-needle","title":"Inca Bronze Sewing Needle","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate bronze sewing needle from the Inca Empire, showcasing the refined craftsmanship of this advanced civilization. The Inca, known for their impressive architecture and textiles, used such tools in their intricate weaving processes. This needle, likely used in the production of fine textiles for both everyday wear and ceremonial use, highlights the Inca's mastery in creating functional yet beautifully crafted items.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Inca Empire was the largest in pre-Columbian America, renowned for its innovations in agriculture, architecture, and record-keeping. This rare artifact offers a unique glimpse into the daily life and craftsmanship that supported the empire’s success.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptional piece for collectors, offering a tangible connection to the Inca's rich culture and advanced society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eSize approx.\u003c\/span\u003e \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e9,7cm x 0,2cm x 0,2cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44158719131913,"sku":"1022498","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_8969.jpg?v=1676546106"},{"product_id":"inca-sewing-needle-1","title":"Inca Bronze Sewing Needle","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate bronze sewing needle from the Inca Empire, showcasing the refined craftsmanship of this advanced civilization. The Inca, known for their impressive architecture and textiles, used such tools in their intricate weaving processes. This needle, likely used in the production of fine textiles for both everyday wear and ceremonial use, highlights the Inca's mastery in creating functional yet beautifully crafted items.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Inca Empire was the largest in pre-Columbian America, renowned for its innovations in agriculture, architecture, and record-keeping. This rare artifact offers a unique glimpse into the daily life and craftsmanship that supported the empire’s success.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptional piece for collectors, offering a tangible connection to the Inca's rich culture and advanced society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina. Size approx. \u003c\/span\u003e\u003cspan\u003e10,3cm x 0,2cm x 0,2cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44158749999369,"sku":"1024371","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_8964.jpg?v=1676546444"},{"product_id":"inca-sewing-needle-2","title":"Inca Bronze Sewing Needle","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate bronze sewing needle from the Inca Empire, showcasing the refined craftsmanship of this advanced civilization. The Inca, known for their impressive architecture and textiles, used such tools in their intricate weaving processes. This needle, likely used in the production of fine textiles for both everyday wear and ceremonial use, highlights the Inca's mastery in creating functional yet beautifully crafted items.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Inca Empire was the largest in pre-Columbian America, renowned for its innovations in agriculture, architecture, and record-keeping. This rare artifact offers a unique glimpse into the daily life and craftsmanship that supported the empire’s success.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptional piece for collectors, offering a tangible connection to the Inca's rich culture and advanced society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina. Size approx. \u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e10,5cm x 0,2cm x 0,2cm.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44158862983433,"sku":"1096604","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_8958.jpg?v=1676547676"},{"product_id":"chimu-cloak-pin","title":"Chimú Silver Alloy Cloak Pin","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eAn exceptional and rare hammered silver alloy cloak pin, showcasing the refined metalworking expertise of the Chimú civilization. While predominantly silver, this piece contains small traces of copper, a hallmark of Chimú metallurgy. Cloak pins of this type were used for securing garments or adorning hairstyles, often serving as status symbols among the elite.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis artifact likely originates from a mummy bundle or a shaman’s tomb, emphasizing its ceremonial and ritual significance. Over centuries, it has developed a rich, layered patina in deep greyish hues, further enhancing its ancient allure.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA magnificent acquisition for collectors of pre-Columbian adornments and those who appreciate the artistry and cultural depth of ancient Andean civilizations.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Intact. Age-related wear. Dirt, dust and corrosion. Size approx. 12,8cm x 0,3cm x 0,2cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44158980817161,"sku":"1087394","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_8933.jpg?v=1676548989"},{"product_id":"chimu-cloak-pin-1","title":"Chimú Silver Alloy Cloak Pin","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eAn exceptional and rare hammered silver alloy cloak pin, showcasing the refined metalworking expertise of the Chimú civilization. While predominantly silver, this piece contains small traces of copper, a hallmark of Chimú metallurgy. Cloak pins of this type were used for securing garments or adorning hairstyles, often serving as status symbols among the elite.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis artifact likely originates from a mummy bundle or a shaman’s tomb, emphasizing its ceremonial and ritual significance. Over centuries, it has developed a rich, layered patina in deep greyish hues, further enhancing its ancient allure.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA magnificent acquisition for collectors of pre-Columbian adornments and those who appreciate the artistry and cultural depth of ancient Andean civilizations.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Intact. Age-related wear. Dirt, dust and corrosion. Size approx. 12,8cm x 0,3cm x 0,2cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44159014306057,"sku":"1066624","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_8917.jpg?v=1676549418"},{"product_id":"chimu-cloak-pin-2","title":"Chimú Silver Alloy Cloak Pin","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eAn exceptional and rare hammered silver alloy cloak pin, showcasing the refined metalworking expertise of the Chimú civilization. While predominantly silver, this piece contains small traces of copper, a hallmark of Chimú metallurgy. Cloak pins of this type were used for securing garments or adorning hairstyles, often serving as status symbols among the elite.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis artifact likely originates from a mummy bundle or a shaman’s tomb, emphasizing its ceremonial and ritual significance. Over centuries, it has developed a rich, layered patina in deep greyish hues, further enhancing its ancient allure.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA magnificent acquisition for collectors of pre-Columbian adornments and those who appreciate the artistry and cultural depth of ancient Andean civilizations.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Intact. Age-related wear. Dirt, dust and corrosion. Size approx. 12,8cm x 0,4cm x 0,2cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44159040946441,"sku":"1080689","price":155.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_8884.jpg?v=1676549721"},{"product_id":"moche-llama-stirrup-spout-bottle","title":"Moche Pottery Figural Llama Stirrup Spout Bottle","description":"\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003ePre-Columbian era, Moche culture, Moche phase II to IV, c. 200-600AD, Northern Peru.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis exceptional stirrup spout bottle, crafted during the height of the Moche civilization, features a reclining llama rendered in a strikingly naturalistic style. The serene expression on the llama’s face, complemented by its upright ears and detailed body, highlights the skilled craftsmanship of Moche artisans. The vessel's surface showcases a smooth patina in a grayish-brown hue, with traces of a yellowish cream pigment, further accentuating its lifelike quality.\u003c\/p\u003e\n\u003cp\u003eLlamas were essential to life in the Andes, serving as pack animals capable of navigating rugged mountain terrain while providing wool for clothing and other necessities. Their significance to the Moche culture is reflected in their frequent depiction in ceramics, symbolizing both practical and spiritual reverence for this vital creature.\u003c\/p\u003e\n\u003cp\u003eThe Moche, flourishing along the northern coast of Peru between 200 and 700 AD, are celebrated for their advancements in pottery, goldwork, and monumental architecture. Their stirrup spout bottles, like this one, are among the most distinctive artifacts of their culture. These vessels served both utilitarian and ceremonial purposes, often depicting animals, deities, and scenes of daily life with remarkable realism. This bottle stands out for its artistic elegance and historical importance. Its excellent preservation, intricate detailing, and cultural symbolism make it a valuable artifact, offering a glimpse into the ingenuity and spiritual world of the Moche civilization. A must-have for collectors and enthusiasts of ancient Andean art.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Age-related minimal wear. Intact. Dirt, dust and encrusted deposits. Ex-museum collection piece with inventory numbers painted on the bottom. Size approx. 17,0cm x 14,5cm x 7,0cm.\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eThe Metropolitan Museum of Art, New York, Accession Number: 1983.546.20 (https:\/\/www.metmuseum.org\/art\/collection\/search\/314695)\u003c\/p\u003e\n\u003cp\u003eMoche (Mochica) Culture (North Coastal Peru), sculptural stirrup spout bottle representing llama, Lima: Museo Nacional de Arqueología Antropología e Historia del Perú.\u003c\/p\u003e\n\u003cp\u003eThe Metropolitan Museum of Art, New York, Accession Number: 67.167.14 (https:\/\/www.metmuseum.org\/art\/collection\/search\/309482)\u003c\/p\u003e\n\u003cp\u003eYale University Art Gallery, New Haven, Connecticut, Accession Number: 2013.58.1 (https:\/\/artgallery.yale.edu\/collections\/objects\/181141)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44165069930761,"sku":"1054230","price":1600.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_db20e1c1-1cac-4729-8e11-66116b21a468.jpg?v=1676630617"},{"product_id":"moche-llama-stirrup-spout-bottle-1","title":"Moche Pottery Figural Llama Stirrup Spout Bottle","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePre-Columbian Era, Moche culture, Moche phase II to IV, c. 200-600AD, Northern Peru.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eThis exceptional Moche stirrup spout bottle depicts a llama carrying two saddlebags or baskets, with small bottles nestled within them, a testament to the integral role of llamas in ancient Andean society. The llama is skillfully modeled with a serene expression, distinctive perky ears, and finely detailed features. Its deep dark brown surface showcases the smooth patina characteristic of Moche ceramics, reflecting both the practical and artistic excellence of this culture.\u003c\/p\u003e\n\u003cp\u003eLlamas were the backbone of Andean life, serving as pack animals that could traverse the steep, mountainous terrain to connect remote communities. They provided wool for warm clothing and were essential for transporting goods, making them an invaluable resource in both daily life and ceremonial contexts.\u003c\/p\u003e\n\u003cp\u003eThe Moche civilization, which thrived along the northern coast of Peru from 200 to 700 AD, is renowned for its innovative ceramics, intricate goldwork, monumental architecture, and advanced irrigation systems. Stirrup spout bottles, such as this one, are iconic of Moche artistry. These vessels often combined utilitarian function with symbolic representation, reflecting themes of nature, religion, and societal structure.\u003c\/p\u003e\n\u003cp\u003eThis piece stands out for its unique portrayal of the llama as a burden-bearer, embodying the animal's enduring significance. Its fine preservation, rich coloration, and masterful craftsmanship make it a remarkable artifact, offering insight into the ingenuity and cultural depth of the Moche people.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. A\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003ege-related wear and minimal abrasion on the spout. One ear repaired, otherwise intact. Earthly deposits. Ex-museum collection piece with inventory numbers painted on the bottom. Size approx. 17,0cm x 14,5cm x 9,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eFor a similar examples see:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Metropolitan Museum of Art, New York, Accession Number: 1983.546.20 (https:\/\/www.metmuseum.org\/art\/collection\/search\/314695)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eMoche (Mochica) Culture (North Coastal Peru), sculptural stirrup spout bottle representing llama, Lima: Museo Nacional de Arqueología Antropología e Historia del Perú.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Metropolitan Museum of Art, New York, Accession Number: 67.167.14 (https:\/\/www.metmuseum.org\/art\/collection\/search\/309482)\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eYale University Art Gallery, New Haven, Connecticut, Accession Number: 2013.58.1 (https:\/\/artgallery.yale.edu\/collections\/objects\/181141)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44165114921225,"sku":"1010296","price":1350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_f5280ded-884e-4e55-a9fa-7c3f84daab9e.jpg?v=1676631454"},{"product_id":"chancay-textile-fragment","title":"Chancay Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chancay Culture, c. 1000-1470 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA fantastic Chancay textile fragment, possibly from a mummy bundle wrapping or tunic, showcasing the extraordinary weaving mastery of this ancient Peruvian civilization. This finely woven textile, small in size, features stylized stripes in vivid hues of golden brown, light yellow and light emerald green, demonstrating the rich color palette typical of Chancay textiles.