Vicús Phytomorphic Pottery Hanging Vessel

Pre-Columbian Era, Vicús Culture, c. 500 BC to 600 AD, Piura Region, Peru

This extraordinary and exceedingly rare Vicús phytomorphic pottery hanging vessel, dating from approximately 500 BC to 600 AD, is a striking example of Pre-Columbian artistry from the Piura Region of Peru. Sculpted in the form of a stylized vegetable, it most likely represents the yacón (Smallanthus sonchifolius) root, a tuber known for its sweet taste, high sugar and starch content, and vibrant yellow flowers. The yacón, often referred to as the "Peruvian ground apple" due to its resemblance in name to the French "pomme de terre" (potato), was a vital part of ancient Andean agriculture and diet.

Phytomorphic effigy vessels like this were believed to serve a ritualistic purpose, potentially placed in Vicús burials as offerings to nourish the deceased in the afterlife, as tributes to supernatural forces, or as commemorations of significant events. The organic, bulbous form of this vessel evokes the natural shape of the yacón root, while its gracefully tapered spout and prominent circular suspension loop suggest it was designed for hanging, possibly in ceremonial or domestic contexts. The russet-hued surface, enriched with cream and white stripes, adds to its striking visual appeal.

The Vicús culture, situated in the northernmost coastal region of Peru, remains one of the most enigmatic civilizations of the Pre-Columbian era. Though its chronology remains debated, scholars generally place its emergence between 1000 BC and 200 BC, lasting until approximately 300 AD to 600 AD. Centered around "Cerro Vicús," its strategic highland location connected it with other Andean societies, facilitating trade and cultural exchange. Agriculture was the foundation of the Vicús economy, with advanced irrigation techniques supporting the cultivation of maize, squash, and various fruits. These agrarian practices were complemented by hunting and animal husbandry.

Vicús artisans were highly skilled in ceramics, metallurgy, and goldsmithing, producing artifacts of remarkable technical precision and aesthetic refinement. Their pottery, influenced by the Salinar and Gallizano cultures as well as Ecuadorian traditions, is distinguished by its sculptural quality, bold forms, and intricate painted ornamentation. While sharing stylistic elements with the renowned Moche civilization, Vicús ceramics exhibit a unique color palette, surface treatment, and iconography that set them apart.

This remarkable vessel, with its elegantly contoured form and masterful craftsmanship, stands as a testament to the ingenuity and cultural sophistication of the Vicús people. It offers a rare glimpse into the intersection of art, agriculture, and ritual in the ancient Andean world, preserving the legacy of a civilization that thrived along the Pacific coastline over two millennia ago.

Excellent condition. Surface wear and abrasions commensurate with age and use, with fading to some finer features, and light encrustations within recessed areas. Nice earthen deposits throughout. Size approx. 16,0cm x 14,8cm x 9,5cm.

Provenance: According to information, from the collection of Paul Ragnar Wedendal Sr. & Paul Wedendal Jr. Wedendal Sr. acquired Pre-Columbian art during his travels in the 1940s-1950s.