Ming Dynasty Sancai Glazed Pottery Sedan Chair or Palanquin

Ming dynasty, c. 1550-1600, North China.

Absolutely stunning pottery model of Sedan chair or palanquin. The Ming dynasty, officially the Great Ming, was the ruling dynasty of China from 1368 to 1644. In ancient China the "spirit goods (mingqi) were items made to accompany the deceased in burial. The figures provide an insights into belief systems and the daily life's of the Chinese over a thousand-year period. They reveal both how people in early China approached death and how they lived. Burial figurines were popularized during the formative Han dynasty and endured through the turbulent Six Dynasties period and the later reunification of China in the Sui and Tang dynasties. Later, in the Ming dynasty, the tradition again surfaced to outdo the Tang, if not in quality so at least in quantity. Pottery ware were lined outside the tomb before the coffin was taken inside, and then placed and arranged inside the tomb. The size and number of the figures in a grave depended on the rank of the deceased, as did the number that were glazed. These figures were most often of servants, soldiers (in male tombs) and attendants, like dancers, musicians and courtesans. Animals are most often horses and Bactrian camels. Sometimes the terracotta figurines were coloured in sancai (meaning three colours) glaze, utilising green and amber glaze on cream. The green-and-brown lustrous lead glazes were developed imitating more expensive bronze items and made with a green glaze probably imported from Rome. Unglazed figurines are rarer compared to the glazed ones, since unfired pigments are more prone to flaking. 

Mesmerizing terracotta palanquin, featuring an everted flange roof, crowned by a lotus bud-shaped ornament, intricately decorated, hatched screens to the sides and rear, and an open front fact with stepped seat. The piece is glazed in black, bright ochre and green, the traditional colours for glazing used in the sancai technique. The palanquin, which was used in ancient China as a type of transport by the aristocracy, would have been originally part of a larger composition, including musicians and court attendants. Excellent condition. Intact. Age-related wear and abrasion. Fritting and glazing flaws. Size approx. 32,5cm x 14,5cm x 14,0cm. 

Provenance: Danish private collection

For a similar example see:

Model of sedan chair, Asian Civilisations Museum, National Heritage Board, Singapore, Accession Number: 1993-00112 (https://www.roots.gov.sg/en/collection-landing/listing/1063026)

References and further reading:

The Matter of Tang Tomb Figures; A New Perspective on a Group of Terracotta Animals and Riders, Lucien Van Valen & Isabelle Garachon, The Rijksmuseum Bulletin, Volume 62. pp. 218-239, 2014.

Dream of Ideal Life in Ancient China: Ceramic Miniatures of Architectures, Household Goods, People and Animals, Aichi.ken Toji Shiryokan, Seto, 2005, no. 14, p. 34.

Antecedents of Sui-Tang Burial Practices in Shaanxi, Mary Fong, Artibus Asiae 51, no:s. 3–4 (1991), pp. 147–98.

Mingqi - Items for the next world, Jan-Erik Nilsson, Gotheborg.com (https://gotheborg.com/glossary/mingqi.shtml)

Immortality of the Spirit: Chinese Funerary Art from the Han and Tang Dynasties Exhibition Catalogue, Jill J. Deupi, Ive Covaci & Leopold Swergold, Immortality of the Spirit - Ephemera. 1, Fairfield University, 2012. (https://digitalcommons.fairfield.edu/immortality_ephemera/1)

The Vibrant Role of Mingqi in Early Chinese Burials, Heilbrunn Timeline of Art History, Heather Colburn Clydesdale, Independent Scholar, The Metropolitan Museum of Art, April 2009. (www.metmuseum.org/toah/hd/mgqi/hd_mgqi.htm)