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRenowned for their exceptional textile craftsmanship, the Chancay people used textiles as a powerful symbol of status, spirituality, and identity. Their weavers specialized in delicate gauze work and intricate geometric and pictorial designs, incorporating animals such as birds, fish, monkeys, and dogs, as well as human figures and abstract patterns. They utilized a variety of materials, including llama wool, cotton, and feathers, and their dyeing techniques produced an impressive range of colors, from earthy browns and scarlets to striking blues and greens.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeyond their aesthetic beauty, Chancay textiles played a critical role in funerary customs. The deceased were carefully wrapped in multiple layers of cloth, often adorned with ritualistic patterns and symbols, before being buried with offerings and personal belongings to ensure a safe passage into the afterlife.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis exceptional textile fragment stands as a testament to the sophistication and artistry of Chancay weavers—a rare and desirable piece for collectors of Pre-Columbian textiles.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Age-related wear. Loose threads, tears and holes. Stains, dirt and dust. Size approx. 10,5cm x 9,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Swedish private collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44166797623561,"sku":"1048265","price":80.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_9aed9573-299e-42ea-8c92-7d24d0972e4c.jpg?v=1676648576"},{"product_id":"chancay-textile-fragment-1","title":"Chancay Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis exquisite Chancay textile fragment, once part of a mummy bundle or tunic, showcases the extraordinary weaving traditions of the Chancay civilization. Finely woven with stylized stripes, the textile retains its vivid hues of golden brown, burgundy, dark moss green, and light emerald green, a testament to the enduring craftsmanship of its makers.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Chancay people were renowned for their mastery of textiles, which served as vital symbols of status, wealth, gender, and spirituality. Specializing in delicate gauze work, their weavings incorporated a diverse palette, including yellows, browns, scarlet, white, blues, and greens. The materials used ranged from llama wool and cotton to chiffon and even feathers. Typical designs featured geometric patterns as well as depictions of plants, animals—such as fish, cats, birds, monkeys, and dogs—and human figures.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGauze textiles like this one held deep religious and magical significance, often serving as headdresses for the deceased. As part of their burial customs, the Chancay people wrapped their dead in multiple layers of cloth and interred them alongside various grave goods. This remarkable fragment offers a glimpse into the artistic sophistication and spiritual beliefs of this ancient Andean civilization.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. Age-related wear. Loose threads, tears and holes. Stains, soil, dirt and dust. Sizes approx. 23,0cm x 10,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44166809420041,"sku":"1037370","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_c1ddcda4-f02e-4706-8f98-2157f7b3018a.jpg?v=1676649011"},{"product_id":"chancay-textile-fragment-2","title":"Chancay Textile Fringe Fragment","description":"\u003ch3\u003e\u003cspan\u003ePre-Columbian era, Chancay culture, 1000-1470AD, Peru.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis mesmerizing Chancay textile fringe fragment, once part of a mummy bundle or headdress, exemplifies the refined craftsmanship of Chancay weavers. A finely woven textile band with a stylized fringe, it retains its striking burgundy and golden brown hues, showcasing the durability and vibrancy of ancient Andean dyes.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Chancay civilization was renowned for its mastery of textiles, which played a crucial role in expressing status, wealth, gender, and spirituality. Specializing in delicate gauze work, Chancay weavers employed a diverse palette, incorporating shades of yellow, brown, scarlet, white, blue, and green. Materials such as llama wool, cotton, chiffon, and even feathers were commonly used, while designs often featured geometric motifs alongside depictions of plants, animals—including fish, cats, birds, monkeys, and dogs—and human figures.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTextiles of this nature held deep ritual significance, frequently serving as headdresses or wrappings for the deceased. In accordance with their burial traditions, the Chancay people shrouded their dead in multiple layers of cloth, accompanied by various grave goods. This exquisite fragment stands as a testament to the artistic sophistication and spiritual depth of this pre-Columbian culture.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. Age-related heavy wear. Loose threads, tears and holes. Stains, soil, dirt and dust. Sizes approx. \u003cmeta charset=\"utf-8\"\u003e18,0cm x 3,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44169567568137,"sku":"1069562","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_4fe522e3-8147-41e1-850a-8fc553ab875b.jpg?v=1676711456"},{"product_id":"chancay-textile-fragment-3","title":"Chancay Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis fascinating small-sized Chancay textile fragment, likely part of the wrappings of a mummy bundle or tunic, offers a glimpse into the vibrant textile traditions of the Chancay culture. Despite signs of wear, the piece retains its vivid golden brown, burgundy, dark moss green, and light emerald green tones, showcasing the durability of the dyes used by the Chancay weavers.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Chancay civilization is renowned for its advanced textile work, which conveyed meaning related to status, wealth, spirituality, and gender. Weaving was an essential practice, with Chancay artisans specializing in delicate gauze techniques. They employed a broad range of colors, including yellows, browns, scarlet, white, blues, and greens, and worked with materials such as llama wool, cotton, chiffon, and feathers.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe textile designs were typically geometric but also featured motifs representing plants, animals—such as fish, cats, birds, monkeys, and dogs—and human figures. These textiles were primarily used for religious and magical purposes, particularly for covering the heads of the deceased as headdresses. Following their burial customs, the Chancay wrapped their dead in numerous layers of cloth, often accompanied by a variety of grave goods. This fragment is a remarkable example of the cultural and spiritual significance of Chancay textiles in their burial rituals.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. Fragment as shown. Age-related heavy wear. Loose threads, tears and holes. Stains, soil, dirt and dust. Sizes approx. 7,0cm x 4,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44169668198665,"sku":"1068216","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_0cd18a04-270e-4a8c-a092-edeb855cc65a.jpg?v=1676713210"},{"product_id":"chancay-gauze-fragment","title":"Chancay Gauze Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis magnificent Chancay gauze textile fragment, rendered in a natural beige hue, is a striking example of the sophisticated textile artistry of the Chancay culture (1000–1470 AD). Likely originating from a mummy bundle or tunic, this finely woven piece exemplifies the Chancay weavers’ unparalleled skill in delicate gauze work, a technique that set their textiles apart in the Pre-Columbian world.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eTextiles were deeply symbolic and multifaceted in Chancay society, serving as markers of status, gender, wealth, and spirituality. Chancay artisans employed a broad range of colors, including yellow, brown, scarlet, white, blue, and green, and worked with materials such as llama wool, cotton, chiffon, and even feathers. Their intricate designs often incorporated geometric patterns, flora, and stylized depictions of animals (fish, cats, birds, monkeys, and dogs), as well as human figures, all imbued with spiritual or social significance.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGauze textiles held a sacred function, frequently used in religious and magical rituals, particularly as ceremonial headdresses for the deceased. In accordance with Chancay burial customs, individuals were wrapped in multiple layers of cloth and interred alongside a variety of grave goods, ensuring their journey into the afterlife.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA rare and historically significant artifact, this exquisite textile fragment is a testament to the Chancay people’s artistic ingenuity and ceremonial traditions, making it a valuable addition to any collection of Pre-Columbian antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Age-related wear. Loose threads, tears and holes. Stains, dirt and dust. \u003cspan\u003eSize approx. 15,0cm x 15,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44169683697929,"sku":"1013882","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d2.jpg?v=1676713436"},{"product_id":"chancay-textile-fragment-4","title":"Chancay Textile Fragments","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eA set of beautiful Chancay textile fragments, likely once part of a mummy bundle or tunic, showcasing the rich textile heritage of this coastal Andean culture. Despite their age, the fragments retain traces of vivid color and intricate patterning, reflecting the Chancay’s sophisticated approach to textile design.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Chancay civilization is especially renowned for its mastery of textile arts, which played a vital role in expressing identity, status, gender, and spiritual beliefs. Their weavers excelled in producing fine gauze textiles, using materials such as llama wool, cotton, and occasionally incorporating chiffon or feathers. The Chancay palette ranged from earthy browns and yellows to vivid scarlets, blues, whites, and greens.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eDecorative motifs were primarily geometric but also included stylized depictions of animals—such as cats, birds, fish, monkeys, and dogs—as well as plant forms and human figures. Many of these textiles were intended for ceremonial use, including burial rites. Bodies were often wrapped in layers of finely woven cloth and buried with various goods, while special gauze weavings were used as headdresses to cover the heads of the dead for ritual and magical purposes.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThese fragments provide a poignant glimpse into the ceremonial and artistic life of the Chancay, preserving the enduring beauty and symbolism of their woven legacy.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Age-related wear. Loose threads and tears. Stains, soil, dirt and dust. Size approx. 29,0cm x 3,0cm and 8,0cm x 9,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Swedish private collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44169709224201,"sku":"1088112","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/e1.jpg?v=1676713806"},{"product_id":"inca-sewing-needle-3","title":"Inca Bronze Sewing Needle","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate bronze sewing needle from the Inca Empire, showcasing the refined craftsmanship of this advanced civilization. The Inca, known for their impressive architecture and textiles, used such tools in their intricate weaving processes. This needle, likely used in the production of fine textiles for both everyday wear and ceremonial use, highlights the Inca's mastery in creating functional yet beautifully crafted items.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Inca Empire was the largest in pre-Columbian America, renowned for its innovations in agriculture, architecture, and record-keeping. This rare artifact offers a unique glimpse into the daily life and craftsmanship that supported the empire’s success.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptional piece for collectors, offering a tangible connection to the Inca's rich culture and advanced society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina. Size approx. \u003c\/span\u003e\u003cspan\u003e9,5cm x 0,3cm x 0,3cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44169905930505,"sku":"1030117","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d1_ef292073-38db-47b9-b5c4-6061b0f0d75b.jpg?v=1676715701"},{"product_id":"inca-sewing-needle-4","title":"Inca Bronze Sewing Needle","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate bronze sewing needle from the Inca Empire, showcasing the refined craftsmanship of this advanced civilization. The Inca, known for their impressive architecture and textiles, used such tools in their intricate weaving processes. This needle, likely used in the production of fine textiles for both everyday wear and ceremonial use, highlights the Inca's mastery in creating functional yet beautifully crafted items.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Inca Empire was the largest in pre-Columbian America, renowned for its innovations in agriculture, architecture, and record-keeping. This rare artifact offers a unique glimpse into the daily life and craftsmanship that supported the empire’s success.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptional piece for collectors, offering a tangible connection to the Inca's rich culture and advanced society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina. Size approx. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e10,5cm x 0,3cm x 0,2cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44169908748553,"sku":"1093716","price":65.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_9c5aa6bc-ce96-4f65-b7d9-deda61457e77.jpg?v=1676715828"},{"product_id":"inca-sewing-needle-5","title":"Inca Bronze Sewing Needle","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA delicate bronze sewing needle from the Inca Empire, showcasing the refined craftsmanship of this advanced civilization. The Inca, known for their impressive architecture and textiles, used such tools in their intricate weaving processes. This needle, likely used in the production of fine textiles for both everyday wear and ceremonial use, highlights the Inca's mastery in creating functional yet beautifully crafted items.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Inca Empire was the largest in pre-Columbian America, renowned for its innovations in agriculture, architecture, and record-keeping. This rare artifact offers a unique glimpse into the daily life and craftsmanship that supported the empire’s success.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptional piece for collectors, offering a tangible connection to the Inca's rich culture and advanced society.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and corrosion, with encrusted patina. Size approx. \u003c\/span\u003e\u003cspan\u003e\u003c\/span\u003e\u003cspan\u003e8,6cm x 0,4cm x 0,3cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Dutch private collection\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44169916678409,"sku":"1083385","price":55.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_bfe8d905-df47-449c-9724-47dd7a46bb7c.jpg?v=1676716128"},{"product_id":"chancay-gauze-fragment-1","title":"Chancay Gauze Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis captivating Chancay gauze textile fragment, adorned with greenish-blue, white, and brown hues, is a stunning example of the renowned textile artistry of the Chancay culture (1000–1470 AD). Likely originating from a mummy bundle or tunic, this finely woven piece showcases the Chancay civilization’s mastery of gauze weaving, a delicate and intricate technique that distinguished their textile tradition.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eTextiles played a profound symbolic role in Chancay society, serving as indicators of status, spirituality, wealth, and identity. The Chancay weavers employed a diverse color palette, including yellow, brown, scarlet, white, blue, and green, and crafted textiles from materials such as llama wool, cotton, chiffon, and even feathers. Their designs often featured geometric patterns, plants, and stylized depictions of animals (fish, birds, cats, monkeys, and dogs), as well as human figures, all imbued with spiritual significance.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGauze textiles held a sacred function, frequently used as headdresses or ceremonial wrappings for the deceased. Following Chancay burial customs, individuals were wrapped in multiple layers of cloth and buried with various grave goods, ensuring their passage into the afterlife.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA rare and historically significant artifact, this textile fragment is a testament to the Chancay people’s artistic ingenuity and ceremonial traditions, making it a valuable addition to any collection of Pre-Columbian antiquities.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eGood condition. Age-related wear. Loose threads, tears and holes. Stains, dirt and dust. \u003cspan\u003eSize approx. \u003cmeta charset=\"utf-8\"\u003e21,0cm x 12,0cm. Modern frame included.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44187738800393,"sku":"1075871","price":150.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_f49da6b4-7b0b-4703-a8b2-804c7e1bdc4e.jpg?v=1676906077"},{"product_id":"chancay-textile-fragments","title":"Chancay Textile Fragments","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superb small collection of four Chancay textile fragments, likely originating from the wrappings of a mummy bundle or headdress. These finely woven bands and braided strips display still-vivid hues of burgundy, yellow, green, and brown—colors emblematic of Chancay textile artistry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eRenowned for their mastery of textile production, the Chancay civilization considered textiles a profound medium of cultural expression. These works conveyed messages about status, gender, wealth, and spirituality. Chancay weavers were particularly skilled in producing delicate gauzes, often using materials like llama wool, cotton, chiffon, and even feathers.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTheir textiles featured a wide color palette, including scarlet, white, blue, and various earth tones. Motifs ranged from abstract geometric patterns to stylized depictions of animals such as fish, cats, birds, monkeys, and dogs, along with human figures and plant forms. Many of these weavings had ritual purposes—especially gauzes, which were used to cover the heads of the deceased in the form of magical or spiritual headdresses.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn line with Chancay funerary customs, bodies were wrapped in layers of cloth and interred with grave goods. These textile fragments are enduring relics of that sacred tradition, offering insight into both the spiritual beliefs and the remarkable craftsmanship of the Chancay people.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. Age-related heavy wear. Loose threads, tears and holes. Stains, soil and dust. Sizes approx. 4,3cm to 10,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44187791786249,"sku":"1081094","price":90.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_84d3a9c8-526a-4e22-8d5f-e30727438435.jpg?v=1676906451"},{"product_id":"chancay-gauze-fragment-2","title":"Chancay Gauze Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis exquisite Chancay gauze textile fragment is a stunning representation of the renowned weaving traditions of the Pre-Columbian Chancay culture (1000–1470 AD). Likely originating from a mummy bundle or tunic, this delicate fabric exemplifies the Chancay’s mastery of textile production, particularly in the creation of fine gauze weaves.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Chancay civilization, which flourished along Peru’s central coast, placed immense value on textiles as a symbol of status, spirituality, and identity. Their artisans used llama wool, cotton, and chiffon, often incorporating scarlet, yellow, white, blue, green, and brown pigments into their elaborate geometric and figurative designs. These motifs frequently depicted plants, animals (such as fish, birds, cats, monkeys, and dogs), and human figures, imbued with deep ritual and symbolic meaning.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eGauze textiles held spiritual and magical significance, frequently serving as headdresses or ceremonial wrappings for the deceased. In accordance with Chancay burial customs, the dead were wrapped in multiple layers of fabric and interred alongside funerary goods to accompany them into the afterlife.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA rare and historically significant textile, this piece provides an intimate glimpse into Chancay ceremonial practices and artistic excellence, making it an exceptional artifact for collectors and scholars alike.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Age-related wear, loose threads, holes, and stains. Size approx. 17,0cm x 18,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44187868659977,"sku":"1077374","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/a1_1b220fdf-2e51-4bd8-8814-5445d3e905f8.jpg?v=1676906740"},{"product_id":"chancay-textile-fragment-5","title":"Chancay Textile Gauze Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis charming small-sized Chancay textile gauze fragment, likely part of a mummy bundle or tunic, showcases the vibrant colors of dark brown, light blue, and beige tones, a testament to the vivid natural dyes used by Chancay weavers. Despite its small size, the fragment retains the intricate craftsmanship characteristic of Chancay textiles.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Chancay civilization is celebrated for its mastery of textiles, which played a central role in conveying symbolism related to status, gender, wealth, and spirituality. Known for their delicate gauze work, Chancay weavers utilized a variety of materials, including llama wool, cotton, chiffon, and feathers, and employed a wide range of colors such as yellows, browns, scarlet, white, blues, and greens.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eTextile designs were often geometric, incorporating motifs of plants, animals—including fish, cats, birds, monkeys, and dogs—and human figures. These fabrics, especially gauze, were primarily used for religious and ceremonial purposes, often for creating headdresses that covered the heads of the deceased in burial rituals. According to Chancay burial customs, the dead were wrapped in layers of cloth and buried with various goods, underscoring the spiritual and cultural significance of textiles within their society.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. Fragment as shown. Age-related heavy wear. Loose threads, tears and holes. Stains, soil, dirt and dust. Sizes approx. 7,0cm x 7,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44187966767369,"sku":"1010495","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/b1_7e11fe12-22cc-4cc9-b836-5d425842b6c5.jpg?v=1676907068"},{"product_id":"chancay-textile-fragment-6","title":"Chancay Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chancay Culture, c. 1000-1470 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eA remarkable Chancay textile fragment, possibly from a mummy bundle wrapping or tunic, showcasing the extraordinary weaving mastery of this ancient Peruvian civilization. This finely woven textile, medium in size, features stylized stripes in vivid hues of golden brown, burgundy, dark moss green, and light emerald green, demonstrating the rich color palette typical of Chancay textiles.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eRenowned for their exceptional textile craftsmanship, the Chancay people used textiles as a powerful symbol of status, spirituality, and identity. Their weavers specialized in delicate gauze work and intricate geometric and pictorial designs, incorporating animals such as birds, fish, monkeys, and dogs, as well as human figures and abstract patterns. They utilized a variety of materials, including llama wool, cotton, and feathers, and their dyeing techniques produced an impressive range of colors, from earthy browns and scarlets to striking blues and greens.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBeyond their aesthetic beauty, Chancay textiles played a critical role in funerary customs. The deceased were carefully wrapped in multiple layers of cloth, often adorned with ritualistic patterns and symbols, before being buried with offerings and personal belongings to ensure a safe passage into the afterlife.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis exceptional textile fragment stands as a testament to the sophistication and artistry of Chancay weavers—a rare and desirable piece for collectors of Pre-Columbian textiles.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Age-related wear. Loose threads, tears and holes. Stains, dirt and dust. Size approx. \u003cmeta charset=\"utf-8\"\u003e28,5cm x 28,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44188035514633,"sku":"1026781","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_b86ecd55-d8ab-4cd0-b90e-50176036daa0.jpg?v=1676907282"},{"product_id":"chancay-textile-fragment-7","title":"Chancay Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis lovely small-sized Chancay textile fragment, likely from the wrappings of a mummy bundle or tunic, features a plain woven textile in a beautiful golden brownish-red color. Despite its age, the vivid tones remain striking, reflecting the rich natural dyes used by Chancay weavers.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Chancay culture is renowned for its exceptional textile craftsmanship, which served as a vital form of symbolism, conveying meaning related to status, gender, wealth, and spirituality. Chancay weavers were particularly skilled in delicate gauze work, incorporating a wide range of colors, including yellows, browns, scarlet, white, blues, and greens. Materials used in the creation of these textiles included llama wool, cotton, chiffon, and feathers.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe geometric designs often found in these textiles included motifs of plants, animals—such as fish, cats, birds, monkeys, and dogs—and human figures. Textiles, especially gauzes, were primarily used for religious and ceremonial purposes, including covering the head of the deceased in the form of headdresses. In keeping with Chancay burial practices, the dead were wrapped in multiple layers of cloth, which were often buried alongside various grave goods, emphasizing the cultural and spiritual significance of textiles within their society.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. Fragment as shown. Age-related wear. Loose threads, tears and holes. Stains, dirt and dust. Size approx. \u003cmeta charset=\"utf-8\"\u003e12,5cm x 8,0cm\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44188064088329,"sku":"1027996","price":40.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/d1_ff67533b-8d41-4b41-a7ad-0951bee9d31c.jpg?v=1676907511"},{"product_id":"chancay-textile-fragment-9","title":"Chancay Textile Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eFabulous Chancay textile fragment from the wrappings of a mummy bundle or tunic, featuring intricate geometric motifs along with stylized feline heads and wavy tails. The fragment is composed of two parts and retains vivid hues of golden brown, dark reddish brown, and light yellow—testament to the durability of Chancay dyeing techniques and materials.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Chancay are celebrated for their extraordinary mastery of textiles, which were vital in expressing status, identity, and spiritual meaning. Their artisans specialized in delicate gauze work and utilized a wide spectrum of colors, including yellows, scarlet, browns, whites, blues, and greens. Fabrics were commonly made from llama wool, cotton, chiffon, and even feathers.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eChancay textile designs often incorporated stylized depictions of animals—such as fish, cats, birds, monkeys, and dogs—as well as plants and human figures, often arranged in geometric patterns. These textiles, especially gauze works, served ritual and magical purposes. They were commonly fashioned into headdresses to cover the heads of the deceased. In line with their funerary customs, the Chancay wrapped their dead in multiple layers of cloth and buried them with grave goods, highlighting the sacred role of textiles in their cultural and spiritual practices.\u003c\/p\u003e\n\u003cp\u003eGood condition. Age-related wear, loose threads, tears, and holes. Stains, soil and dust. Sizes approx. 14,0cm x 6,5cm and 12,0cm x 7,5cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Swedish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44188154626313,"sku":"1041889","price":120.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/f1.jpg?v=1676908011"},{"product_id":"chimu-blackware-monkey-vessel","title":"Chimú Figural Blackware Monkey Vessel","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis absolutely stunning Chimú blackware vessel, masterfully crafted in a mold-made, standardized form, exemplifies the refined ceramic traditions of the Chimú civilization. Produced in oxygen-deprived kilns, the blackened finish results from the reduction-firing process, while its smooth, polished surface was achieved through meticulous burnishing with a polished stone.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eDepicting a captivating monkey figure, this vessel offers a glimpse into the exotic influences present in Chimú culture. Monkeys were not native to the coastal regions of northern Peru but were imported from Ecuador, where they were kept as pets or trained to harvest fruit. The embossed ring encircling both the jar and the monkey’s waist suggests its captive state, hinting at the close relationship between the Chimú elite and their prized animals. The vessel’s globular body, corseted neck, and flared rim are characteristic of Chimú blackware ceramics, which were produced both for daily use and ceremonial offerings.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eSymbolic and artistically sophisticated, this piece embodies the cultural, ritualistic, and aesthetic sensibilities of the Chimú people. It is a rare and significant artifact, making it a museum-worthy addition for collectors of pre-Columbian art and Andean antiquities.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Hole on the side. Chip to rim. Repaired arm. Age-related minimal wear. Lovely patina. Size approx. 15,0cm x 14,5cm x 12,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44188240806153,"sku":"1032979","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/IMG_9094.jpg?v=1676976001"},{"product_id":"nazca-miniature-jar","title":"Nazca Miniature Pottery Jar","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Nazca Civilization, c. 300 BC–600 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis exquisite Pre-Columbian Nazca pottery jar, dating from 300 BC to 600 AD, is a captivating example of the civilization’s artistic and cultural achievements. Small in size yet rich in detail, the globular vessel features a short neck with a slightly flaring rim, highlighted by a red-painted lip. The body is adorned with geometric triangular motifs in classic Nazca hues of white and brownish-black, a hallmark of their distinct ceramic style.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe Nazca civilization thrived in ancient Peru, flourishing in a network of chiefdoms and regional power centers, with Cahuachi as its spiritual and ceremonial hub. This non-urban complex, composed of pyramid-like structures and plazas, played a vital role in fertility and agricultural rituals, reflecting the Nazca people’s deep connection to nature and their pantheon of deities.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eNazca artisans were renowned for their highly sophisticated pottery, crafted by hand using the coiling technique, as the pottery wheel was unknown to them. The coiled clay was carefully smoothed inside and out before being adorned with vibrant mineral-based pigments. Lacking a formal writing system, the Nazca used intricate iconography on their ceramics to convey religious beliefs, mythology, and historical narratives. Their vessels—ranging from bulbous effigy forms to double-spouted bottles and round bowls—were not only functional but also served ritualistic and funerary purposes.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThis stunning miniature jar exemplifies the Nazca mastery of form, technique, and symbolic decoration. Skillfully hand-coiled, painted, fired, and polished to perfection, it embodies the artistic excellence and spiritual depth of one of ancient Peru’s most enigmatic civilizations.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eSurface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSize approx. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e8,0cm x 7,7cm x 7,7cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: Danish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44194955428105,"sku":"1009957","price":180.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/products\/c1_d778551b-2ac9-49dd-884a-f508717f9b15.jpg?v=1676993989"},{"product_id":"chancay-pottery","title":"Chancay Pottery Monkey Figure Fragment","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chancay Culture, c. 1000–1470 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn intriguing hand-modeled pottery fragment depicting the head of a monkey, likely once part of a larger votive statuette. Though traces of its original dark brown pigment have faded over time, this piece still retains its expressive craftsmanship and cultural significance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eMonkeys were not native to coastal Peru, but historical accounts suggest they were imported from Ecuador, kept as pets, or even trained to harvest fruit. Their depiction in Chancay art suggests spiritual or symbolic importance, possibly linked to fertility, nature, or the supernatural realm. The Chancay civilization flourished along the central coast of Peru, producing distinctive ceramics found in burial sites. Their pottery, often mold-made from a gritty clay, features a matte surface, typically painted with black or dark brown geometric and figurative designs over a white slip.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rare fragment offers a fascinating glimpse into Chancay artistry and their connection to the natural world, preserving the essence of an ancient Andean culture.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Moderate condition. Age-related heavy wear, chip and abrasion. Rich earthen deposits. Size approx. 5,6cm x 6,4cm x 6,6cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: According to information, from the collection of \u003cmeta charset=\"utf-8\"\u003eDr. Ferdinand Anton \u003cmeta charset=\"utf-8\"\u003e(1929-2003), noted archaeologist and photographer.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44598403891465,"sku":"1100630","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5020.jpg?v=1694259631"},{"product_id":"vicus-phytomorphic-pottery-vessel","title":"Vicús Phytomorphic Pottery Hanging Vessel","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Vicús Culture, c. 500 BC to 600 AD, Piura Region, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis extraordinary and exceedingly rare Vicús phytomorphic pottery hanging vessel, dating from approximately 500 BC to 600 AD, is a striking example of Pre-Columbian artistry from the Piura Region of Peru. Sculpted in the form of a stylized vegetable, it most likely represents the yacón (Smallanthus sonchifolius) root, a tuber known for its sweet taste, high sugar and starch content, and vibrant yellow flowers. The yacón, often referred to as the \"Peruvian ground apple\" due to its resemblance in name to the French \"pomme de terre\" (potato), was a vital part of ancient Andean agriculture and diet.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003ePhytomorphic effigy vessels like this were believed to serve a ritualistic purpose, potentially placed in Vicús burials as offerings to nourish the deceased in the afterlife, as tributes to supernatural forces, or as commemorations of significant events. The organic, bulbous form of this vessel evokes the natural shape of the yacón root, while its gracefully tapered spout and prominent circular suspension loop suggest it was designed for hanging, possibly in ceremonial or domestic contexts. The russet-hued surface, enriched with cream and white stripes, adds to its striking visual appeal.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Vicús culture, situated in the northernmost coastal region of Peru, remains one of the most enigmatic civilizations of the Pre-Columbian era. Though its chronology remains debated, scholars generally place its emergence between 1000 BC and 200 BC, lasting until approximately 300 AD to 600 AD. Centered around \"Cerro Vicús,\" its strategic highland location connected it with other Andean societies, facilitating trade and cultural exchange. Agriculture was the foundation of the Vicús economy, with advanced irrigation techniques supporting the cultivation of maize, squash, and various fruits. These agrarian practices were complemented by hunting and animal husbandry.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eVicús artisans were highly skilled in ceramics, metallurgy, and goldsmithing, producing artifacts of remarkable technical precision and aesthetic refinement. Their pottery, influenced by the Salinar and Gallizano cultures as well as Ecuadorian traditions, is distinguished by its sculptural quality, bold forms, and intricate painted ornamentation. While sharing stylistic elements with the renowned Moche civilization, Vicús ceramics exhibit a unique color palette, surface treatment, and iconography that set them apart.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis remarkable vessel, with its elegantly contoured form and masterful craftsmanship, stands as a testament to the ingenuity and cultural sophistication of the Vicús people. It offers a rare glimpse into the intersection of art, agriculture, and ritual in the ancient Andean world, preserving the legacy of a civilization that thrived along the Pacific coastline over two millennia ago.\u003c\/p\u003e\n\u003cp\u003eGood condition. Surface wear and abrasions commensurate with age, nicks and chip, with fading to some finer features, and light encrustations within recessed areas. \u003cmeta charset=\"utf-8\"\u003eRepaired suspension loop. Nice earthen deposits throughout. Size approx. 19,0cm x 14,0cm x 10,5cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccording to information, from the collection of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Wedendal Sr. a\u003c\/span\u003e\u003cspan\u003ecquired Pre-Columbian art during his travels in the 1940s-1950s.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44600736481545,"sku":"1100631","price":750.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5059.jpg?v=1694432821"},{"product_id":"vicus-phytomorphic-pottery-hanging-vessel","title":"Vicús Phytomorphic Pottery Hanging Vessel","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Vicús Culture, c. 500 BC to 600 AD, Piura Region, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis extraordinary and exceedingly rare Vicús phytomorphic pottery hanging vessel, dating from approximately 500 BC to 600 AD, is a striking example of Pre-Columbian artistry from the Piura Region of Peru. Sculpted in the form of a stylized vegetable, it most likely represents the yacón (Smallanthus sonchifolius) root, a tuber known for its sweet taste, high sugar and starch content, and vibrant yellow flowers. The yacón, often referred to as the \"Peruvian ground apple\" due to its resemblance in name to the French \"pomme de terre\" (potato), was a vital part of ancient Andean agriculture and diet.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003ePhytomorphic effigy vessels like this were believed to serve a ritualistic purpose, potentially placed in Vicús burials as offerings to nourish the deceased in the afterlife, as tributes to supernatural forces, or as commemorations of significant events. The organic, bulbous form of this vessel evokes the natural shape of the yacón root, while its gracefully tapered spout and prominent circular suspension loop suggest it was designed for hanging, possibly in ceremonial or domestic contexts. The russet-hued surface, enriched with cream and white stripes, adds to its striking visual appeal.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Vicús culture, situated in the northernmost coastal region of Peru, remains one of the most enigmatic civilizations of the Pre-Columbian era. Though its chronology remains debated, scholars generally place its emergence between 1000 BC and 200 BC, lasting until approximately 300 AD to 600 AD. Centered around \"Cerro Vicús,\" its strategic highland location connected it with other Andean societies, facilitating trade and cultural exchange. Agriculture was the foundation of the Vicús economy, with advanced irrigation techniques supporting the cultivation of maize, squash, and various fruits. These agrarian practices were complemented by hunting and animal husbandry.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eVicús artisans were highly skilled in ceramics, metallurgy, and goldsmithing, producing artifacts of remarkable technical precision and aesthetic refinement. Their pottery, influenced by the Salinar and Gallizano cultures as well as Ecuadorian traditions, is distinguished by its sculptural quality, bold forms, and intricate painted ornamentation. While sharing stylistic elements with the renowned Moche civilization, Vicús ceramics exhibit a unique color palette, surface treatment, and iconography that set them apart.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis remarkable vessel, with its elegantly contoured form and masterful craftsmanship, stands as a testament to the ingenuity and cultural sophistication of the Vicús people. It offers a rare glimpse into the intersection of art, agriculture, and ritual in the ancient Andean world, preserving the legacy of a civilization that thrived along the Pacific coastline over two millennia ago.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Surface wear and abrasions commensurate with age and use, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSize approx. 16,0cm x 14,8cm x 9,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccording to information, from the collection of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Wedendal Sr. a\u003c\/span\u003e\u003cspan\u003ecquired Pre-Columbian art during his travels in the 1940s-1950s.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44600749687049,"sku":"1100632","price":850.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5044.jpg?v=1694434313"},{"product_id":"inca-greenstone-ceremonial-axe-head","title":"Inca Greenstone Ceremonial Axe Head","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Inca Empire, c. 1438–1533 AD, Andes Region, South America\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA magnificent ceremonial axe head crafted from dark green stone with striking black banded inclusions. This finely polished axe features a curved blade and smooth incuts for hafting, showcasing the expert craftsmanship of Inca artisans who used limited technology to create such a refined and functional tool. The deep green hue and polished finish make this a stunning example of Inca artistry.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eUsed in rituals or as a ceremonial object, this axe symbolizes the Inca Empire's advanced craftsmanship and spiritual practices. It is a testament to the Inca’s mastery of stoneworking, making it an outstanding addition for collectors of ancient South American artifacts.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eA rare and exceptional piece, this ceremonial axe head offers a fascinating insight into the cultural and religious significance of the Inca Empire, renowned for its monumental architecture, complex society, and rich spiritual traditions.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Surface wear and abrasions commensurate with age, nicks and chip, with encrusted patina. Size approx. 6,4cm x 6,0cm x 2,5cm.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccording to information, from the collection of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. \u003cmeta charset=\"utf-8\"\u003ePaul Ragnar Wedendal a\u003c\/span\u003e\u003cspan\u003ecquired Pre-Columbian art during his travels in the 1940s-1950s.\u003c\/span\u003e\u003cem\u003e\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44601853346057,"sku":"1100633","price":395.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5068.jpg?v=1694511753"},{"product_id":"chancay-textile-weaver-comb","title":"Chancay Textile Weaving Comb","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eAn exceptional and rare weaving comb, beautifully crafted from split reed—most likely Carrizo (\u003ci\u003ePhragmites australis\u003c\/i\u003e)—and featuring 30 finely barbed spikes fastened between two horizontal shafts. This authentic textile tool is tightly bound with light brown braided thread characteristic of Chancay textile production. The sturdy rectangular handle is reinforced with black resin, possibly bitumen, and is elegantly embellished with dark brown seeds for added texture and visual appeal.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis comb was an essential implement in the complex process of weaving, used to beat the weft threads securely into place. Its remarkable preservation, with resin and original binding thread still intact, offers a rare glimpse into the technical sophistication of Chancay textile craftsmanship.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Chancay culture flourished along Peru’s central coast and is renowned for its mastery of textile arts. Weaving was not only a practical skill but also a profound symbolic language used to express social identity, wealth, gender, and spiritual belief. Chancay artisans employed a vibrant palette of yellows, browns, scarlets, whites, blues, and greens, working with llama wool, cotton, chiffon, and feathers to create intricate gauzes and cloths. Their designs often featured geometric motifs alongside stylized depictions of animals, plants, and human figures.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eTextiles were deeply intertwined with ritual life—used in religious ceremonies, magical practices, and funerary rites. In death, Chancay individuals were wrapped in multiple layers of woven cloth and buried with grave goods, reflecting the enduring cultural and symbolic importance of textiles and their tools in Chancay society.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Surface wear commensurate with age and use. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eMinor chips and losses to some barbed spikes. Chip to black resin. Size approx. 7,8cm x 6,2cm x 1,0cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eWooden Comb with Woolen Decoration, The Metropolitan Museum of Art, Accession number: 1994.35.44 (https:\/\/www.metmuseum.org\/art\/collection\/search\/316869)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44603737571593,"sku":"1100635","price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5096.jpg?v=1694599034"},{"product_id":"chancay-wooden-weaving-sword","title":"Chancay Wooden Weaving Sword","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chancay Culture, c. 1000-1470 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA finely preserved hand-carved wooden weaving sword, an essential tool in the intricate art of Chancay textile production. Also known as a beater or batten, this specialized instrument was used to press the weft yarn into place, ensuring tight, even weaving. In some traditional techniques, such as band weaving and tablet weaving, the weaving sword could also function as a shuttle, demonstrating the efficiency and ingenuity of ancient Chancay artisans.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Chancay civilization, flourishing along Peru’s central coast between 1000-1470 AD, is celebrated for its mastery of textile arts. Textiles held deep symbolic significance, conveying status, spirituality, and wealth. Chancay weavers specialized in delicate gauze work and vibrant textiles, incorporating a rich palette of yellows, browns, scarlet, white, blues, and greens, woven from llama wool, cotton, and even adorned with feathers. Their intricate designs featured geometric patterns, depictions of plants, animals like birds and monkeys, and stylized human figures. Beyond their daily use, textiles played a vital role in funerary practices. The Chancay people wrapped their deceased in multiple layers of cloth, using fine headdresses and woven garments to accompany them into the afterlife.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis exceptional wooden weaving sword is a rare testament to the technical sophistication and artistic excellence of the Chancay culture—a must-have for collectors of Pre-Columbian artifacts.\u003c\/p\u003e\n\u003cp\u003e Excellent condition. Wear commensurate with age and use. Size approx. 28,0cm x 1,3cm x 0,5cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44604099395849,"sku":"1100636","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5166.jpg?v=1694609442"},{"product_id":"chancay-bone-weaving-sword","title":"Chancay Bone Weaving Sword","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eThis fabulous hand-carved bone weaving sword, crafted from llama or alpaca bone, is a remarkable artifact from the Chancay culture (1000–1470 AD), a pre-Columbian civilization renowned for its textile mastery.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe weaving sword, also known as a beater or batten, was an essential tool in the weaving process, designed to securely push the weft yarn into place. In small-scale hand weaving, such as band weaving and tablet weaving, the beater was sometimes combined with the shuttle into a single, multifunctional tool. Given the Chancay people’s expertise in textiles, tools like this were integral to their daily life and artistic traditions.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eChancay weavers specialized in delicate gauze work and employed a rich palette of yellows, browns, scarlet, white, blues, and greens. Their fabrics, made from llama wool, cotton, chiffon, and even feathers, often bore intricate geometric patterns and stylized depictions of plants, animals (fish, cats, birds, monkeys, and dogs), and human figures. Textiles held profound cultural significance, symbolizing status, gender, wealth, and spirituality, and were frequently used for religious and magical purposes.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eAs part of their burial customs, the Chancay wrapped their deceased in multiple layers of cloth and interred them alongside grave goods, including weaving tools, which were likely regarded as vital for the afterlife.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eA rare and historically significant artifact, this exquisite weaving sword stands as a testament to the skill and artistry of Chancay textile makers, offering a tangible connection to one of the most sophisticated weaving traditions of the ancient Andes.\u003c\/p\u003e\n\u003cp\u003eExtremely well-preserved weaving sword. Age-related minimal wear. Beautiful smoothed patina. Size approx. 21,5cm x 2,7cm x 0,4cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44604151660809,"sku":"1100637","price":350.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5191.jpg?v=1694610600"},{"product_id":"chancay-wooden-weaving-sword-1","title":"Chancay Wooden Weaving Sword","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chancay Culture, c. 1000-1470 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA superbly preserved hand-carved wooden weaving sword, an essential tool in the intricate art of Chancay textile production. Also known as a beater or batten, this specialized instrument was used to press the weft yarn into place, ensuring tight, even weaving. In some traditional techniques, such as band weaving and tablet weaving, the weaving sword could also function as a shuttle, demonstrating the efficiency and ingenuity of ancient Chancay artisans.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Chancay civilization, flourishing along Peru’s central coast between 1000-1470 AD, is celebrated for its mastery of textile arts. Textiles held deep symbolic significance, conveying status, spirituality, and wealth. Chancay weavers specialized in delicate gauze work and vibrant textiles, incorporating a rich palette of yellows, browns, scarlet, white, blues, and greens, woven from llama wool, cotton, and even adorned with feathers. Their intricate designs featured geometric patterns, depictions of plants, animals like birds and monkeys, and stylized human figures. Beyond their daily use, textiles played a vital role in funerary practices. The Chancay people wrapped their deceased in multiple layers of cloth, using fine headdresses and woven garments to accompany them into the afterlife.\u003cspan class=\"Apple-converted-space\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis exceptional wooden weaving sword is a rare testament to the technical sophistication and artistic excellence of the Chancay culture—a must-have for collectors of Pre-Columbian artifacts.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Wear commensurate with age and use. \u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eSize approx. 22,0cm x 1,4cm x 0,5cm.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44604179284233,"sku":"1100638","price":250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5169.jpg?v=1694611054"},{"product_id":"moche","title":"Chimú Ceremonial Copper Alloy Knife Tumi","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis superb and historically significant Chimú tumi, crafted from thin arsenical copper, embodies the profound ritual and medical traditions of ancient Peru. Featuring a wide trapezoidal shaft and a gracefully curved crescent-shaped blade, this ceremonial knife was an essential tool in both sacred rites and practical applications. Often wrapped within a mummy bundle, the tumi was believed to serve its owner in the afterlife as a votive instrument.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe tumi played a central role in the ceremonial practices of multiple pre-Columbian cultures along the Peruvian coast, including the Moche, Sicán, Chimú, and Inca civilizations. In Moche iconography, the tumi is depicted in sacrificial rituals, where it was used to cut the throats of offerings. Among the Inca, these distinctive crescent-bladed knives were crucial to harvest celebrations, such as Inti Raymi’rata, where the High Priest would sacrifice a llama to divine the future through its entrails—an act of profound religious significance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eBeyond ritual use, the tumi was also a critical instrument in ancient Andean medicine, particularly in cranial trephination, an advanced form of surgery where a hole was drilled or scraped into the skull to alleviate head trauma, fractures, or psychological ailments. While ceremonial tumis were crafted from precious metals like gold, silver, and bronze, medical variations featured smaller, more practical blades suited for precision procedures.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis remarkable tumi is not just an artifact but a tangible link to the spiritual, ceremonial, and scientific achievements of the Chimú and their predecessors. A rare and invaluable piece, it offers collectors and historians alike a glimpse into the ingenuity and deeply rooted traditions of ancient Andean civilization.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Age-\u003c\/span\u003e\u003cspan\u003erelated wear. \u003cmeta charset=\"utf-8\"\u003eBrownish green surface patina and encrusted mineral deposits. Light remains of ancient textile fragments and impressions on the surface. \u003c\/span\u003eSize approx. 16,5cm x 2,5cm (blade 7,6cm) x 0,3cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTumi (knife)\u003c\/span\u003e, Princeton University Art Museum, Accession number: \u003cspan\u003ey1990-43\u003c\/span\u003e (\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ehttps:\/\/artmuseum.princeton.edu\/collections\/objects\/33453\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp\u003eTumi, Virginia Museum of Fine Arts, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccession number: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2018.269 (\u003cmeta charset=\"utf-8\"\u003ehttps:\/\/vmfa.museum\/piction\/6027262-155843176\/)\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44610931720457,"sku":"1100639","price":480.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5329.jpg?v=1695116592"},{"product_id":"moche-ceremonial-copper-alloy-knife-tumi","title":"Moche Ceremonial Copper Alloy Knife (Tumi)","description":"\u003ch3 class=\"p2\"\u003ePre-Columbian Era, Moche Culture, Moche Phase II–IV, c. 200–600 AD, Northern Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eAn exquisite and historically significant small-sized ceremonial knife (Tumi), crafted from thin sheets of arsenical copper. This piece features a trapezoidal shaft adorned with delicate incised symbols and a crescent-shaped cutting edge, a hallmark of Moche metallurgy. Likely a votive offering, it would have been wrapped into a mummy bundle, ensuring its presence in the afterlife.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe Tumi was a ceremonial blade used by several pre-Columbian cultures along the Peruvian coast—including the Moche, Sicán, Chimú, and Inca—for blood sacrifices and surgical procedures. Moche iconography frequently depicts the Tumi in ritual use, particularly in the sacrifice of captives, where it is shown cutting the throats of victims.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eAmong the Inca, crescent-bladed tumis played a central role in Inti Raymi’rata, the Sun Festival, held after the potato and maize harvest. The High Priest would use a Tumi to sacrifice a pure black or white llama, carefully extracting its entrails to divine the future. The animal and its remains were then ritually incinerated as an offering to the Sun God Inti.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eBeyond rituals, the Tumi also served a medical purpose, playing a key role in cranial trephination, an early form of neurosurgery performed to relieve head trauma, psychological disorders, or fractures. Unlike its ceremonial counterpart, the surgical Tumi was often smaller and highly refined, proving the advanced medical knowledge of ancient Andean civilizations.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis magnificent artifact is a testament to the ritual, artistic, and scientific mastery of the Moche people, making it a rare and desirable piece of Pre-Columbian history.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eModerate condition. Age-related heavy wear. Reddish green surface patina and encrusted mineral deposits. Light remains of ancient textile fragments and impressions on the surface.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eSize approx. 10,0cm x 1,0cm (blade 1,8cm) x 0,2cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTumi (knife)\u003c\/span\u003e, Princeton University Art Museum, Accession number: \u003cspan\u003ey1990-43\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003e(\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ehttps:\/\/artmuseum.princeton.edu\/collections\/objects\/33453\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp\u003eTumi, Virginia Museum of Fine Arts, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccession number: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2018.269 (\u003cmeta charset=\"utf-8\"\u003ehttps:\/\/vmfa.museum\/piction\/6027262-155843176\/)\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44612251779337,"sku":"1100640","price":420.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5345.jpg?v=1695121020"},{"product_id":"chancay-wooden-spindle","title":"Nazca Thorn Spindle with Ceramic Whorl","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Nazca culture, 200 BC–600 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis fascinating Nazca thorn spindle with an attached ceramic whorl is a remarkable artifact from the Pre-Columbian Nazca culture, dating from 200 BC to 600 AD. It represents an essential tool in the production of textiles, a highly developed craft in Nazca society. The spindle, made from a thorn, retains remnants of fine-spun cotton threads, giving us a glimpse into the textile practices of the Nazca people. The ceramic whorl, with its smooth and balanced shape, would have been used to help maintain consistent tension while spinning.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWhat makes this piece particularly special is the vivid use of red, black, white, and yellow pigments that highlight the needle and bead, showcasing the artistic sensibility of the Nazca artisans even in their everyday tools. Textiles were highly important to the Nazca culture, both for daily use and ceremonial purposes, and were often included as grave goods in burials, indicating the role of woven garments in social and ritual practices.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe well-preserved condition of the spindle and the remaining cotton threads is an extraordinary testament to the skill and daily life of the Nazca civilization, offering us insight into their rich textile tradition and the craftsmanship that supported their intricate rituals and social structure.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Surface wear and abrasions commensurate with age and use. Small chip and loss \u003cspan\u003eto tip of needle. Faded colors. \u003c\/span\u003eSize approx. 27,0cm x 0,3cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eSpidle, The Cleveland Museum of Art, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccession number: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1948.484 (https:\/\/www.clevelandart.org\/art\/1948.484)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpidle, \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccession number: (https:\/\/www.metmuseum.org\/art\/collection\/search\/315779)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Nasca, Helaine Silverman \u0026amp; Donald A. Proulx, Blackwell Publishers, Malden, 2002.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Body Context: Interpreting Early Nasca Decapitation Burials, Lisa DeLeonardis, Latin American Antiquity, 2000, vol. 11, No. 4, pp. 363-368.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNazca Civilization, Mark Cartwright,World History Encyclopedia, Last modified May 23, 2014. (https:\/\/www.worldhistory.org\/Nazca_Civilization\/)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44612284186889,"sku":"1100641","price":265.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5363.jpg?v=1695201181"},{"product_id":"copy-of-nazca-thorn-spindle-with-ceramic-whorl","title":"Nazca Thorn Spindle with Ceramic Whorl","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePre-Columbian era, Nazca culture, 200BC to 600AD, Peru.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSuperb and rare thorn spindle with attached pottery spindle whorl. Remains of fine-spun cotton threads are still wrapped around the spindle and light bands of red, black, white, and yellow pigments highlight the needle as well as the bead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNazca civilization flourished on the southern desert coast and western slopes of the Andes in Peru between 200BC and 600AD. Early Nazca society was made up of local chiefdoms and regional centers of power centered around Cahuachi, a non-urban ceremonial site (AD 50–300). These pyramid-like structures and plazas, situated in lower part of the Nazca Valley, served as important spaces for fertility and agricultural rituals. Nazca are known for two extensive construction projects that would have required the coordination of large groups of laborers: the geoglyphs made on the desert floor known as Nazca lines, whose purpose is unknown, and underground aqueducts (\u003cem\u003epuquios\u003c\/em\u003e), for providing water for irrigation and domestic purposes in the arid environment. The Nazca are also known for their distinctive colourful pottery and technically complex textiles. The textiles were most likely woven by women from spun cotton and wool. Shawls, tunics, belts, and bags have been found through excavations. Many textiles associated with the Nazca culture are garments that were included with grave goods found at burial sites. Almost every body found is wrapped (sometimes partially) in a textile as a part of burial ritual. These textiles are found with partial burials as well. Often piles of bones are found wrapped in a textile garment. The deposits of shawls contained both high-status garments (embellished with exotic feathers, painting, embroidery) and plain garments, suggesting different social roles or authority. There were also burials of what appear to be sacrificial victims. These have the eyes blocked and excrement was placed in the mouth which was then pinned shut with sharp cactus needles. Alternatively, the tongue was removed and kept in a cloth pouch.\u003c\/p\u003e\n\u003cp\u003eExtremely well-preserved ancient weaving tool are in excellent condition. Age-related wear. Repaired whorl\u003cspan data-mce-fragment=\"1\"\u003e. Faded colors. \u003c\/span\u003eSize approx. 31,0cm x 0,4cm.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpidle, The Cleveland Museum of Art, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAccession number: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1948.484 (https:\/\/www.clevelandart.org\/art\/1948.484)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpidle, \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAccession number: (https:\/\/www.metmuseum.org\/art\/collection\/search\/315779)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Nasca, Helaine Silverman \u0026amp; Donald A. Proulx, Blackwell Publishers, Malden, 2002.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Body Context: Interpreting Early Nasca Decapitation Burials, Lisa DeLeonardis, Latin American Antiquity, 2000, vol. 11, No. 4, pp. 363-368.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNazca Civilization, Mark Cartwright,World History Encyclopedia, Last modified May 23, 2014. (https:\/\/www.worldhistory.org\/Nazca_Civilization\/)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44613654282505,"sku":"1100642","price":265.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5367.jpg?v=1695201760"},{"product_id":"nazca-thorn-spindle-with-ceramic-whorl","title":"Nazca Thorn Spindle with Ceramic Whorl","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Nazca culture, 200 BC–600 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis fascinating Nazca thorn spindle with an attached ceramic whorl is a remarkable artifact from the Pre-Columbian Nazca culture, dating from 200 BC to 600 AD. It represents an essential tool in the production of textiles, a highly developed craft in Nazca society. The spindle, made from a thorn, retains remnants of fine-spun cotton threads, giving us a glimpse into the textile practices of the Nazca people. The ceramic whorl, with its smooth and balanced shape, would have been used to help maintain consistent tension while spinning.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eWhat makes this piece particularly special is the vivid use of red, black, white, and yellow pigments that highlight the needle and bead, showcasing the artistic sensibility of the Nazca artisans even in their everyday tools. Textiles were highly important to the Nazca culture, both for daily use and ceremonial purposes, and were often included as grave goods in burials, indicating the role of woven garments in social and ritual practices.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe well-preserved condition of the spindle and the remaining cotton threads is an extraordinary testament to the skill and daily life of the Nazca civilization, offering us insight into their rich textile tradition and the craftsmanship that supported their intricate rituals and social structure.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. Surface wear and abrasions commensurate with age and use. Small chip and loss \u003cspan\u003eto tip of needle. Faded colors.\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eSize approx. 29,5cm x 0,2cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eSpidle, The Cleveland Museum of Art, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccession number: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1948.484 (https:\/\/www.clevelandart.org\/art\/1948.484)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eSpidle, \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccession number: (https:\/\/www.metmuseum.org\/art\/collection\/search\/315779)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Nasca, Helaine Silverman \u0026amp; Donald A. Proulx, Blackwell Publishers, Malden, 2002.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Body Context: Interpreting Early Nasca Decapitation Burials, Lisa DeLeonardis, Latin American Antiquity, 2000, vol. 11, No. 4, pp. 363-368.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNazca Civilization, Mark Cartwright,World History Encyclopedia, Last modified May 23, 2014. (https:\/\/www.worldhistory.org\/Nazca_Civilization\/)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44613666439433,"sku":"1100643","price":265.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5373.jpg?v=1695202242"},{"product_id":"nazca-thorn-spindle-with-ceramic-whorl-1","title":"Nazca Thorn Spindle with Ceramic Whorl","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePre-Columbian era, Nazca culture, 200BC to 600AD, Peru.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eSuperb and rare thorn spindle with attached pottery spindle whorl. Remains of fine-spun cotton threads are still wrapped around the spindle and light bands of red, black, yellow, and white pigments highlight the needle as well as the bead.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eNazca civilization flourished on the southern desert coast and western slopes of the Andes in Peru between 200BC and 600AD. Early Nazca society was made up of local chiefdoms and regional centers of power centered around Cahuachi, a non-urban ceremonial site (AD 50–300). These pyramid-like structures and plazas, situated in lower part of the Nazca Valley, served as important spaces for fertility and agricultural rituals. Nazca are known for two extensive construction projects that would have required the coordination of large groups of laborers: the geoglyphs made on the desert floor known as Nazca lines, whose purpose is unknown, and underground aqueducts (\u003cem\u003epuquios\u003c\/em\u003e), for providing water for irrigation and domestic purposes in the arid environment. The Nazca are also known for their distinctive colourful pottery and technically complex textiles. The textiles were most likely woven by women from spun cotton and wool. Shawls, tunics, belts, and bags have been found through excavations. Many textiles associated with the Nazca culture are garments that were included with grave goods found at burial sites. Almost every body found is wrapped (sometimes partially) in a textile as a part of burial ritual. These textiles are found with partial burials as well. Often piles of bones are found wrapped in a textile garment. The deposits of shawls contained both high-status garments (embellished with exotic feathers, painting, embroidery) and plain garments, suggesting different social roles or authority. There were also burials of what appear to be sacrificial victims. These have the eyes blocked and excrement was placed in the mouth which was then pinned shut with sharp cactus needles. Alternatively, the tongue was removed and kept in a cloth pouch.\u003c\/p\u003e\n\u003cp\u003eExtremely well-preserved ancient weaving tool are in excellent condition. Age-related minor wear.\u003cspan data-mce-fragment=\"1\"\u003e Faded colors. \u003c\/span\u003eSize approx. 31,5cm x 0,4cm.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003eSpidle, The Cleveland Museum of Art, \u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAccession number: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e1948.484 (https:\/\/www.clevelandart.org\/art\/1948.484)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eSpidle, \u003cmeta charset=\"utf-8\"\u003eThe Metropolitan Museum of Art, \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eAccession number: (https:\/\/www.metmuseum.org\/art\/collection\/search\/315779)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cem\u003eReferences and further reading:\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Nasca, Helaine Silverman \u0026amp; Donald A. Proulx, Blackwell Publishers, Malden, 2002.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eThe Body Context: Interpreting Early Nasca Decapitation Burials, Lisa DeLeonardis, Latin American Antiquity, 2000, vol. 11, No. 4, pp. 363-368.\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eNazca Civilization, Mark Cartwright,World History Encyclopedia, Last modified May 23, 2014. (https:\/\/www.worldhistory.org\/Nazca_Civilization\/)\u003c\/em\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44613674303753,"sku":"1100644","price":295.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5383.jpg?v=1695202552"},{"product_id":"nazca-pottery-jar","title":"Nazca Sling and Stone Bullet","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Nazca civilization, 300 BC \u003cmeta charset=\"utf-8\"\u003e– 600 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eA rare and mesmerizing Pre-Columbian Nazca sling, woven from cabuya fiber and accented with multi-colored camelid fiber, accompanied by its original stone bullet. Dating from 300 BC – 600 AD, this remarkable weapon showcases the Nazca civilization’s ingenuity in warfare and hunting.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe long fiber-banded cord is woven in thick strands of black, dark brown, and beige, with a central pouch specifically designed to cradle a stone projectile. When spun overhead and released with precision, a skilled user could launch the stone at bone-breaking velocity, making it an effective weapon for combat or hunting.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe Nazca civilization flourished in ancient Peru with Cahuachi as its ceremonial and cultural center. This non-urban pyramid complex, located in the Nazca Valley, was used for fertility and agricultural rituals. Nazca art and artifacts depict nature deities, ritual ceremonies, and warfare, reflecting a society deeply connected to spiritual beliefs and iconographic storytelling.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eOne of the most distinctive features of Nazca culture is their polychrome pottery, crafted using the coiling method and painted with earth-derived pigments before firing. The Nazca also had a headhunting tradition, with numerous trophy heads discovered in archaeological sites. These severed heads are frequently depicted in Nazca ceramic art, often with carrying ropes, underscoring their ritual significance.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eBecause the Nazca had no writing system, their pottery and textiles served as visual narratives, preserving shared beliefs, historical events, and religious practices. This intact Nazca sling and stone bullet is a stunning artifact of ancient warfare, reflecting the technical skill and cultural depth of this enigmatic civilization.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. Age-related minimal wear, loose threads and fraying. Rich earthen deposits. The ends lack the finger loop. Size approx. 140,0cm x 3,5cm x 0,5cm. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eProvenance: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFrom the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eSling, The Metropolitan Museum of Art, New York, Accession Number: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e1994.35.103 (\u003cmeta charset=\"utf-8\"\u003ehttps:\/\/www.metmuseum.org\/art\/collection\/search\/316928)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSling, Princeton University Art Museum, Accession number: 1995-376 (https:\/\/artmuseum.princeton.edu\/collections\/objects\/4624)\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44637398794505,"sku":"1100666","price":1250.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5936.jpg?v=1696599156"},{"product_id":"copy-of-chimu-ceremonial-copper-alloy-knife-tumi","title":"Chimú Copper Alloy Depilatory Tweezers","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis fabulous pair of axe-head-shaped tweezers, crafted from copper alloy, reflects the Chimú civilization’s meticulous personal grooming practices and their deep-rooted beliefs in the afterlife. Finely made and expertly shaped, these tweezers would have been included in a mummy bundle as an essential tool to serve the deceased beyond death.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the Chimú culture, personal adornment and hygiene were highly valued, with depilatory tweezers commonly used for hair removal—a practice associated with both ritual purification and elite status. Metal tweezers like these were a mark of prestige, often carried by the nobility and religious figures. Their inclusion in funerary offerings underscores their importance in both life and the journey into the next world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptionally rare and well-preserved artifact, these tweezers provide a fascinating glimpse into ancient Andean grooming customs, ritual traditions, and metalworking craftsmanship—an exquisite addition to any collection of pre-Columbian artifacts.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eWear commensurate with age and use. \u003cspan\u003eGreen surface patina and encrusted mineral deposits. Age-\u003c\/span\u003e\u003cspan\u003erelated wear. \u003c\/span\u003eSize approx. 3,8cm x 1,8cm x 0,8cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eDepilatory forceps, Science Museum Group, Accession number: A113992 (https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co104205\/depilatory-forceps-depilatory-tweezers.)\u003c\/p\u003e\n\u003cdiv\u003eTweezers, University of Illinois, Spurlock Museum of World Cultures, Accession number: 1990.10.0150 (https:\/\/www.spurlock.illinois.edu\/collections\/search-collection\/details.php?a=1990.10.0150)\u003c\/div\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44637563355401,"sku":"1100667","price":165.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5917.jpg?v=1696602223"},{"product_id":"chimu-copper-alloy-depilatory-tweezers","title":"Chimú Copper Alloy Depilatory Tweezers","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis fabulous pair of tweezers, crafted from copper alloy, with a pair of coiled spirals to the sides. reflects the Chimú civilization’s meticulous personal grooming practices and their deep-rooted beliefs in the afterlife. Finely made and expertly shaped, these tweezers would have been included in a mummy bundle as an essential tool to serve the deceased beyond death.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eIn the Chimú culture, personal adornment and hygiene were highly valued, with depilatory tweezers commonly used for hair removal—a practice associated with both ritual purification and elite status. Metal tweezers like these were a mark of prestige, often carried by the nobility and religious figures. Their inclusion in funerary offerings underscores their importance in both life and the journey into the next world.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAn exceptionally rare and well-preserved artifact, these tweezers provide a fascinating glimpse into ancient Andean grooming customs, ritual traditions, and metalworking craftsmanship—an exquisite addition to any collection of pre-Columbian artifacts.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eExcellent condition. \u003c\/span\u003eWear commensurate with age and use.\u003cspan class=\"Apple-converted-space\"\u003e G\u003c\/span\u003e\u003cspan\u003ereen surface patina and encrusted mineral deposits. \u003c\/span\u003eSize approx. 2,9cm x 1,9cm x 0,8cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: From the estate of Paul Ragnar Wedendal Sr. \u0026amp; Paul Wedendal Jr. Collected in the 1940's to 1950's.\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eDepilatory forceps, Science Museum Group, Accession number: A113992 (https:\/\/collection.sciencemuseumgroup.org.uk\/objects\/co104205\/depilatory-forceps-depilatory-tweezers.)\u003c\/p\u003e\n\u003cdiv\u003eTweezers, University of Illinois, Spurlock Museum of World Cultures, Accession number: 1990.10.0150 (https:\/\/www.spurlock.illinois.edu\/collections\/search-collection\/details.php?a=1990.10.0150)\u003c\/div\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44637607395593,"sku":"1100668","price":185.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_5915.jpg?v=1696602753"},{"product_id":"chancay-ceramic-figural-vessel","title":"Chancay Pottery Figural Jar","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian era, Chancay culture, 1000–1470AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis remarkable hand-modeled figural pottery vessel embodies the distinctive artistic style of the Chancay civilization. Crafted in an ovoid form, the effigy represents a shaman holding a conical offering cup (kero), likely used for hallucinogenic rituals. His coiled arms rest before his chest, reinforcing the ritualistic nature of the piece.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe stylized figure is expertly rendered with a voluminous globular body and a small, expressive head. His wide eyes with dilated pupils, arched eyebrows, perky ears, pointed nose, pursed lips, and protruding chin evoke the intoxicated state associated with shamanic trance. An elaborate turban, decorated with a large medallion attached to bands, crowns his head, while his tunic, adorned with horizontal stripes and geometric motifs, reflects traditional Andean textiles. A loop handle on the verso adds to the vessel’s functional design.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Chancay culture, which thrived along Peru’s central coast from 1000–1470 AD, is celebrated for its distinctive, unpolished ceramics. Crafted from gritty clay, Chancay pottery features a matte surface coated with a white slip, over which dark brown geometric and figural designs were painted. These ceramics, often found in burial sites, served as grave goods, reflecting their ritual and funerary significance.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThis rare and evocative artifact not only showcases the mastery of Chancay ceramicists but also offers a glimpse into the spiritual practices and shamanic traditions of this enigmatic Pre-Columbian civilization.\u003c\/p\u003e\n\u003cp\u003eGood condition. Areas of chipping to rim. Minor nicks and pitting, all commensurate with age. Encrustation and dust. Size approx. 14,4cm x 10,5cm x 12,5cm. \u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eProvenance: Finnish private collection\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44785613078793,"sku":"100100101","price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6725.jpg?v=1701188784"},{"product_id":"copy-of-chancay-pottery-monkey-figure-fragment","title":"Chancay Pottery Jar Fragments","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chancay Culture, c. 1000–1470 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eA remarkable set of five pottery jar fragments, each hand-crafted and adorned with distinctive black or dark brown painted designs over a white slip. These unpolished ceramics, created from a gritty clay, showcase the iconic style of the Chancay civilization, which flourished along the central coast of Peru.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Chancay are particularly noted for their mold-made pottery, often discovered in burial sites as funerary offerings. Their ceramics feature geometric patterns, stylized figures, and symbolic motifs, reflecting their rich cultural and artistic traditions. The matte surfaces and monochromatic palette are hallmarks of Chancay craftsmanship, setting them apart from other pre-Columbian pottery styles.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThese fragments serve as tangible links to an ancient Andean civilization, offering insight into their aesthetic sensibilities, spiritual beliefs, and daily life. A fascinating glimpse into the artistic legacy of the Chancay people.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e Moderate condition. Fragmented. Age-related heavy wear, chip and abrasion. Encrustation and dust. Size varies from 5,7cm to 13,0cm. Sell as a set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eFormer collection of the archaeologist Ferdinand Anton, Germany, combined between 1950 and 1965. Ferdinand Anton was born in 1929 in Munich, Germany. He made a living by writing richly illustrated books about the art objects and religious rituals of Pre-Columbian cultures: the Aztecs, the Maya, and Andean peoples of South America. He was an explorer who flew to South America and Mexico, and hiked to remote shrines where few Westerners had set foot. He wrote more than forty books.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44829040804105,"sku":"100100102","price":85.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6735.jpg?v=1702382425"},{"product_id":"chancay-pottery-jar-fragments","title":"Chancay Pottery Jar Fragments","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ePre-Columbian era, Chancay culture, 1000-1470AD, Peru.\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eFascinating group of four unpolished, hand-painted pottery jar fragments. \u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Chancay were a pre-Columbian archaeological civilization which developed between the valleys of Fortaleza, Pativilca, Supe, Huaura, Chancay, Chillón, Rimac and Lurin, on the central coast of Peru from c. 1000AD-1470AD. \u003c\/span\u003eThe Chancay culture is defined archaeologically by a distinctive and homogeneous ceramic style. These ceramics are known from extensive cemeteries in the Chancay region, where they were included in burials as grave goods. They are generally mold-made of a peculiarly gritty clay that leaves an unpolished matte surface. Over this is painted a white slip, decorated with black or dark brown designs. \u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eModerate condition. Fragmented. Age-related heavy wear, chip and abrasion. Rich earthen deposits. Size varies from 9,5cm to 14,2cm. Sell as a set.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eFormer collection of the archaeologist Ferdinand Anton, Germany, combined between 1950 and 1965. Ferdinand Anton was born in 1929 in Munich, Germany. He made a living by writing richly illustrated books about the art objects and religious rituals of Pre-Columbian cultures: the Aztecs, the Maya, and Andean peoples of South America. He was an explorer who flew to South America and Mexico, and hiked to remote shrines where few Westerners had set foot. He wrote more than forty books.\u003c\/span\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44829135634697,"sku":"100100103","price":95.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6736.jpg?v=1702385137"},{"product_id":"chancay-pottery-figural-jar","title":"Chancay Pottery Effigy Llama Figure","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Chancay Culture, 1000–1470 AD, Peru\u003c\/h3\u003e\n\u003cp class=\"p1\"\u003eThis magnificent hand-modeled pottery effigy, depicting a standing llama, exemplifies the distinctive ceramic traditions of the Chancay culture. Crafted from gritty clay and left unpolished, the figure features an erect head, pointed ears, and a raised tail, supported by four sturdy knob feet with stubby legs. The surface is adorned with slightly curving horizontal stripes, rendered in a rich chocolate brown pigment against a creamy white ground, creating a striking visual contrast.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Chancay civilization flourished along Peru’s central coast, spanning valleys such as Fortaleza, Pativilca, Supe, Huaura, Chancay, Chillón, Rímac, and Lurín from 1000–1470 AD. Their ceramic artistry is renowned for its homogeneous style, characterized by matte surfaces, white slip coatings, and dark painted designs. Extensive cemeteries in the Chancay region have yielded numerous ceramic pieces like this effigy, which were often included as grave goods, reflecting their role in funerary rituals and cultural symbolism.\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eAs llamas were essential to Andean life, serving as beasts of burden, sources of wool, and even sacrificial offerings, this effigy likely held deep cultural and spiritual significance. A rare and evocative artifact, it provides a tangible connection to Chancay craftsmanship, funerary traditions, and the reverence for llamas in Pre-Columbian society.\u003c\/p\u003e\n\u003cp\u003eExcellent condition. No repairs or restorations. Abrasion and minor pitting, all commensurate with age. Encrustation and dust. Size approx. 14,7cm x 5,2cm x 6,0cm. \u003c\/p\u003e\n\u003cp\u003eProvenance: \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFormer collection of the archaeologist Ferdinand Anton, Germany, combined between 1950 and 1965. Ferdinand Anton was born in 1929 in Munich, Germany. He made a living by writing richly illustrated books about the art objects and religious rituals of Pre-Columbian cultures: the Aztecs, the Maya, and Andean peoples of South America. He was an explorer who flew to South America and Mexico, and hiked to remote shrines where few Westerners had set foot. He wrote more than forty books.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003eFigure of a llama, The Baltimore Museum of Art, Accession Number: 1989.192 (https:\/\/collection.artbma.org\/objects\/21789\/figure-of-a-llama)\u003c\/p\u003e\n\u003cp\u003eLlama Effigy, Michael C. Carlos Museum of Emory University, Accession Number: 1989.008.003 (https:\/\/collections.carlos.emory.edu\/objects\/3041\/llama-effigy)\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44860194980105,"sku":"100100113","price":650.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6908.jpg?v=1703246534"},{"product_id":"chimu-ceremonial-copper-alloy-knife-tumi","title":"Chimú Ceremonial Copper Alloy Knife Tumi","description":"\u003ch3 class=\"p2\"\u003ePre-Columbian Era, Chimú Culture, c. 800-1470 AD, Moche Valley, Trujillo, Peru\u003c\/h3\u003e\n\u003cp class=\"p2\"\u003eThis fantastic and historically significant Chimú tumi, crafted from thin arsenical copper, embodies the profound ritual and medical traditions of ancient Peru. Featuring a wide trapezoidal shaft and a gracefully curved crescent-shaped blade, this ceremonial knife was an essential tool in both sacred rites and practical applications. Often wrapped within a mummy bundle, the tumi was believed to serve its owner in the afterlife as a votive instrument.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThe tumi played a central role in the ceremonial practices of multiple pre-Columbian cultures along the Peruvian coast, including the Moche, Sicán, Chimú, and Inca civilizations. In Moche iconography, the tumi is depicted in sacrificial rituals, where it was used to cut the throats of offerings. Among the Inca, these distinctive crescent-bladed knives were crucial to harvest celebrations, such as Inti Raymi’rata, where the High Priest would sacrifice a llama to divine the future through its entrails—an act of profound religious significance.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eBeyond ritual use, the tumi was also a critical instrument in ancient Andean medicine, particularly in cranial trephination, an advanced form of surgery where a hole was drilled or scraped into the skull to alleviate head trauma, fractures, or psychological ailments. While ceremonial tumis were crafted from precious metals like gold, silver, and bronze, medical variations featured smaller, more practical blades suited for precision procedures.\u003c\/p\u003e\n\u003cp class=\"p2\"\u003eThis remarkable tumi is not just an artifact but a tangible link to the spiritual, ceremonial, and scientific achievements of the Chimú and their predecessors. A rare and invaluable piece, it offers collectors and historians alike a glimpse into the ingenuity and deeply rooted traditions of ancient Andean civilization.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. Age-relared wear, chip. Heavy green surface patina and encrusted mineral deposits. Light remains of ancient textile fragments and impressions on the surface. \u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eSize approx. 14,1cm x 2,9cm (blade 6,3cm) x 0,1cm.\u003c\/p\u003e\n\u003cp\u003eProvenance: Swedish private collection\u003c\/p\u003e\n\u003cp\u003eFor a similar examples see:\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTumi (knife)\u003c\/span\u003e, Princeton University Art Museum, Accession number: \u003cspan\u003ey1990-43\u003c\/span\u003e (\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ehttps:\/\/artmuseum.princeton.edu\/collections\/objects\/33453\u003c\/span\u003e)\u003c\/p\u003e\n\u003cp\u003eTumi, Virginia Museum of Fine Arts, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eAccession number: \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e2018.269 (\u003cmeta charset=\"utf-8\"\u003ehttps:\/\/vmfa.museum\/piction\/6027262-155843176\/)\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44860604252425,"sku":"100100114","price":580.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6925.jpg?v=1703257098"},{"product_id":"moche-1","title":"Moche Gilded Copper Alloy Disc Ornament","description":"\u003ch3 class=\"p1\"\u003ePre-Columbian Era, Moche Culture, Moche Phase II–IV, c. 200–600 AD, Northern Peru\u003c\/h3\u003e\n\u003cp class=\"p3\"\u003eAn exceptional and rare gilded copper disc applique, possibly representing the Sun, a powerful symbol in Moche cosmology. The ornament features a small suspension hole, suggesting it was once attached to a ceremonial object or garment.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThe precise function of such discs remains uncertain, but scholars speculate they may have served as ritual adornments for symbolic weapons, textile banners, or ceremonial hangings. The gilding technique—a fine layer of gold applied over copper—suggests an effort to mimic high-status gold ornaments, making it a striking yet more accessible alternative.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eIn Moche society, copper ornaments signified wealth and elevated status, though gold and silver were exclusively reserved for royalty and the nobility. The Moche civilization (c. 200–700 AD), also known as the Mochicas, thrived along the northern coast of Peru, preceding the Inca Empire. They are celebrated for their masterful ceramics, advanced metalwork, grand ceremonial pyramids (huacas), and sophisticated irrigation systems.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003eThis stunning artifact stands as a testament to Moche craftsmanship and their rich ceremonial traditions, offering a glimpse into one of the most artistically advanced cultures of pre-Columbian South America.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eGood condition. \u003c\/span\u003eWear commensurate with age and use. \u003cspan\u003eReddish green surface patina and encrusted mineral deposits, \u003c\/span\u003ewith small areas of remaining gilding. Size approx. 6,5cm x 6,5cm x 0,1cm.\u003cmeta charset=\"utf-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eProvenance: \u003cmeta charset=\"utf-8\"\u003eFormer collection of the archaeologist Ferdinand Anton, Germany, combined between 1950 and 1965. Ferdinand Anton was born in 1929 in Munich, Germany. He made a living by writing richly illustrated books about the art objects and religious rituals of Pre-Columbian cultures: the Aztecs, the Maya, and Andean peoples of South America. He was an explorer who flew to South America and Mexico, and hiked to remote shrines where few Westerners had set foot. He wrote more than forty books.\u003c\/span\u003e\u003c\/p\u003e","brand":"Göta's World","offers":[{"title":"Default Title","offer_id":44860678996233,"sku":"100100115","price":285.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0695\/1557\/5561\/files\/IMG_6928.jpg?v=1703259734"}],"url":"https:\/\/gotasworld.com\/collections\/peru.oembed?page=9","provider":"Göta's World","version":"1.0","type":"link"}